Steve Holland: The World's Greatest Illustration Art Model

Steve Holland: The World's Greatest Illustration Art Model
Author: Michael Stradford
Publisher: St. Clair Publishing
Total Pages: 202
Release: 2021-11-19
Genre: Art
ISBN: 9781685645489

STEVE HOLLAND: The World's Greatest Illustration Art Model is a visual celebration of the career of the most iconic male model whose face and form were recognized on paperbacks (Doc Savage, The Spider among others), magazines (Male, For Men Only, and more), comic books (The Phantom, Conan, and The Hulk), advertising illustration (The Saturday Evening Post), and even television (1950's Flash Gordon) from the fifties through the eighties. For many growing up in this era, Steve Holland was the face and muscle of male heroism - the archetypal hero that all men could aspire to be. Featuring exclusive biographical material and memorabilia from his family, interviews with the world-famous commercial illustrators who captured his dynamic sensibility, the colorful paintings and covers, and rare reference photos; STEVE HOLLAND: The World's Greatest Illustration Art Model is the definitive story of a true American icon whose impact on pop culture was limitless - right up until his death. For over thirty years Steve Holland wore the crown of male heroism. STEVE HOLLAND: The World's Greatest Illustration Art Model will show you what made him king.

Model Railroading As Art

Model Railroading As Art
Author: Lance Mindheim
Publisher: Createspace Independent Publishing Platform
Total Pages: 144
Release: 2018-12
Genre: Railroad stations in art
ISBN: 9781726325400

Model railroading offers the exciting opportunity to be approached in the same way as any other branch of the art world. As such, the same principles can be applied to elevate your modeling efforts to new levels. Follow along as we delve into scene composition, color treatment theory, weathering, backdrops, layout room preparation, photography, and more!

The Real Real Thing

The Real Real Thing
Author: Wendy Steiner
Publisher: University of Chicago Press
Total Pages: 239
Release: 2010-11
Genre: Art
ISBN: 0226772195

Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.

The Figurative Artist's Handbook

The Figurative Artist's Handbook
Author: Robert Zeller
Publisher: The Monacelli Press, LLC
Total Pages: 305
Release: 2017-03-28
Genre: Art
ISBN: 1580934528

An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.

Painting as Model

Painting as Model
Author: Yve-Alain Bois
Publisher: MIT Press
Total Pages: 356
Release: 1993-05-04
Genre: Design
ISBN: 9780262521802

Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.

The Drawing Club

The Drawing Club
Author: Bob Kato
Publisher: Quarry Books
Total Pages: 147
Release: 2014-07-01
Genre: Art
ISBN: 1627880348

Are you a fan of film, comics, video games and animation? Do you love to draw and tell stories? If so, you are like the hundreds of artists who come to expand and broaden their skills at Los Angeles' original character drawing workshop, The Drawing Club. Since 2002, artists from all over the LA region have gathered each Thursday night at a special place where story and character are interpreted from life. In The Drawing Club, many of these professional working artists and the club's founder, Bob Kato, will teach you how to think differently about drawing characters from life€”and, in true Drawing Club spirit, have a good time doing it! Whether you're a full-time commercial artist, a hobbyist, or you just like to draw, the exercises in The Drawing Club are for you! - Learn how to translate the world from 3D to 2D. - Tell a story through your work. - Gain insights into various materials. - Examine comic approaches to drawing. - Discover how to develop your voice as an artist. - An impressive gallery showcases the fine work and inspiring characters from many of the master artists and animators working today!

Posing Modernity

Posing Modernity
Author: Denise Murrell
Publisher:
Total Pages: 0
Release: 2018
Genre: African American models
ISBN: 9780300229066

An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it. Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York Exhibition Schedule: Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19) Musée d'Orsay (03/25/19-07/14/19)

The Science and Art of Model and Object Drawing - A Text-Book for Schools and for Self-Instruction of Teachers and Art-Students in the Theory and Practice of Drawing from Objects

The Science and Art of Model and Object Drawing - A Text-Book for Schools and for Self-Instruction of Teachers and Art-Students in the Theory and Practice of Drawing from Objects
Author: Lucas Baker
Publisher: Read Books Ltd
Total Pages: 127
Release: 2017-09-15
Genre: Art
ISBN: 1473341620

"The Science and Art of Model and Object Drawing" constitutes a fantastic introduction to drawing from real life objects and models, designed for the self-instruction of teachers and art students. It covers both theory and practice, offering the reader simple instructions and explanations coupled with simple, handy diagrams. Highly recommended for all with an interest in improving their drawing skills. Contents include: "Terms and Definitions", "Of Limits", "Of Extension", "Quantities of the First Degree-Lines", "Quantities of the Second Degree-Surfaces", "Quantities of the Fourth Degree-Inclination", "Words Denoting Position and Relation", "Orthographic Projections", "How to Read Apparent Forms", et cetera. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, high-quality, modern edition complete with a specially commissioned new introduction on drawing and drafting.

Bodies of Art

Bodies of Art
Author: Marie Lathers
Publisher: U of Nebraska Press
Total Pages: 316
Release: 2001-01-01
Genre: Literary Criticism
ISBN: 9780803229419

To the time-honored myth of the artist creating works of genius in isolation, with nothing but inspiration to guide him, art historians have added the mitigating influences of critics, dealers, and the public. Bodies of Art completes the picture by adding the model. This lively look at atelier politics through the lens of literature focuses in particular on the female model, with special attention to her race, ethnicity, and class. The result is a suggestive account of the rise and fall of the female model in nineteenth-century realism, with a final emphasis on the passage of the model into photography at the turn of the century. This history of the model begins in nineteenth-century Paris, where the artist?model dynamic was regularly debated by writers and where the most important categories of models appear to be Jewish, Italian, and Parisian women. Bodies of Art traces an evolution in the representation of this model in realist and naturalist literary works from her "birth" in Balzac to her "death" in Maupassant, in the process revealing how she played a key role in theories of representation advanced by writers. Throughout the book, Marie Lathers connects the artist's work to the social realities and actual bodies that surround and inhabit the atelier. Her work shows how much the status of the model can tell us about artistic practices during the century of the birth of modernity.

Degas and His Model

Degas and His Model
Author: Alice Michel
Publisher: David Zwirner Books
Total Pages: 89
Release: 2017-08-22
Genre: Art
ISBN: 1941701558

There are many myths about the artist Edgar Degas—from Degas the misanthrope to Degas the deviant, to Degas the obsessive. But there is no single text that better stokes the fire than Degas and His Model, a short memoir published by Alice Michel, who purportedly modeled for Degas. Never before translated into English, the text’s original publication in Mercure de France in 1919, shortly after the artist’s death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery—to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot-on to discount; even the dialogue captures the artist’s tone and mannerisms. What is found in these pages is at times a woman’s flirtatious recollection of a bizarre “artistic type” and at others a moving attempt to connect with a great, often tragic man. The descriptions are limpid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world-historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the other artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model’s innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great artist’s life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscathed.