Nagaland

Nagaland
Author:
Publisher:
Total Pages: 156
Release: 1989
Genre: Nāgāland (India)
ISBN:

Zoo

Zoo
Author:
Publisher:
Total Pages: 770
Release: 1973
Genre:
ISBN:

The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500

The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500
Author: Vanessa Davies
Publisher: BRILL
Total Pages: 543
Release: 2020-11-16
Genre: History
ISBN: 900439690X

The Phoebe A. Hearst Expedition to Naga ed-Deir, Cemeteries N 2000 and N 2500 presents the results of excavations directed by George A. Reisner and led by Arthur C. Mace. The site of Naga ed-Deir, Egypt, is unusual for its continued use over a long period of time (c. 3500 BCE–650 CE). Burials in N 2000 and N 2500 date to the First Intermediate Period/Middle Kingdom and the Coptic era. In keeping with Reisner’s earlier publications of Naga ed-Deir, this volume presents artifacts in chapter-length studies devoted to a particular object type and includes a burial-by-burial description. The excavators’ original drawings, notes, and photographs are complemented by a contemporary analysis of the objects by experts in their subfields.

AKASHVANI

AKASHVANI
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
Total Pages: 52
Release: 1974-08-25
Genre: Antiques & Collectibles
ISBN:

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 25 AUGUST, 1974 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXIX, No.33 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-50 ARTICLE: 1. National Programme of Discussion (English):Naga Customary Laws 2. Nagaland—As A Painter Sees it 3. Lighter Moments of My Profession AUTHOR: 1. R. S. Bedi 2. V. K. Subramanian 3. Dr. William Ribeiro KEYWORDS : 1. Council of elders, each Naga tribe has its own set of laws 2. Fundamental similarities , I have-lost 3.The whole truth,lighter moments of my profession Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

The Sacred Landscape of Dra Abu el-Naga during the New Kingdom

The Sacred Landscape of Dra Abu el-Naga during the New Kingdom
Author: María de los Ángeles Jiménez-Higueras
Publisher: BRILL
Total Pages: 301
Release: 2020-10-12
Genre: Social Science
ISBN: 9004435689

In The Sacred Landscape of Dra Abu el-Naga during the New Kingdom, Ángeles Jiménez-Higueras offers the reconstruction of the physical, religious and cultural landscape of Dra Abu el-Naga south and its conceptual development from the 18th to the 20th Dynasties.

Nigerian Arts Revisited

Nigerian Arts Revisited
Author: Nigel Barley
Publisher: Somogy Art Publishing
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9782757209851

The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.