Art In Theory 1815 1900
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Author | : Charles Harrison |
Publisher | : Wiley-Blackwell |
Total Pages | : 1128 |
Release | : 1998-03-16 |
Genre | : Art |
ISBN | : |
Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.
Author | : Charles Harrison |
Publisher | : Wiley-Blackwell |
Total Pages | : 1120 |
Release | : 1998-03-06 |
Genre | : Art |
ISBN | : 9780631200666 |
Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.
Author | : Paul Wood |
Publisher | : John Wiley & Sons |
Total Pages | : 1168 |
Release | : 2020-12-11 |
Genre | : Art |
ISBN | : 1119591414 |
A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.
Author | : Charles Harrison |
Publisher | : Blackwell Publishing |
Total Pages | : 1258 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780631227083 |
These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.
Author | : Mary Acton |
Publisher | : Psychology Press |
Total Pages | : 392 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780415238113 |
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Author | : Richard Adelman |
Publisher | : Cambridge University Press |
Total Pages | : 249 |
Release | : 2018-08-02 |
Genre | : Literary Criticism |
ISBN | : 1108424139 |
Explores the failure of Romantic critiques of political economy, and the diminishing importance of aesthetic consciousness across the nineteenth century.
Author | : Jason Gaiger |
Publisher | : Bloomsbury Publishing |
Total Pages | : 205 |
Release | : 2008-10-23 |
Genre | : Philosophy |
ISBN | : 1441103643 |
Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the "rules of representation" specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist-and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form.
Author | : Paul Smith |
Publisher | : John Wiley & Sons |
Total Pages | : 552 |
Release | : 2008-04-15 |
Genre | : Art |
ISBN | : 0470998423 |
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
Author | : Christopher Allen |
Publisher | : John Wiley & Sons |
Total Pages | : 564 |
Release | : 2021-04-27 |
Genre | : Art |
ISBN | : 1118767586 |
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author | : Stephen Eisenman |
Publisher | : |
Total Pages | : 428 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 9780500237939 |
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.