Artists Market 1991
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Author | : Lauri Miller |
Publisher | : Writer's Digest Books |
Total Pages | : 684 |
Release | : 1990 |
Genre | : Education |
ISBN | : 9780898794267 |
Graphic artists and fine artists looking for new marketing opportunities will find 2,500 buyers of all types of art in this new edition of Artist's Market. Handy information on tapping local markets and informative articles give artists the tips they need to succeed.
Author | : Alessia Zorloni |
Publisher | : Springer Science & Business Media |
Total Pages | : 195 |
Release | : 2013-04-16 |
Genre | : Business & Economics |
ISBN | : 3642324053 |
The book examines the contemporary art system with a broad and systematic approach, through the application of models of microeconomics and industrial organizations. By breaking down the traditional barriers between different academic disciplines such as art and economics, this book offers a unique opportunity to grasp the complexities of the contemporary art world and provides the tools to conduct a structural analysis of that market. The result is an in-depth analysis of the contemporary art market from an interdisciplinary perspective. While it is not a textbook in the strictest sense, the book offers a concise and effective overview of all actors in the art system, and provides supporting data and valuable information, both conceptual and practical. It is therefore a text that can be used by students wishing to better understand the complex dynamics that govern the contemporary art market, but also by cultural managers, collectors, potential art investors or simply art lovers who need a quick reference.
Author | : Elisabetta Lazzaro |
Publisher | : Taylor & Francis |
Total Pages | : 231 |
Release | : 2021-05-25 |
Genre | : Art |
ISBN | : 1000361683 |
Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets. In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance of networks are analysed by scholars of different disciplines. With insights from across the humanities and social sciences, the book explores how different methods can coexist to create an interdisciplinary international community of knowledge and research on art markets. Moreover, by providing historical as well as contemporary examples, this book explores the continuum and diversity of the art market. Overall, this book provides a valuable tool for understanding art markets within their wider context. The volume is of interest to scholars researching into the cultural and creative industries from a wider perspective.
Author | : Iain Robertson |
Publisher | : Taylor & Francis |
Total Pages | : 323 |
Release | : 2024-11-29 |
Genre | : Art |
ISBN | : 1040256961 |
The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes. Readers of the book will gain awareness of how historical foundations of arts markets continue to impact on contemporary global developments, while transformational digital technology shakes up the art world. With new insights into emerging arts markets, the book also covers themes and phenomena such as NFTs, secrecy, platforms, and financialization in the arts. The result is a book that will prove valuable reading for scholars involved in art markets studies.
Author | : Claartje Rasterhoff |
Publisher | : MDPI |
Total Pages | : 156 |
Release | : 2020-03-16 |
Genre | : Art |
ISBN | : 3039219707 |
This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.
Author | : Iain Robertson |
Publisher | : Routledge |
Total Pages | : 388 |
Release | : 2015-10-30 |
Genre | : Art |
ISBN | : 1135091935 |
The global art market has recently been valued at close to $50bn - a rise of over 60% since the global financial crisis. These figures are driven by demand from China and other emerging markets, as well as the growing phenomenon of the artist bypassing dealers as a market force in his/her own right. This new textbook integrates, updates and enhances the popular aspects of two well-regarded texts - Understanding International Arts Markets and The Art Business. Topics covered include: Emerging markets in China, East Asian, South East Asian, Brazilian, Russian, Islamic and Indian art, Art valuation and investment, Museums and the cultural sector. This revitalized new textbook will continue to be essential reading for students on courses such as arts management, arts marketing, arts business, cultural economics, the sociology of arts, and cultural policy.
Author | : Wu Hung |
Publisher | : The Museum of Modern Art |
Total Pages | : 474 |
Release | : 2010 |
Genre | : Art, Chinese |
ISBN | : 0870706470 |
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Author | : John Ruskin |
Publisher | : |
Total Pages | : 264 |
Release | : 1867 |
Genre | : Art |
ISBN | : |
Author | : Frank J. Fabozzi |
Publisher | : John Wiley & Sons |
Total Pages | : 868 |
Release | : 2008-11-03 |
Genre | : Business & Economics |
ISBN | : 0470391073 |
Volume I: Financial Markets and Instruments skillfully covers the general characteristics of different asset classes, derivative instruments, the markets in which financial instruments trade, and the players in those markets. It also addresses the role of financial markets in an economy, the structure and organization of financial markets, the efficiency of markets, and the determinants of asset pricing and interest rates. Incorporating timely research and in-depth analysis, the Handbook of Finance is a comprehensive 3-Volume Set that covers both established and cutting-edge theories and developments in finance and investing. Other volumes in the set: Handbook of Finance Volume II: Investment Management and Financial Management and Handbook of Finance Volume III: Valuation, Financial Modeling, and Quantitative Tools.
Author | : Titia Hulst |
Publisher | : Univ of California Press |
Total Pages | : 432 |
Release | : 2017-09-19 |
Genre | : Antiques & Collectibles |
ISBN | : 0520290623 |
This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art’s inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume’s unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses.