Art In The Cinematic Imagination
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Author | : Susan Felleman |
Publisher | : University of Texas Press |
Total Pages | : 214 |
Release | : 2010-01-01 |
Genre | : Performing Arts |
ISBN | : 0292782055 |
Bringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the "Hollywood Love Goddess" and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience.
Author | : Matthew Solomon |
Publisher | : State University of New York Press |
Total Pages | : 275 |
Release | : 2011-05-01 |
Genre | : Performing Arts |
ISBN | : 1438435827 |
"Best moving pictures I ever saw." Thus did one Vaudeville theater manager describe Georges Méliès's A Trip to the Moon [Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema's first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Méliès's landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long "afterlife" in more recent films, television, and music videos. Together, these essays make clear that Méliès was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity. In his introduction, Matthew Solomon traces the convoluted provenance of the film's multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film's production, along with translations of two major articles written by Méliès himself.
Author | : Keith Moser |
Publisher | : BRILL |
Total Pages | : 810 |
Release | : 2020-07-27 |
Genre | : Philosophy |
ISBN | : 9004436359 |
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.
Author | : Edward Murray |
Publisher | : Frederick Ungar |
Total Pages | : 342 |
Release | : 1972 |
Genre | : Performing Arts |
ISBN | : 9780804426435 |
Author | : David Huckvale |
Publisher | : McFarland |
Total Pages | : 255 |
Release | : 2014-01-10 |
Genre | : History |
ISBN | : 0786489766 |
Ancient Egypt has long been a source of fascination in Western popular culture. Movies such as The Mummy (1932, 1959), Biblical epics like The Ten Commandments (1923, 1956), and pharaonic films like Cleopatra (1934, 1963) and The Egyptian (1954) have all recreated the glamour and allure of Egyptian art and civilization for Western audiences. This work traces how these and other films were inspired by writers like Bram Stoker and Sir Arthur Conan Doyle and by the art of Victorian painters. Similarly, it shows how the soundtracks to such films belong to a Romantic musical tradition stretching back beyond Verdi and Mozart. Exploring these artistic endeavors addresses the question of whether the fantasy of ancient Egypt represents racist misunderstandings of a far more significant reality, or a way for Western culture to understand itself.
Author | : Peter Conrad |
Publisher | : Thames & Hudson |
Total Pages | : 470 |
Release | : 2021-04-20 |
Genre | : Performing Arts |
ISBN | : 0500776385 |
Ranging from the late nineteenth century to the present day, this exhilarating survey by cultural critic Peter Conrad explores the ways film has changed how we see the world. This is a thematic roller-coaster ride through cinema history, with film expert Peter Conrad in the seat beside you. Thoroughly international, this book ranges from Fay Wray to Satyajit Ray, from Buster Keaton to Kurosawa, from westerns to nouvelle vague. Conrad explores the medium’s relationship to speed, technology, fantasy, horror, dream, color, sound, light, and shadow with reference to scores of films, from the earliest nineteenth-century silent experiments to the latest multisensory Hollywood blockbusters. The author’s insights are amplified by voices from inside and outside the industry: directors and critics are included alongside artists, writers, philosophers, and historians ranging from Leo Tolstoy to Salvador Dalí, Theodor Adorno to Philip Roth. Arranged by topics, such as “Meta-Movie” and “The Physics of Film,” rather than chronological events, The Mysteries of Cinema focuses on film’s otherworldly, hypnotic, and magical qualities. Perfect for both movie fans who will discover new films and directors, and for students of film who will see familiar classics in a new light, this volume is full of unique insights into the genre. Combining his vast knowledge with a forensic eye for a director’s every quirk and mannerism, Conrad offers a fascinating and thrilling exploration of film.
Author | : Arthur Versluis |
Publisher | : |
Total Pages | : 327 |
Release | : 2016-09 |
Genre | : Religion |
ISBN | : 9781596500235 |
Originally published: East Lansing: Michigan State University Press, c2008.
Author | : Asbjorn Gronstad |
Publisher | : Springer |
Total Pages | : 256 |
Release | : 2016-11-24 |
Genre | : Performing Arts |
ISBN | : 1137583746 |
This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.
Author | : Giuliana Bruno |
Publisher | : Prestel |
Total Pages | : 0 |
Release | : 2015 |
Genre | : ART |
ISBN | : 9783791354736 |
"Published in conjunction with the exhibition Diana Thater: The Sympathetic Imagination, at the Los Angeles County Museum of Art, Los Angeles, California (November 22, 2015-February 21, 2016)"-- Colophon.
Author | : Matthew Kieran |
Publisher | : Psychology Press |
Total Pages | : 331 |
Release | : 2003 |
Genre | : Art |
ISBN | : 0415305160 |
The papers in this collection examine how & in what form the notion of imagination illuminates fundamental problems in the philosophy of art.