Art Faith And Medicine In Tintorettos Venice
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| Author | : Gabriele Matino |
| Publisher | : Marsilio Editori |
| Total Pages | : 135 |
| Release | : 2019-02-19 |
| Genre | : Art |
| ISBN | : 9788831729475 |
Five hundred years after his birth, Venice celebrates the artistic achievements and era of Jacopo Tintoretto. The success of Jacopo and his son Domenico is inextricably linked to the Scuola Grande di San Marco. Indeed, Jacopo created some of the most famous paintings in 16th-century Venetian art for the Scuola's chapter hall. Thanks to Domenico's contribution, the ensemble commenced by his father was the most gradiose cycle devoted to the patron saint of Venice since the decoration of Saint Mark's Basilica. Founded in 1260-21 as a flagellant congregation, the Scuola became a charitable institution that, among other aims, provided medical care for the poorest of its members. After its suppression in 1806, the Scuola house the Venice City Hospital until the mid-20th century, when it was turned into a library with 18,000 medical and scientific volumes. This book offers the reader an unprecendented and fascinating glimpse of life in Tintoretto's Venice. Analyzing the themes of the exhibition in depth, the catalogue explores the relation between devotional activities, medical practices, anatomical studies and images of the human body by examining a wide range of period sources, including paintings, drawings, illuminated manuscripts, musical scores, illustrated books, engravings, printing plates and surgical instruments.
| Author | : Robert Echols |
| Publisher | : Yale University Press |
| Total Pages | : 313 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 0300230400 |
"Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture" -- Library of Congress.
| Author | : AA. VV. |
| Publisher | : Viella Libreria Editrice |
| Total Pages | : 349 |
| Release | : 2022-04-04T17:35:00+02:00 |
| Genre | : History |
| ISBN | : |
Over the past twenty years or so it has finally been understood that Jacopo Tintoretto (1518/19-1594) is an old master of the very highest calibre, whose sharp visual intelligence and brilliant oil technique provides a match for any painter of any time. Based on papers given at a conference held at Keble College, Oxford, to mark the quincentenary of Tintoretto’s birth, this volume comprises ten new essays written by an international range of scholars that open many fresh perspectives on this remarkable Venetian painter. Reflecting current ‘hot spots’ in Tintoretto studies, and suggesting fruitful avenues for future research, chapters explore aspects of the artist’s professional and social identity; his graphic oeuvre and workshop practice; his secular and sacred works in their cultural context; and the emergent artistic personality of his painter-son Domenico. Building upon the opening-up of the Tintoretto phenomenon to less fixed or partial viewpoints in recent years, this volume reveals the great master’s painting practice as excitingly experimental, dynamic, open-ended, and original.
| Author | : Ester Brunet |
| Publisher | : |
| Total Pages | : 127 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9788865121399 |
| Author | : Peter Humfrey |
| Publisher | : Yale University Press |
| Total Pages | : 338 |
| Release | : 1995-01-01 |
| Genre | : Art |
| ISBN | : 9780300067156 |
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
| Author | : Rinaldo F. Canalis † |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 436 |
| Release | : 2022-12-19 |
| Genre | : Medical |
| ISBN | : 3110788500 |
Medical Humanities may be broadly conceptualized as a discipline wherein medicine and its specialties intersect with those of the humanities and social sciences. As such it is a hybrid area of study where the impact of disease and healing science on culture is assessed and expressed in the particular language of the disciplines concerned with the human experience. However, as much as at first sight this definition appears to be clear, it does not reflect how the interaction of medicine with the humanities has evolved to become a separate field of study. In this publication we have explored, through the analysis of a group of selected multidisciplinary essays, the dynamics of this process. The essays predominantly address the interaction of literature, philosophy, art, art history, ethics, and education with medicine and its specialties from the classical period to the present. Particular attention has been given to the Medieval, Early Modern, and Enlightenment periods. To avoid a rigid compartmentalization of the book based on individual fields of study we opted for a fluid division into multidisciplinary sections, reflective of the complex interactions of the included works with medicine.
| Author | : Robert Echols |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9780300230406 |
Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture.--Provided by publisher.
| Author | : Gauvin A. Bailey |
| Publisher | : Worchester Art Museum |
| Total Pages | : 264 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780936042053 |
The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
| Author | : Bosiljka Raditsa |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 225 |
| Release | : 2000 |
| Genre | : Art, Renaissance |
| ISBN | : 0870999532 |
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
| Author | : Catherine Whistler |
| Publisher | : |
| Total Pages | : 380 |
| Release | : 2017-01-03 |
| Genre | : Drawing |
| ISBN | : 9780300187731 |
An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand Tour. Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book's generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves.
