Art Objects Their Care And Preservation
Download Art Objects Their Care And Preservation full books in PDF, epub, and Kindle. Read online free Art Objects Their Care And Preservation ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Marjorie Shelley |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 223 |
Release | : 2019-06-25 |
Genre | : Art |
ISBN | : 1588397122 |
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
Author | : Om Prakash Agrawal |
Publisher | : NBT India |
Total Pages | : 152 |
Release | : 1993 |
Genre | : Art objects |
ISBN | : 9788123706436 |
This book acquaints the reader with the composition of the art objects, their properties and behaviour under diverse conditions so as to facilitate their care, maintenance and preservation.
Author | : Marjorie Shelley |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 114 |
Release | : 1987 |
Genre | : Art |
ISBN | : 0870993186 |
The Metropolitan Museum of Art in New York houses one of the world's largest and most comprehensive collections of antiquities and works of art. Their preservation is a responsibility that involves everyone who serves the Museum and who has access to the collection. This handbook offers a practical guide to the ways in which different art objects should be handled and cared for, whether they are on display, in transit, or in storage; and it also explains some of the fundamental principles of conservation that underlie Museum practice. The first part of the book sets out guidelines for dealing with the entire spectrum of works in the Metropolitan Museum: paintings, drawings and prints, textiles, costumes, musical instruments, and three-dimensional objects, whether monumental sculpture or filigree jewelry. In the second part the emphasis is on matters and procedures that affect the collection in general, such as climate controls, light levels, and photography. Included at the end are a selected glossary of conservation terms, a short reading list, and space for the reader's own notes. Drawing on the professional experience of curators and conservators from many different departments, The Care and Handling of Art Objects has been put together primarily for those who work in the Metropolitan Museum. What it has to say, however, will be of great interest to others - private collectors large and small, museum visitors, and concerned members of the public [Publisher description]
Author | : Australia. Dept. of Communications, Information Technology and the Arts |
Publisher | : |
Total Pages | : 89 |
Release | : 1998 |
Genre | : |
ISBN | : 9780642373908 |
Author | : |
Publisher | : |
Total Pages | : 28 |
Release | : |
Genre | : Humanities |
ISBN | : |
Author | : Barbara Appelbaum |
Publisher | : Routledge |
Total Pages | : 468 |
Release | : 2012-05-04 |
Genre | : Antiques & Collectibles |
ISBN | : 1136415025 |
Conservation Treatment Methodology presents a systematic approach to decision-making for conservation treatments. The methodology is applicable to all cultural property, independent of object type or material, and its use will enable conservators to be more confident in their treatment decisions. Conservation Treatment Methodology is illustrated with numerous examples that emphasize the equal importance of the physical and cultural aspects of objects for decision-making. The book also explains how the history of an object and the meaning that it holds for its owner or custodian contribute to determining its treatment. Conservation Treatment Methodology is an essential text for conservators, historic preservation specialists, and restorers, as well as students. Since it is not a technical manual about how to carry out treatments, the book will also be of value to art historians and museum personnel who work with conservators. "This book is unique in its overarching, multidisciplinary approach. The writing is not only clear, but entertaining and engaging." Dan Kushel, Distinguished Teaching Professor, Art Conservation Department, Buffalo New York) State College Barbara Appelbaum is one of the premier objects conservators in the United States and the author of Guide to Environmental Protection of Collections. Practicing in New York, Appelbaum was trained at New York University and began her career at The Brooklyn Museum. The author treats a wide range of object types. Projects of note have included George Washington’s leather portfolio, a Marcel Duchamp urinal, and a Marilyn Monroe dress.
Author | : Nathan Stolow |
Publisher | : |
Total Pages | : 68 |
Release | : 1981 |
Genre | : Art |
ISBN | : |
Author | : Timothy J. Standring |
Publisher | : Yale University Press |
Total Pages | : 130 |
Release | : 2021-01-01 |
Genre | : Art |
ISBN | : 0300254458 |
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Author | : Ralph H. Lewis |
Publisher | : |
Total Pages | : 438 |
Release | : 1976 |
Genre | : Museum techniques |
ISBN | : |
Author | : Judith Rayner |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art |
ISBN | : 9781909492622 |
Mounting and housing of works of art on paper have always had an important influence on both the survival and the appreciation of the work. Many dangers of a physical, biological and chemical nature await unprotected works of art on paper and specialist mounting provides the primary way of safeguarding them. Also, since the way in which works are presented to the public affects their perception of them, mounting of works of art can contribute significantly to the success or failure of an exhibition. A variety of problems, solutions, past practice and future developments in the mounting, storage and display of artworks on paper are considered in this volume of thirty-one articles presented at a conference at the British Museum*. These include the significance of mounting in the historical study of prints and drawings, the preventive care of paper artifacts, their aesthetic presentation and the management of paper collections. This volume (originally published in 2005) can be considered a companion volume to Conservation Mounting for Prints and Drawings: A Manual Based on Current Practice at the British Museum by Joanna M. Kosek (Archetype Publications 2004). Both volumes are essential tools for the owner, collector, curator, conservator and all professionals who deal with works of art on paper. *Conference entitled: Mounting and Housing Art on Paper for Storage and Display: History, Science and Present-Day Practice.