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| Author | : Peter Marren |
| Publisher | : HarperCollins UK |
| Total Pages | : 556 |
| Release | : 2010-08-19 |
| Genre | : Nature |
| ISBN | : 0007405995 |
The stunning, specially commissioned cover illustrations are one of the great joys of the New Naturalist series, lending it a distinctive style which has inspired nature enthusiasts for many decades.
| Author | : Ernest Thompson Seton |
| Publisher | : Read Books Ltd |
| Total Pages | : 533 |
| Release | : 2020-07-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 1528767144 |
“Trail of an Artist-Naturalist” is the 1940 Autobiography of Ernest Thompson Seton. Ernest Thompson Seton (1860 – 1946) was an English author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America, established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including “The Birch Bark Roll” and the “Boy Scout Handbook”. Seton was also an early pioneer of animal fiction writing, and he is fondly remembered for his charming book “Wild Animals I Have Known” (1898). This volume constitutes a fascinating look into the life of a person who played an important role in the environmental and naturalist movement of a young North America, and it is not to be missed by those with an interest in the history of American Scouting. Other notable works by this author include: “Lobo, Rag and Vixen” (1899), “Two Little Savages” (1903), and “Animal Heroes” (1911). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
| Author | : Claire Bingham |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2022-05-24 |
| Genre | : House & Home |
| ISBN | : 0500024006 |
Fascinating collectors open their homes to reveal the weird and wonderful world of natural objects. From the nineteenth century’s cabinets of curiosity to today’s interest in sustainable de´cor, obsessive collectors of natural objects have long filled their homes with their finds—everything from fossils and feathers to seeds and dried flowers. This book offers a glimpse inside twenty homes of the most interesting and creative contemporary collectors, revealing the stories behind their collections and how they celebrate their love of nature in their everyday spaces. People have always collected mementos from the natural world: amateur and professional naturalists of the eighteenth and nineteenth centuries, foragers, beachcombers, and taxidermists today. A new generation of naturalists are using their collections to craft creative careers and decorate their homes with their finds. From a German manor filled with antique taxidermy to the Paris apartment of a sculptor working with feathers and an Italian beachside retreat that showcases foraged shells and pebbles, this book provides a wealth of inspiration for celebrating the beauty of the world around us. Full of practical tips on everything from curating a shelf of objects to intricately decorating walls and surfaces with ecological finds, this volume offers plenty of ideas readers can apply in their own homes. With our ever-increasing interest in finding new ways to reconnect with nature and sustainability, this is inspirational reading for all those who want to bring the outdoors in.
| Author | : Tim Bernhard |
| Publisher | : HarperCollins UK |
| Total Pages | : 881 |
| Release | : 2015-10-08 |
| Genre | : Nature |
| ISBN | : 0007413467 |
Recommended for viewing on a colour tablet. The Collins New Naturalist series is the longest-running and arguably the most influential natural history series in the world with over 120 volumes published in nearly 70 years.
| Author | : Alan Feduccia |
| Publisher | : UNC Press Books |
| Total Pages | : 222 |
| Release | : 1999-02-01 |
| Genre | : Nature |
| ISBN | : 9780807848166 |
With this lovely and informative volume, Alan Feduccia preserves the pathbreaking work of Mark Catesby, the English naturalist and illustrator who founded natural history and bird art in America. First published by UNC Press in 1985, the book features all
| Author | : Dara McAnulty |
| Publisher | : Milkweed Editions |
| Total Pages | : 180 |
| Release | : 2021-06-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 157131752X |
A BuzzFeed "Best Book of June 2021" From sixteen-year-old Dara McAnulty, a globally renowned figure in the youth climate activist movement, comes a memoir about loving the natural world and fighting to save it. Diary of a Young Naturalist chronicles the turning of a year in Dara’s Northern Ireland home patch. Beginning in spring?when “the sparrows dig the moss from the guttering and the air is as puffed out as the robin’s chest?these diary entries about his connection to wildlife and the way he sees the world are vivid, evocative, and moving. As well as Dara’s intense connection to the natural world, Diary of a Young Naturalist captures his perspective as a teenager juggling exams, friendships, and a life of campaigning. We see his close-knit family, the disruptions of moving and changing schools, and the complexities of living with autism. “In writing this book,” writes Dara, “I have experienced challenges but also felt incredible joy, wonder, curiosity and excitement. In sharing this journey my hope is that people of all generations will not only understand autism a little more but also appreciate a child’s eye view on our delicate and changing biosphere.” Winner of the Wainwright Prize for UK nature writing and already sold into more than a dozen territories, Diary of a Young Naturalist is a triumphant debut from an important new voice.
| Author | : E. Charles Nelson |
| Publisher | : University of Georgia Press |
| Total Pages | : 448 |
| Release | : 2015-03-01 |
| Genre | : Art |
| ISBN | : 0820347264 |
In 1712, English naturalist Mark Catesby (1683–1749) crossed the Atlantic to Virginia. After a seven-year stay, he returned to England with paintings of plants and animals he had studied. They sufficiently impressed other naturalists that in 1722 several Fellows of the Royal Society sponsored his return to North America. There Catesby cataloged the flora and fauna of the Carolinas and the Bahamas by gathering seeds and specimens, compiling notes, and making watercolor sketches. Going home to England after five years, he began the twenty-year task of writing, etching, and publishing his monumental The Natural History of Carolina, Florida, and the Bahama Islands. Mark Catesby was a man of exceptional courage and determination combined with insatiable curiosity and multiple talents. Nevertheless no portrait of him is known. The international contributors to this volume review Catesby’s biography alongside the historical and scientific significance of his work. Ultimately, this lavishly illustrated volume advances knowledge of Catesby’s explorations, collections, artwork, and publications in order to reassess his importance within the pantheon of early naturalists.
| Author | : Brian W. Ogilvie |
| Publisher | : University of Chicago Press |
| Total Pages | : 402 |
| Release | : 2008-09-15 |
| Genre | : Science |
| ISBN | : 0226620867 |
Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 1039 |
| Release | : 2018-04-24 |
| Genre | : Science |
| ISBN | : 9004323848 |
Interposed between the natural world in all its diversity and the edited form in which we encounter it in literature, imagery and the museum, lie the multiple practices of the naturalists in selecting, recording and preserving the specimens from which our world view is to be reconstituted. The factors that weigh at every stage are here dissected, analysed and set within a historical narrative that spans more than five centuries. During that era, every aspect evolved and changed, as engagement with nature moved from a speculative pursuit heavily influenced by classical scholarship to a systematic science, drawing on advanced theory and technology. Far from being neutrally objective, the process of representing nature is shown as fraught with constraint and compromise. With a Foreword by Sir David Attenborough Contributors are: Marie Addyman, Peter Barnard, Paul D. Brinkman, Ian Convery, Peter Davis, Felix Driver, Florike Egmond, Annemarie Jordan Gschwend, Geoff Hancock, Stephen Harris, Hanna Hodacs, Stuart Houston, Dominik Huenniger, Rob Huxley, Charlie Jarvis, Malgosia Nowak-Kemp, Shepard Krech III, Mark Lawley, Arthur Lucas, Marco Masseti, Geoff Moore, Pat Morris, Charles Nelson, Robert Peck, Helen Scales, Han F. Vermeulen, and Glyn Williams.
| Author | : Nina Amstutz |
| Publisher | : Yale University Press |
| Total Pages | : 281 |
| Release | : 2020-01-01 |
| Genre | : Art |
| ISBN | : 0300246161 |
A revelatory look at how the mature work of Caspar David Friedrich engaged with concurrent developments in natural science and philosophy Best known for his atmospheric landscapes featuring contemplative figures silhouetted against night skies and morning mists, Caspar David Friedrich (1774–1840) came of age alongside a German Romantic philosophical movement that saw nature as an organic and interconnected whole. The naturalists in his circle believed that observations about the animal, vegetable, and mineral kingdoms could lead to conclusions about human life. Many of Friedrich’s often-overlooked later paintings reflect his engagement with these philosophical ideas through a focus on isolated shrubs, trees, and rocks. Others revisit earlier compositions or iconographic motifs but subtly metamorphose the previously distinct human figures into the natural landscape. In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century.
