Asante Ntahera Trumpets in Ghana

Asante Ntahera Trumpets in Ghana
Author: Joseph S.Kaminski
Publisher: Routledge
Total Pages: 232
Release: 2016-12-05
Genre: Music
ISBN: 1351956876

Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.

Asante Court Music and Verbal Arts in Ghana

Asante Court Music and Verbal Arts in Ghana
Author: Kwasi Ampene
Publisher: Routledge
Total Pages: 297
Release: 2020-06-14
Genre: Music
ISBN: 1000060322

Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets, and a cane flute, the book includes a critical assembly of ancient song texts, the poetry of bards (kwadwom), and referential poetry performed by members of the constabulary (apae). The focus is on the intersections between lived experience, music, and values, and refers to musical examples drawn from court ceremonies, rituals, festivals, as well as casual performances elicited in the course of fieldwork. For the Asante, the performing arts are complex sites for recording and storing personal experiences, and they have done so for centuries with remarkable consistency and self-consciousness. This book draws on archaeological, archival, historical, ethnographical and analytical sources to craft a view of the Asante experience as manifested in its musical and allied arts. Its goal is to privilege the voices of the Asante and how they express their history, religious philosophy, social values, economic, and political experiences through the musical and allied arts. The author’s theoretical formulation includes the concept of value, referring to ideas, worldview concepts, beliefs, and social relationships that inform musical practices and choices in Asante.

Bouncing Back

Bouncing Back
Author: Tamara Enomoto
Publisher: African Books Collective
Total Pages: 415
Release: 2022-11-10
Genre: Social Science
ISBN: 9956553263

In 2018 South Africa's so-called "mother city", Cape Town came into the global spotlight as being the first city in the world to (almost) "run out of water," a crisis that only exacerbated the pressures placed upon a population staggering under socio-economic and politically-tinged environmental predicaments. Japan on the other hand has long sustained an international reputation for the massive scale of natural and anthropocentric crises its people have faced, overcome, and succumbed to. The most recent (pre-Pandemic) occurrence of which being the 2011 tsunami and Fukushima Daiima nuclear plant accident. What comes to mind when Japan, South Africa, and the notion of resilience are mentioned in the same utterance? Well, considering how societies respond to disaster, (man-made and natural), Japan and South Africa feature high on many lists both for our triumphs and our failures to account for the most vulnerable among us in moments of catastrophe. This edited volume draws on transdisciplinary perspectives and multi-sited research to reflect on the high stakes involved when people are expected to repeatedly survive crisis. The authors take "resilience" as a contested yet generative lens through which to examine some of the most salient questions of our time. Culled from two seemingly disparate geopolitical locales, the insights offered here are hauntingly connected, shedding light on questions of collective and individual responses to calamity - questions that, in the wake of the Covid-19 global pandemic, are now urgently being grappled with by everyone, everywhere.

That's the Joint!

That's the Joint!
Author: Murray Forman
Publisher: Psychology Press
Total Pages: 652
Release: 2004
Genre: Hip-hop
ISBN: 9780415969192

Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.

The Black Experience in America

The Black Experience in America
Author: Norman Coombs
Publisher: Simon and Schuster
Total Pages: 325
Release: 2013-11-01
Genre: History
ISBN: 1627936866

In three parts, Norman Coomb's addresses the history of the African Americans beginning with the slave trade to the fight for freedom and lastly to the search for equality.

African Roots, Brazilian Rites

African Roots, Brazilian Rites
Author: C. Sterling
Publisher: Springer
Total Pages: 264
Release: 2012-09-06
Genre: Political Science
ISBN: 1137010002

This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.

Engaging Modernity

Engaging Modernity
Author: Kwasi Ampene
Publisher: Maize Books
Total Pages: 0
Release: 2016
Genre: Ashanti (African people)
ISBN: 9781607853664

Engaging Modernity is the definitive history of Asante royal regalia and music ensembles. This second edition includes an ethnographical account of the 2014 Asanteman Grand Adae festival that prominently features the complex heritage of the visual and the performing arts in motion. Ampene's contextual account illuminates the historical narratives the regalia objects render as they move through space and time, as well as the metalanguage embodied in the objects and the symbolic language they convey in Akanland. The book combines text with over three hundred color photographs to construct subtle and nuanced views of the material culture associated with Asante royal court in the twenty-first century. Engaging Modernity is an essential and a vast transdisciplinary resource for the humanities and beyond.

The African Imagination in Music

The African Imagination in Music
Author: Victor Kofi Agawu
Publisher: Oxford University Press
Total Pages: 389
Release: 2016
Genre: History
ISBN: 0190263202

The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.