Art by Women in Florence
| Author | : Jane Fortune |
| Publisher | : B'gruppo |
| Total Pages | : 122 |
| Release | : 2012 |
| Genre | : Travel |
| ISBN | : 9788897696001 |
Art By Women In Florence
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Women Artists and the Surrealist Movement
| Author | : Whitney Chadwick |
| Publisher | : Thames & Hudson |
| Total Pages | : 403 |
| Release | : 2021-11-23 |
| Genre | : Art |
| ISBN | : 0500777004 |
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
The Most Beautiful Woman in Florence
| Author | : Alyssa Palombo |
| Publisher | : St. Martin's Griffin |
| Total Pages | : 320 |
| Release | : 2017-04-25 |
| Genre | : Fiction |
| ISBN | : 1466882646 |
"In the tradition of Tracy Chevalier’s Girl with a Pearl Earring, Palombo has married fine art with romantic historical fiction in this lush and sensual interpretation of Medici Florence, artist Sandro Botticelli, and the muse that inspired them all." - Booklist A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus. Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.
My Dear Girl
| Author | : Helen Marie Casey |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Painters |
| ISBN | : 9780982636497 |
Florence Armes Hosmer, born in 1880, was a farmer's daughter determined to succeed as an artist. Acclaimed in the early part of the twentieth century, she has fallen almost entirely from view. This is the story of how Miss Hosmer, a feisty New England woman, painted her way through the new century and created well more than five hundred works. Helen Marie Casey won the fourteenth National Poet Hunt in 2009. Helen's published two poetry chapbooks, 'Fragrance Upon His Lips', a series of poems about Joan of Arc, and 'Inconsiderate Madness', which won the 2005 Black River Chapbook Competition.
"Women, Patronage, and Salvation in Renaissance Florence "
| Author | : Stefanie Solum |
| Publisher | : Routledge |
| Total Pages | : 311 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351536508 |
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de? Medici?s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman?s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family?s domestic altarpiece, Filippo Lippi?s Adoration of the Christ Child, is broad in its ramifications. Mapping out the cultural network of gender, piety, and power in which Lippi?s painting was originally embedded, author Stefanie Solum challenges the received wisdom that women played little part in actively shaping visual culture during the Florentine Quattrocento. She uses visual evidence never before brought to bear on the topic to reveal that Lucrezia Tornabuoni - shrewd power-broker, pious poetess, and mother of the 'Magnificent' Lorenzo de? Medici - also had a profound impact on the visual arts. Lucrezia emerges as a fascinating key to understanding the ways in which female lay religiosity created the visual world of Renaissance Florence. The Medici case study establishes, at long last, a robust historical basis for the assertion of women?s agency and patronage in the deeply patriarchal and artistically dynamic society of Quattrocento Florence. As such, it offers a new paradigm for the understanding, and future study, of female patronage during this period.
Art Patronage, Family, and Gender in Renaissance Florence
| Author | : Maria DePrano |
| Publisher | : |
| Total Pages | : 453 |
| Release | : 2018-02-22 |
| Genre | : Art |
| ISBN | : 1108416055 |
This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.
Art of Renaissance Florence, 1400-1600
| Author | : Loren W. Partridge |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 2009 |
| Genre | : Art and society |
| ISBN | : |
"Rich and engaging. This account of Florentine art tells the story of who commissioned these works, who made them, where they were seen, and how they were experienced and understood by their viewers. Includes a useful timeline, glossary, and series of artists' biographies."--Patricia L. Reilly, Swarthmore College "An extraordinarily useful book, not only for teachers, but also for historically minded travelers interested in an illustrated guide to the art of Renaissance Florence."--Evelyn Lincoln, Brown University "Clear and compelling. The well-chosen illustrations include ground plans and diagrams of key architectural monuments and sculpture. The updated, judicious bibliography is a resource for anyone tackling the vast scholarship on the art of Renaissance Florence."--Cristelle Baskins, editor of The Triumph of Marriage: Painted Cassoni of the Renaissance
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 304 |
| Release | : |
| Genre | : Art |
| ISBN | : 9780271048147 |
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Women in Italian Renaissance Art
| Author | : Paola Tinagli |
| Publisher | : Manchester University Press |
| Total Pages | : 226 |
| Release | : 1997-06-15 |
| Genre | : Art |
| ISBN | : 9780719040542 |
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Venus and the Arts of Love in Renaissance Florence
| Author | : Rebekah Compton |
| Publisher | : Cambridge University Press |
| Total Pages | : 637 |
| Release | : 2021-03-11 |
| Genre | : Art |
| ISBN | : 1108916058 |
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
