Art In The Global Present
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| Author | : Nikos Papastergiadis |
| Publisher | : UTS ePRESS |
| Total Pages | : 288 |
| Release | : 2014-01-01 |
| Genre | : Social Science |
| ISBN | : 0987236997 |
Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art’s capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art. A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert.
| Author | : Jean Robertson |
| Publisher | : Thames & Hudson |
| Total Pages | : 0 |
| Release | : 2022-07 |
| Genre | : Art |
| ISBN | : 9780500844229 |
A more global, flexible way to teach art history
| Author | : Caroline A. Jones |
| Publisher | : University of Chicago Press |
| Total Pages | : 380 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 022629174X |
The first major history of the glamorous art biennial. Biennials have proliferated across the globe since the end of the Cold War and have now stabilized at about 200 a year. While this quintessentially contemporary form has significant roots in the world expositions of the 19th century, Jones argues that the biennial is also the platform for an important new aesthetic shift. Moving away from a focus on visual looking in the mid 20th century, the art world today embraces experience: art fairs give the feel of closeness and spaciousness, crowds, and they engage all our senses, even taste. Jones argues that the dominance of installation art and the simultaneous rise of biennialsor recurring art fairsneed to be examined as joint phenomenamutually reinforcing and linked to specific geo-political and aesthetic conditions. From the rise of tourism to the flows of art commerce, Jones hatches a new way to track the development of international art fairs in nearly every corner of the globe: from the early world fairs of London, Paris, Chicago, and New York to art fairs proper in Venice, Sao Paulo, Havana, Berlin, Lyon, and Beijing, as well as Kassel s Documenta, Whitney Biennial, and moreall explained through a rapidly evolving aesthetics of experience that has never, until now, been addressed in such a substantial way."
| Author | : Beáta Hock |
| Publisher | : Routledge |
| Total Pages | : 444 |
| Release | : 2018-05-30 |
| Genre | : Art |
| ISBN | : 1351187171 |
This edited collection reassesses East-Central European art by offering transnational perspectives on its regional or national histories, while also inserting the region into contemporary discussions of global issues. Both in popular imagination and, to some degree, scholarly literature, East-Central Europe is persistently imagined as a hermetically isolated cultural landscape. This book restores the diverse ways in which East-Central European art has always been entangled with actors and institutions in the wider world. The contributors engage with empirically anchored and theoretically argued case studies from historical periods representing notable junctures of globalization: the early modern period, the age of Empires, the time of socialist rule and the global Cold War, and the most recent decades of postsocialism understood as a global condition.
| Author | : Georgina ADAM |
| Publisher | : Hot Topics in the Art World |
| Total Pages | : 104 |
| Release | : 2021-09-30 |
| Genre | : |
| ISBN | : 9781848223844 |
Public Spaces / Private Passions critically examines the growth of private museums in the 21st century, their impact on public institutions and what the future might look like. It is essential reading for museum professionals, art collectors, critics and cultural commentators and anyone working in the art trade.
| Author | : Ruth E Iskin |
| Publisher | : Taylor & Francis |
| Total Pages | : 311 |
| Release | : 2016-12-08 |
| Genre | : Art |
| ISBN | : 1317275047 |
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.
| Author | : Thomas DaCosta Kaufmann |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2016-03-03 |
| Genre | : Art |
| ISBN | : 1317166159 |
The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
| Author | : Mary Savig |
| Publisher | : Giles |
| Total Pages | : 248 |
| Release | : 2022-06-21 |
| Genre | : Art |
| ISBN | : 9781913875268 |
A highly illustrated,important volume inspired by the way craft artists have unitedduring the COVID pandemic and engaged in artistic conversations about race,gender, and inclusivity. During thesummer of 2020, the space outside the Renwick Gallery--the Smithsonian AmericanArt Museum's dedicated museum for contemporary craft and decorative arts--becamehome to a new discussion about racial justice on Black Lives Matter Plaza. Thecurators at the Renwick Gallery felt the need to align themselves with what wasgoing on right outside the Gallery's door, the organizing rationale forunderstanding the objects presented in this volume, many of which are newacquisitions. The title istaken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects inthe main plates section lead the reader from the idea of shelter, throughlayers of expanding spaces to the vast expanses of the universe. The volume looksat contemporary American craft "in the whirlwind of now" revealingpossibilities for contemporary makers to respond to a more empathetic future.
| Author | : Burcu Dogramaci |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 428 |
| Release | : 2019-07-08 |
| Genre | : Art |
| ISBN | : 3110476673 |
How can we think of art history as a discipline that moves process-based, performative, and cultural migratory movement to the center of its theoretical and methodical analyses? With contributions from internationally renowned experts, this manual, for the first time, provides answers as to what consequences the interaction of migration and globalization has on research in the field of the science of art, on curatory practice, and on artistic production and theory. The objective of this multi-vocal anthology is to open up an interdisciplinary discourse surrounding the increased focus on the phenomenon of migration in art history.
| Author | : Lewis Hyde |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
Starting with the premise that the work of art is a gift and not a commodity, this revolutionary book ranges across anthropology, literature, economics, and psychology to show how the 'commerce of the creative spirit' functions in the lives of artists and in culture as a whole.
