Catalogue of the First Exhibition
Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 192 |
Release | : 1888 |
Genre | : Arts and crafts movement |
ISBN | : |
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Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 192 |
Release | : 1888 |
Genre | : Arts and crafts movement |
ISBN | : |
Author | : Arts and Crafts Exhibition Society |
Publisher | : DigiCat |
Total Pages | : 220 |
Release | : 2022-09-16 |
Genre | : Design |
ISBN | : |
DigiCat Publishing presents to you this special edition of "Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society" by Arts and Crafts Exhibition Society. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 160 |
Release | : 1919 |
Genre | : Arts and crafts movement |
ISBN | : |
Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 454 |
Release | : 1903 |
Genre | : Arts and crafts movement |
ISBN | : |
Author | : Thomas James Cobden-Sanderson |
Publisher | : Alpha Edition |
Total Pages | : 56 |
Release | : 1905 |
Genre | : History |
ISBN | : |
"Have nothing in your house that you do not know to be useful, or believe to be beautiful." This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the "soulless" Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.
Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 12 |
Release | : 1959 |
Genre | : Arts and crafts movement |
ISBN | : |
Author | : Arts and Crafts Exhibition Society |
Publisher | : |
Total Pages | : 448 |
Release | : 1893 |
Genre | : Arts and crafts movement |
ISBN | : |
Author | : Karen Livingstone |
Publisher | : Victoria & Albert Museum |
Total Pages | : 0 |
Release | : 2005 |
Genre | : Arts and crafts movement |
ISBN | : 9781851774456 |
Now in paperback, this lavishly illustrated and extensively researched book is a major contribution to a wider understanding of Arts and Crafts and an invaluable visual record of an ever-popular era of design. Leading scholars explore the varied characteristics of the regional, national and international manifestations of Arts and Crafts, looking at the work of many of the movement's leading designers. Additional material on photography, architecture and gardens, and the inclusion of painting and sculpture as integral to the movement, as well as the focus on its later emergence in Japan, all contribute to enriching our understanding and appreciation of Arts and Crafts.
Author | : Peter Cormack |
Publisher | : Paul Mellon Centre |
Total Pages | : 0 |
Release | : 2015 |
Genre | : ANTIQUES & COLLECTIBLES |
ISBN | : 9780300209709 |
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art