Artivisim
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| Author | : Elvira Pulitano |
| Publisher | : Springer Nature |
| Total Pages | : 246 |
| Release | : 2022-07-20 |
| Genre | : History |
| ISBN | : 3031059921 |
This book is an interdisciplinary study aimed at re-imagining and re-routing contemporary migrations in the Mediterranean. Drawing from visual arts, citizenship studies, film, media and cultural studies, along with postcolonial, border, and decolonial discourses, and examining the issues from within a human rights framework, the book investigates how works of cultural production can offer a more complex and humane understanding of mobility in the Mediterranean beyond representations of illegality and/or crisis. Elvira Pulitano centers the discourse of cultural production around the island of Lampedusa but expands the island geography to include a digital multi-media project, a social enterprise in Palermo, Sicily, and overall reflections on race, identity, and belonging inspired by Toni Morrison’s guest-curated Louvre exhibit The Foreigner’s Home. Responding to recent calls for alternative methodologies in thinking the modern Mediterranean, Pulitano disseminates a fluid archive of contemporary migrations reverberating with ancestral sounds and voices from the African diaspora along a Mediterranean-TransAtlantic map. Adding to the recent proliferation of social science scholarship that has drawn attention to the role of artistic practice in migration studies, the book features human stories of endurance and survival aimed at enhancing knowledge and social justice beyond (and notwithstanding) militarized borders and failed EU policies.
| Author | : Andrea Medrado |
| Publisher | : Taylor & Francis |
| Total Pages | : 179 |
| Release | : 2023-05-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000871452 |
This book analyses a South-to-South connection between media activists and artivists – artists who are activists – in the Global South. The authors, Andrea Medrado and Isabella Rega, emphasise the urgent need to engage in South-to-South dialogues in order to create more sustainable connections between Global South communities and as an essential step towards identifying and facing global problems, such as state repression, social inequality and climate crises. Medrado and Rega analyse the characteristics of this connection, identify its unique contributions to the study of media and social change and discuss its long-term sustainability. They do so by focusing on instances when media narratives in countries of different Global South(s) intertwine and transform each other; specifically, the exchanges between Latin America (Brazil) and Africa (Kenya). They explore how media activism and artivism can be used as tools for global movement building and to challenge colonial legacies. They also discuss how to connect people with varied skill sets in different Global South contexts, promoting South-to-South solidarity, in a cross-continental challenge to marginalisation. Crucial reading for students and scholars of media activism, social movements, global media and communication, development studies and international studies, as well as activists and social movement organisations.
| Author | : Stephen Duncombe |
| Publisher | : OR Books |
| Total Pages | : 368 |
| Release | : 2021-11-02 |
| Genre | : Art |
| ISBN | : 9781682192696 |
The Art of Activism is an all-purpose guide to artistic activism, combining the creative power of the arts to move us emotionally with the strategic planning of activism necessary to bring about social change. With contemporary case studies and historical examples, chapters on cultural and cognitive theory, sections on what can be learned from unlikely sources like popular culture and marketing techniques, along with investigations into ethics and evaluation, explorations of the creative process and the importance of utopian thinking, and an attached workbook with over fifty exercises to practice, the co-founders of the Center for Artistic Activism take readers step-by-step through the process of becoming, or becoming even better, artistic activists.
| Author | : Katy Deepwell |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 2020-03-03 |
| Genre | : Art |
| ISBN | : 9789492095725 |
The first volume in the new ?Plural? series, this publication seeks to critically dissect the term ?activism?, which today seems to have become a catchword for any woman?s empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
| Author | : Alexander Adams |
| Publisher | : Andrews UK Limited |
| Total Pages | : 223 |
| Release | : 2022-07-21 |
| Genre | : Art |
| ISBN | : 1788360923 |
From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. From international biennale to newspaper pages, artivism is everywhere. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts. Yet, is this fusion of art and activism all it seems? Are artivist messages as subversive and anti-authoritarian we assume they are? How has the art trade commodified protest and how have activists parasitised art venues? Is artivism actually an arm of the establishment? Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism. He uncovers troubling ethical infractions within public organisations and a culture of complacent self-congratulation in the arts. His findings suggest the perception of artivism – the most influential art practice of the twenty-first century – as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk.
| Author | : Ashmina Ranjit |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9789937928830 |
With women and their lived experiences as her major themes - many people call Ashmina Ranjit a feminist. Her oeuvre includes paintings, installation and performance art and despite its very strong focus on 'women' as subjects, is not limited to it. She has effectively used art to magnify her voice about issues that she strongly feels for - issues ranging from oppression, the taboo issues of women's identity, sexuality and menstruation but also environmental and hard political issues. Artivist is exactly what she is. Her sensitivity- matched by the range of themes, forms and mediums that she uses - create works of art that disturb people, push them out of their comfort zone, make them think, and spur them to act.
| Author | : Martha Gonzalez |
| Publisher | : University of Texas Press |
| Total Pages | : 181 |
| Release | : 2020-07-27 |
| Genre | : Art |
| ISBN | : 1477321136 |
As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s. Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas.
| Author | : Anna Everett |
| Publisher | : MIT Press |
| Total Pages | : 208 |
| Release | : 2008 |
| Genre | : Computers |
| ISBN | : 0262550679 |
An exploration of how issues of race and ethnicity play out in a digital media landscape that includes MySpace, post-9/11 politics, MMOGs, Internet music distribution, and the digital divide. It may have been true once that (as the famous cartoon of the 1990s put it) "Nobody knows you're a dog on the Internet," and that (as an MCI commercial of that era declared) on the Internet there is no race, gender, or infirmity, but today, with the development of web cams, digital photography, cell phone cameras, streaming video, and social networking sites, this notion seems quaintly idealistic. This volume takes up issues of race and ethnicity in the new digital media landscape. The contributors address this topic--still difficult to engage honestly, clearly, empathetically, and with informed understanding in twenty-first century America--with the goal of pushing consideration of a vexing but important subject from margin to center. Learning Race and Ethnicity explores the intersection of race and ethnicity with post 9/11 politics, online hate-speech practices, and digital youth and media cultures. It examines universal access and the racial and ethnic digital divide from the perspective of digital media learning and youth. The chapters treat such subjects as racial identity in the computer-mediated public sphere, minority technology innovators, new methods of music distribution, digital artist Judy Baca's work with youth, Native American digital media literacy, and minority youth technology access and the pervasiveness of online health information. Contributors Ambar Basu, Graham D. Bodie, Dara N. Byrne, Jessie Daniels, Mohan J. Dutta, Raiford Guins, Guisela Latorre, Antonio López, Chela Sandoval, Tyrone D. Taborn, Douglas Thomas
| Author | : Chris Broodryk |
| Publisher | : NYU Press |
| Total Pages | : 285 |
| Release | : 2021-07-01 |
| Genre | : History |
| ISBN | : 1776146921 |
This edited collection gives voice to neglected public intellectuals in the arts, humanities, and journalism in South Africa who gave voice and presence to those who have been marginalized and silenced in South African history Edward Said described a public intellectual as someone who uses accessible language to address a designated public on matters of social and political significance. The essays in Public Intellectuals in South Africa apply this interpretive prism and activist principle to a South African context and tell the stories of well-known figures as well as some that have been mostly forgotten. They include Magema Fuze, John Dube, Aggrey Klaaste, Mewa Ramgobin and Koos Roets, alongside marginalized figures such as Elijah Makiwane, Mandisi Sindo, William Pretorius and Dr Thomas Duncan Greenlees. The essays capture the thoughts and opinions of these historical figures, who the contributors argue are public intellectuals who spoke out against the corruption of power, promoted a progressive politics that challenged the colonial project and its legacies, and encouraged a sustained dissent of the political status quo. Offering fascinating accounts of the life and work of these writers, critics and activists across a range of historical contexts and disciplines, from journalism and arts criticism to history and politics, it enriches the historical record of South African public intellectual life. This volume makes a significant contribution to ongoing debates about the value of research in the arts and humanities, and what constitutes public intellectualism in South Africa.
| Author | : Yxta Maya Murray |
| Publisher | : Cornell University Press |
| Total Pages | : 246 |
| Release | : 2024-06-15 |
| Genre | : Art |
| ISBN | : 150177560X |
We Make Each Other Beautiful focuses on woman of color and queer of color artists and artist collectives who engage in direct political action as a part of their art practice. Defined by public protest, rule-breaking, rebellion, and resistance to governmental and institutional abuse, direct-action "artivism" draws on the aims, radical spirit, and tactics of the civil rights and feminist movements and on the struggles for disability rights, queer rights, and immigrant rights to seek legal and social change. Yxta Maya Murray traces the development of artivism as a practice from the Harlem Renaissance to Yoko Ono, Judy Baca, and Marsha P. Johnson. She also studies its role in transforming law and society. We Make Each Other Beautiful profiles the work and lives of four contemporary artivists —Carrie Mae Weems, Young Joon Kwak, Tanya Aguiñiga, and Imani Jacqueline Brown—and the artivist collective Drawn Together, combining new oral histories with sharp analyses of how their diverse and expansive artistic practices bear important aesthetic and politicolegal meanings that address a wide range of injustices.
