Artisans Objects And Everyday Life In Renaissance Italy
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| Author | : Paula Hohti-Erichsen |
| Publisher | : Amsterdam University Press |
| Total Pages | : 366 |
| Release | : 2020-11-12 |
| Genre | : Art |
| ISBN | : 9048550262 |
Did ordinary Italians have a 'Renaissance'? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenthcentury visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
| Author | : Evelyn S. Welch |
| Publisher | : Yale University Press |
| Total Pages | : 428 |
| Release | : 2005-01-01 |
| Genre | : History |
| ISBN | : 9780300107524 |
Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance marketplace. Thereafter, Welch looks at the impact these attitudes had on the developing urban spaces of Renaissance cities, before turning to more transient forms of sales such as fairs, auctions and lotteries. In the third section, she examines the consumers themselves, asking how the mental, verbal and visual images of the market shaped the business of buying and selling. Finally, the book explores two seemingly very different types of commodities - antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 304 |
| Release | : |
| Genre | : Art |
| ISBN | : 9780271048147 |
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
| Author | : Marina Belozerskaya |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2005-10-01 |
| Genre | : Art |
| ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
| Author | : Bosiljka Raditsa |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 225 |
| Release | : 2000 |
| Genre | : Art, Renaissance |
| ISBN | : 0870999532 |
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
| Author | : Chiara E. Scappini |
| Publisher | : Amsterdam University Press |
| Total Pages | : 248 |
| Release | : 2017-11-22 |
| Genre | : History |
| ISBN | : 9048535271 |
The Fonte Gaia from Renaissance to Modern Times examines the history of Siena's famous public fountain, from its fifteenth-century origins to its eventual replacement by a copy in the nineteenth century (and the modern fate of both). The book explores how both the Risorgimento and the Symbolist movements have shaped our perceptions of the Italian Renaissance, as the Quattrocento was filtered through the lens of contemporary art and politics.
| Author | : Joanne M. Ferraro |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 404 |
| Release | : 2023-12-28 |
| Genre | : History |
| ISBN | : 1350158984 |
Award-winning historian Joanne M. Ferraro's The Renaissance and the Wider World skillfully surveys the economic, political, social, and cultural history of Europe for the period between 1250 and 1600. The book examines how the Renaissance manifested itself through developments in the high culture of art, architecture, philosophy, science, technology, and education, as well as material culture in the form of worldly goods and consumption patterns. Ferraro expertly shows how Renaissance high culture began in 13th-century Italy, with important ancient and medieval legacies and cultural infusions from China, North Africa, and Islam and, from the 16th century, the Ottomans and the Americas; she also examines some of the ways in which this Renaissance then impacted the rest of Europe, the Americas, and the Ottoman Empire during the 15th and 16th centuries. Vital and innovative themes that permeate the text's discussions of science, art, architecture, philosophy, and technology are that: * Global encounters helped shape the material, intellectual and artistic cultures of the age * Both women and men contributed significantly to the advances made * The daily lives of ordinary men and women are fundamental to understanding this remarkable period Highly illustrated and with valuable pedagogical features, such as timelines and a glossary, The Renaissance and the Wider World is the essential guide to a European era of profound global importance.
| Author | : Nancy Lorraine Thompson |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 218 |
| Release | : 2007 |
| Genre | : Art, Roman |
| ISBN | : 1588392228 |
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
| Author | : DR. Anna Katharina Grasskamp |
| Publisher | : Connected Histories in the Early Modern World |
| Total Pages | : 240 |
| Release | : 2021-10-21 |
| Genre | : |
| ISBN | : 9789463721158 |
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells' shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
| Author | : |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 311 |
| Release | : 2020-10-15 |
| Genre | : Art |
| ISBN | : 1786726173 |
The history of art in the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture, but the focus seems to remain on the upper strata of society. In his inclusive analysis of art from 1300 to 1600, Rembrandt Duits rectifies this. Bringing together thought-provoking ideas from art historians, historians, anthropologists and museum curators, The Art of the Poor examines the role of art in the lower social classes of Europe and explores how this influences our understanding of medieval and early modern society. Introducing new themes and raising innovative research questions through a series of thematically grouped short case studies, this book gives impetus to a new field on the cusp of art history, social history, urban archaeology, and historical anthropology. In doing so, this important study helps us re-assess the very concept of 'art' and its function in society.
