Arte Povera In Collection
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Author | : Sammlung Goetz |
Publisher | : |
Total Pages | : 286 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, Gilberto Zorio.
Author | : Castello di Rivoli (Museum : Rivoli, Italy) |
Publisher | : |
Total Pages | : 332 |
Release | : 2000 |
Genre | : Architecture |
ISBN | : |
The Arte Povera movement, similar to other movements of its time such as Conceptual Art and Process Art, brought about a radical redefinition of art itself, and provided an alternative to the increasingly hegemonic art trends of the day. "Arte Povera: In Collection" examines a significant nucleus of historical works of the Arte Povera movement from three important collections: the Museum of Contemporary Art Castello di Rivoli, the Galleria d'arte Moderna in Turin, and the recent acquisitions of the Fondazione CRT in Turin. Included here are 90 works by the protagonists of the Arte Povera movement: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Giuseppe Penone, Michelangelo Pistoletto and Gilberto Zorio. The book focuses on these artists' classic works from the 60s and 70s, but also includes some recent work from each artist. In addition, the book features new, unpublished essays by each of the artists (except for the deceased Boetti), and historical texts by major art critics Tommaso Trini, Harold Szeemann, Jean Christophe Amman, and of course Germano Celant, who coined the term ''Arte Povera'' in 1967.
Author | : Bruce Campbell |
Publisher | : Routledge |
Total Pages | : 246 |
Release | : 2019-03-11 |
Genre | : Art |
ISBN | : 0429958994 |
Museum curators enter the profession with a specialist subject qualification and yet at some point in their career, many curators find themselves in charge of a range of collections outside of their expert knowledge. Interpreting, curating and caring for mixed collections demands of curators a wide range of knowledge and understanding. The Curation and Care of Museum Collections is designed to give curators the fundamental information and confidence they need to manage and care for all of the collections within their responsibility, regardless of their previous training and experience. Comprising two sections – Museum Collections, and Collection Development and Care – the chapters cover archaeology, art, history, military and natural sciences collections, as well as heritage properties. Every chapter in the book is focused on one type of collection, but all chapters in the collection management section contain advice on topics such as organisational philosophy, documentation, legal issues and materials in order to provide a useful and comprehensive guide to managing collections. The collection care section is structured in the same way, considering the issues of storage; display; handling; moving; packing; housekeeping; health and safety; emergency preparedness; and pest, pollution, environmental, light and vibration management. The contributors to this book are experienced museum professionals, each with their own specialism and a deep understanding of what it means to work in the context of mixed collections. Providing a highly practical guide, The Curation and Care of Museum Collections is essential reading for curators working in all types of museums, galleries and heritage sites, and for students of museology courses around the world.
Author | : Raffaele Bedarida |
Publisher | : Taylor & Francis |
Total Pages | : 320 |
Release | : 2022-06-28 |
Genre | : Art |
ISBN | : 1000595803 |
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
Author | : MarinR. Sullivan |
Publisher | : Routledge |
Total Pages | : 211 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549677 |
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.
Author | : BMW Group, Independent Collectors |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 321 |
Release | : 2023-04-24 |
Genre | : Art |
ISBN | : 3775755845 |
The revised and extended BMW Art Guide by Independent Collectors presents 304 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to 51 countries, often to regions or urban districts that are off-the-beaten-path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
Author | : Bruce Altshuler |
Publisher | : Princeton University Press |
Total Pages | : 208 |
Release | : 2013-10-24 |
Genre | : Art |
ISBN | : 1400849357 |
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.
Author | : Leah R. Clark |
Publisher | : |
Total Pages | : 351 |
Release | : 2018-06-28 |
Genre | : Antiques & Collectibles |
ISBN | : 1108427723 |
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
Author | : BMW Group, Independent Collectors |
Publisher | : Hatje Cantz Verlag |
Total Pages | : 281 |
Release | : 2020-07-14 |
Genre | : Art |
ISBN | : 3775748334 |
The revised and extended BMW Art Guide by Independent Collectors presents nearly 300 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to more than 40 countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
Author | : Elisabetta Lazzaro |
Publisher | : Routledge |
Total Pages | : 228 |
Release | : 2021-05-25 |
Genre | : Art |
ISBN | : 1000361780 |
Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets. In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance of networks are analysed by scholars of different disciplines. With insights from across the humanities and social sciences, the book explores how different methods can coexist to create an interdisciplinary international community of knowledge and research on art markets. Moreover, by providing historical as well as contemporary examples, this book explores the continuum and diversity of the art market. Overall, this book provides a valuable tool for understanding art markets within their wider context. The volume is of interest to scholars researching into the cultural and creative industries from a wider perspective.