Art in Theory 1815-1900

Art in Theory 1815-1900
Author: Charles Harrison
Publisher: Wiley-Blackwell
Total Pages: 1128
Release: 1998-03-16
Genre: Art
ISBN:

Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.

Art in Theory

Art in Theory
Author: Paul Wood
Publisher: John Wiley & Sons
Total Pages: 1168
Release: 2020-12-11
Genre: Art
ISBN: 1119591414

A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.

Art in Theory 1900 - 2000

Art in Theory 1900 - 2000
Author: Charles Harrison
Publisher: Blackwell Publishing
Total Pages: 1258
Release: 2003
Genre: Art
ISBN: 9780631227083

These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.

Art in Theory 1815-1900

Art in Theory 1815-1900
Author: Charles Harrison
Publisher: Wiley-Blackwell
Total Pages: 1120
Release: 1998-03-06
Genre: Art
ISBN: 9780631200666

Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

Nineteenth Century Art

Nineteenth Century Art
Author: Stephen Eisenman
Publisher:
Total Pages: 428
Release: 2002-01-01
Genre: Art
ISBN: 9780500237939

"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.

A Companion to Art Theory

A Companion to Art Theory
Author: Paul Smith
Publisher: John Wiley & Sons
Total Pages: 552
Release: 2008-04-15
Genre: Art
ISBN: 0470998423

The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.

Sculpture

Sculpture
Author: Johann Gottfried Herder
Publisher: University of Chicago Press
Total Pages: 152
Release: 2002-10-15
Genre: Art
ISBN: 0226327558

Herder combines rationalist and empiricist thought with a wide range of sources - from the classics to Norse legend, Shakespeare to the Bible - to illuminate the ways we experience sculpture.

Impressionism

Impressionism
Author: Paul Smith
Publisher: Weidenfeld & Nicolson
Total Pages: 176
Release: 1995
Genre: Impressionism
ISBN: 9780297833611

This series considers artists and their work against the background of the social, political and historical world in which they worked, examining issues of race, class, gender and psychology. It covers the Western canon, and also extends to popular imagery and non-Western traditions. This title looks at Impressionism.

The New Painting

The New Painting
Author: Charles S. Moffett
Publisher:
Total Pages: 509
Release: 1986
Genre: Impressionism (Art)
ISBN: 9780714824307

Hendrik Petrus Berlage

Hendrik Petrus Berlage
Author: Hendrik Petrus Berlage
Publisher: Getty Publications
Total Pages: 350
Release: 1996-01-01
Genre: Architecture
ISBN: 0892363339

Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.