Artist-run Spaces

Artist-run Spaces
Author: Gabriele Detterer
Publisher: Jrp Ringier
Total Pages: 0
Release: 2012
Genre: Art
ISBN: 9783037641910

This volume was developed in collaboration with founders of important and exemplary artist-run spaces of the 1960s-1970s.It represents the first extensive research on this subject and introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, MOCA in San Francisco, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver, and Zona in Florence.The founders of these artist-run spaces include Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. At a time of transition to new aesthetic approaches, these artists promoted community spirit and organizational skills, pioneering a revaluation of traditional art concepts.The book documents not only the activities of these spaces, but also maps the artistic strategies and positions that took currency during this period. It thus shows how the inner life of collective self-organization and the exchange between like-minded artist-run spaces developed dynamically.The book is part of the Documents series and is co-published with Zona Archives.

Inventing Downtown

Inventing Downtown
Author: Melissa Rachleff
Publisher: National Geographic Books
Total Pages: 0
Release: 2017-01-10
Genre: Art
ISBN: 3791355589

This enlightening and thought-provoking look at New York City’s postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline— have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klu&̈ver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.

Artist-run Europe

Artist-run Europe
Author: Gavin Murphy
Publisher: Onomatopee
Total Pages: 204
Release: 2016
Genre: Alternative spaces (Arts facilities)
ISBN: 9789491677564

Part how-to manual, part history, part sociopolitical critique, Artist-Run Europe looks

How to Start and Run a Commercial Art Gallery (Second Edition)

How to Start and Run a Commercial Art Gallery (Second Edition)
Author: Edward Winkleman
Publisher: Simon and Schuster
Total Pages: 238
Release: 2018-11-13
Genre: Art
ISBN: 1621536572

“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.

Alternative Histories

Alternative Histories
Author: Lauren Rosati
Publisher: National Geographic Books
Total Pages: 0
Release: 2012-09-14
Genre: Art
ISBN: 0262017962

A groundbreaking history of pioneering alternative art venues in New York where artists experimented, exhibited, and performed outside the white cube and the commercial mainstream. This groundbreaking book—part exhibition catalogue, part cultural history—chronicles alternative art spaces in New York City since the 1960s. Developed from an exhibition of the same name at Exit Art, Alternative Histories documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites—including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others—that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context. Contributors Jacki Apple, Papo Colo, Jeanette Ingberman, Melissa Rachleff, Lauren Rosati, Mary Anne Staniszewski, Herb Tam Interviewees Steve Cannon, Rhys Chatham, Peter Cramer and Jack Waters, Carol Goodden, Alanna Heiss, Bob Lee, Joe Lewis, Inverna Lockpez, Ann Philbin, Anne Sherwood Pundyk and Karen Yama, Irving Sandler, Adam Simon, Martha Wilson

The Making of the American Creative Class

The Making of the American Creative Class
Author: Shannan Clark
Publisher: Oxford University Press, USA
Total Pages: 609
Release: 2020-12-16
Genre: Cultural industries
ISBN: 0199731624

The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.

Alternative Art, New York, 1965-1985

Alternative Art, New York, 1965-1985
Author: Julie Ault
Publisher: U of Minnesota Press
Total Pages: 410
Release: 2002
Genre: Art
ISBN: 9780816637942

A sweeping history of the New York art scene during the 1960s, 1970s, and 1980s reveals a powerful "alternative" art culture that profoundly influenced the mainstream. Simultaneous. (Fine Arts)

Institutions by Artists

Institutions by Artists
Author: Jeff Khonsary
Publisher: Fillip Editions
Total Pages: 240
Release: 2018-09-25
Genre: Art
ISBN: 9781927354339

The second volume of Institutions by Artists looks at various global artist-run centers and initiatives within the historical contexts that saw their emergence--among them Western Front (Vancouver), Alice Yard (Trinidad and Tobago), ASCO (Los Angeles) and General Idea (Toronto). It compiles material presented at and around the Institutions by Artists conference, organized in Vancouver in 2012, documenting a series of historical and theoretical texts on artist-led practices as well as transcripts of two debates investigating the professionalization and state sponsorship of art.

An Act of Showing

An Act of Showing
Author: Chris Kraus
Publisher:
Total Pages:
Release: 2018
Genre:
ISBN: 9780987118943

A starting point and inspiration for the exhibition/symposium was Chris Kraus¿s short text ¿Kelly Lake Store and Other Stories,¿ a text that speaks to the dilemmas of globalization and the growing inequality that the current form of globalized capital is creating. For Kraus, as for philosopher Jeff Malpas, "place" and where you are in the world, matter. In the context of our constant connection through the internet, it can seem as if actual, physical and material place has diminished in importance. The proposition of the exhibition and this publication is, on the contrary, that physical, material place is still of the greatest importance. It still matters, even if the ways that it matters are contested and varied. The project recognized that one of the strengths of artist-run initiatives is their appearance and presence in a specific location/place. This focus on location/place recognized the importance of local production and local knowledge and by inviting a range of ARIs from across Australia and the Asia Pacific the exhibition performed a program of `trans-locality¿ that is, ¿the local in relation to local rather than local to global.¿ In writing of the significance of the `trans-local¿ curator Nina Möntmann concludes that it is small artist-run spaces and initiatives that hold out the possibility for an alternative to the dominant and ubiquitous neoliberal economies which fuel the international and globalized `branded and franchised¿ art institutions that run mainly for profit. Concurring with Möntmann¿s critique of our current situation, the project, both the exhibition and symposium invited a range of ARIs to engage in a material conversation on the importance of place, for them, through sending us artworks. These material objects of expression became testament to the connections and networks that were made in the course of the project.