Artists Of Colonial America
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Author | : Deborah M. Sonnenstrahl |
Publisher | : Dawnsign Press |
Total Pages | : 456 |
Release | : 2002 |
Genre | : Art |
ISBN | : |
Presents a collection of black-and-white and full-coclor photographs, drawings, and paintings by a number of deaf artists in America and includes illustrations and descriptions of each selection.
Author | : Lance Mayer |
Publisher | : Getty Publications |
Total Pages | : 316 |
Release | : 2013 |
Genre | : Art |
ISBN | : 1606061356 |
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
Author | : Carolyn J. Weekley |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art and history |
ISBN | : 9780300190762 |
This beautifully illustrated volume presents the complex ways in which the lives of artists, clients, and sitters were interconnected in the early American South. During this period, paintings included not only portraits, but also seascapes, landscapes, and pictures made by explorers and naturalists. The first comprehensive study of this subject, Painters and Paintings in the Early American South draws upon materials including diaries, correspondence, and newspapers in order to explore the stylistic trends of the period and the lives of the sitters, as gentility spread from the wealthiest southerners to the middle class. Featuring works by John Singleton Copley, Charles Willson Peale, and Benjamin West, among many others, this important book examines the training and status of painters, the distinction between fine art and the mechanical arts, the popularity of portraiture, and the nature of clientele between 1540 and 1790, providing a new, critical understanding of the history of art in the American South. Published in association with the Colonial Williamsburg Foundation Exhibition Schedule: Colonial Williamsburg Foundation(03/23/13-09/07/14)
Author | : Mary Ellen Snodgrass |
Publisher | : Rowman & Littlefield |
Total Pages | : 401 |
Release | : 2017-11-10 |
Genre | : Art |
ISBN | : 1442270977 |
Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.
Author | : Gauvin A. Bailey |
Publisher | : Phaidon Press Limited |
Total Pages | : 452 |
Release | : 2005-02 |
Genre | : Architecture |
ISBN | : |
A lively survey of a critical period of Latin American art.
Author | : Susan Rather |
Publisher | : Paul Mellon Centre |
Total Pages | : 0 |
Release | : 2016 |
Genre | : ART |
ISBN | : 9780300214611 |
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art
Author | : Paul Staiti |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 546 |
Release | : 2016-10-18 |
Genre | : History |
ISBN | : 1632864673 |
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
Author | : Edward J. Sullivan |
Publisher | : Penn State University Press |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art, Latin American |
ISBN | : 9780271079523 |
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.
Author | : Alan Feduccia |
Publisher | : UNC Press Books |
Total Pages | : 222 |
Release | : 1999-02-01 |
Genre | : Nature |
ISBN | : 9780807848166 |
With this lovely and informative volume, Alan Feduccia preserves the pathbreaking work of Mark Catesby, the English naturalist and illustrator who founded natural history and bird art in America. First published by UNC Press in 1985, the book features all
Author | : Aaron M. Hyman |
Publisher | : Getty Publications |
Total Pages | : 322 |
Release | : 2021-08-03 |
Genre | : Art |
ISBN | : 1606066862 |
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.