Art History Of Photography
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Author | : Volker Kahmen |
Publisher | : Penguin Putnam |
Total Pages | : 312 |
Release | : 1974 |
Genre | : Art |
ISBN | : |
"A continuation of volumes one and two listing general areas of interest in photography and, in volume three, individual photographers born after 1950 (the other volumes end in 1936). Since the reference is dealing with contemporary photography, video and CD-ROM photographic innovations and topics are also included. Contains over 5,092 entries; each subject is listed alphabetically and in chronological order with references to translations (in the case of non-English books and articles), new editions, and illustrations. In some cases a very short commentary is also offered, although the bibliography is not annotated. The index comprehensively includes the 17,000 names cited in all three volumes."--Review from Booknews.
Author | : Henry Peach Robinson |
Publisher | : |
Total Pages | : 182 |
Release | : 1881 |
Genre | : Composition (Photography) |
ISBN | : |
Author | : David Campany |
Publisher | : Phaidon Press |
Total Pages | : 220 |
Release | : 2012-04-02 |
Genre | : Art |
ISBN | : 9780714863924 |
The first major survey of photography's place in recent art history.
Author | : Sarah Hamill |
Publisher | : Getty Publications |
Total Pages | : 314 |
Release | : 2018-01-02 |
Genre | : Photography |
ISBN | : 1606065343 |
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Author | : Helene E. Roberts |
Publisher | : Routledge |
Total Pages | : 439 |
Release | : 2013-09-13 |
Genre | : Art |
ISBN | : 1134304382 |
Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.
Author | : David Hockney |
Publisher | : ABRAMS |
Total Pages | : 372 |
Release | : 2020-08-11 |
Genre | : |
ISBN | : 9781419750281 |
A compact edition of Hockney and Gayford's brilliantly original book, with updated material and brand-new pieces of art Informed and energized by a lifetime of painting, drawing, and making images with cameras, David Hockney, in collaboration with art critic Martin Gayford, explores how and why pictures have been made across the millennia. Juxtaposing a rich variety of images--a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez paint-ing--the authors cross the normal boundaries between high culture and popular entertainment, and argue that film, photography, paint-ing, and drawing are deeply interconnected. Featuring a revised final chapter with some of Hockney's latest works, this new, compact edition of A History of Pictures remains a significant contribution to the discussion of how artists represent reality.
Author | : Robin Kelsey |
Publisher | : Harvard University Press |
Total Pages | : 409 |
Release | : 2015 |
Genre | : Art |
ISBN | : 0674744004 |
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Author | : Jill Dawsey |
Publisher | : Univ of California Press |
Total Pages | : 224 |
Release | : 2016-09-21 |
Genre | : Photography |
ISBN | : 0520290593 |
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today. Contributors include David Antin, Pamela M. Lee, Judith Rodenbeck, and Benjamin J. Young. Published in association with the Museum of Contemporary Art San Diego. Exhibition dates: Museum of Contemporary Art San Diego: September 24, 2016ÐJanuary 2, 2017
Author | : Michel Frizot |
Publisher | : Konemann |
Total Pages | : 784 |
Release | : 1998 |
Genre | : Photography |
ISBN | : |
A collection of entries that help chronicle the history of photography, explaining the different techniques that have been used and defining the common terms used in the field.
Author | : Dominique de Font-Réaulx |
Publisher | : Flammarion-Pere Castor |
Total Pages | : 336 |
Release | : 2012 |
Genre | : Art |
ISBN | : |
This book examines the impact that photography's birth and development had on the classical art form of painting. It provides exploration by genre -- from portraiture and still life to landscapes, tableaux vivantes, and nudes -- of the various issues triggered by the encounter between 19th century pictorial creation and the invention of photography.