Art and the End of Apartheid

Art and the End of Apartheid
Author: John Peffer
Publisher: U of Minnesota Press
Total Pages: 374
Release: 2009
Genre: Art
ISBN: 0816650012

Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.

The People Shall Govern!

The People Shall Govern!
Author: Antawan I. Byrd
Publisher: Yale University Press
Total Pages: 161
Release: 2020-10-13
Genre: Art
ISBN: 0300254342

A revelatory and informative presentation of the anti-apartheid posters created by Medu Art Ensemble Formed in the late 1970s, Medu Art Ensemble forcefully articulated a call to end the apartheid system’s racial segregation and violent injustice through posters that combined revolutionary imagery with bold slogans. Advocating for decolonization and majority (nonwhite) rule in South Africa and neighboring countries, Medu members were persecuted by the South African Defense Force and operated in exile across the border in Botswana. The People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985. These objects are exceedingly rare, as they were originally smuggled into South Africa and mounted in public places, where they were regularly confiscated or torn down on sight. Offering new insight into the conceptual framework of Medu’s working practice and featuring a beautiful silkscreened cover, this volume examines the continuing relevance and impact of its poster production.

The Art of Life in South Africa

The Art of Life in South Africa
Author: Daniel Magaziner
Publisher: Ohio University Press
Total Pages: 494
Release: 2016-11-09
Genre: History
ISBN: 0821445901

From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.

The End of Apartheid

The End of Apartheid
Author: Robin Renwick
Publisher: Biteback Publishing
Total Pages: 173
Release: 2015-01-29
Genre: History
ISBN: 184954865X

In 2 February 1990, FW de Klerk made a speech that changed the history of South Africa. Nine days later, the world watched as Nelson Mandela walked free from the Viktor Verster prison. In the midst of these events was Lord Renwick, Margaret Thatcher's envoy to South Africa, who became a personal friend of Nelson Mandela, FW de Klerk and Chief Mangosuthu Buthelezi, acting as a trusted intermediary between them. He warned PW Botha against military attacks on neighbouring countries, in meetings he likens to 'calling on the führer in his bunker'. He invited Mandela to his first meal in a restaurant for twenty-seven years, rehearsing him for his meeting with Margaret Thatcher - and told Thatcher that she must not interrupt him. Their discussion went on so long that the British press in Downing Street started chanting 'Free Nelson Mandela'.In this extraordinary insider's account, Renwick draws on his diaries of the time, as well as previously unpublished material from the Foreign Office and Downing Street files. He paints a vivid, affectionate, real-life portrait of Mandela as a wily and resourceful political leader bent on out-manoeuvring both adversaries and some of his own colleagues in pursuit of a peaceful outcome.

Rise and Fall of Apartheid

Rise and Fall of Apartheid
Author: Okwui Enwezor
Publisher: National Geographic Books
Total Pages: 0
Release: 2013-03-20
Genre: Photography
ISBN: 3791352806

Featuring some of the most iconic images of our time, this unique combination of photojournalism and commentary offers a probing and comprehensive exploration of the birth, evolution, and demise of apartheid in South Africa. Photographers played an important role in the documentation of apartheid, capturing the system's penetration of even the most mundane aspects of life in South Africa. Included in this vivid and compelling volume are works by photographers such as Eli Weinberg, Alf Khumalo, David Goldblatt, Peter Magubane, Ian Berry, and many others. Organized chronologically, it interweaves images and essays exploring the institutionalization of apartheid through the country's legal apparatus; the growing resistance in the 1950s; and the radicalization of the anti-apartheid movement within South Africa and, later, throughout the world. Finally, the book investigates the fall of apartheid, including Mandela's return from exile. Far-reaching and exhaustively researched, this important book features more than 60 years of powerful photographic material that forms part of the historical record of South Africa.

Impressions from South Africa, 1965 to Now

Impressions from South Africa, 1965 to Now
Author: Judith B. Hecker
Publisher: The Museum of Modern Art
Total Pages: 98
Release: 2011
Genre: Art
ISBN: 0870707566

Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.

Art and Revolution

Art and Revolution
Author: Diana Wylie
Publisher: University of Virginia Press
Total Pages: 268
Release: 2008
Genre: Art
ISBN: 9780813927640

Diana Wylie is Professor of History at Boston University. She is the author of A Little God: The Twilight of Patriarchy in a Southern African Chiefdom and Starving on a Full Stomach: The Triumph of Cultural Racism in Modern South Africa (Virginia), which won the Melville J. Herskovits Award.

African Identity in Post-Apartheid Public Architecture

African Identity in Post-Apartheid Public Architecture
Author: Jonathan Alfred Noble
Publisher: Routledge
Total Pages: 341
Release: 2016-12-05
Genre: Political Science
ISBN: 1351960407

Since the end of Apartheid, there has been a new orientation in South African art and design, turning away from the colonial aesthetics to new types of African expression. This book examines some of the fascinating and impressive works of contemporary public architecture that 'concretise' imaginative dialogues with African landscapes, craft and indigenous traditions. Referring to Frantz Fanon's classic study of colonised subjectivity, 'Black Skin, White Masks', Noble contends that Fanon's metaphors of mask and skin are suggestive for architectural criticism, in the context of post-Apartheid public design. Taking South Africa's first democratic election of 1994 as its starting point, the book focuses on projects that were won in architectural competitions. Such competitions are conceived within ideological debates and studying them allows for an examination of the interrelationships between architecture, politics and culture. The book offers insights into these debates through interviews with key parties concerned - architects, competition jurors, politicians, council and city officials, artists and crafters, as well as people who are involved in the day-to-day life of the buildings in question.

African Nationalism from Apartheid to Post-Apartheid South Africa

African Nationalism from Apartheid to Post-Apartheid South Africa
Author: Ellen WesemŸller
Publisher: Columbia University Press
Total Pages: 122
Release: 2005-08-01
Genre: Political Science
ISBN: 3898214982

With the help of discourse analysis and ideology critique, Ellen Wesemüller establishes a theoretical framework to analyze African nationalism in apartheid and post-apartheid South Africa. Following the constructivist school of thought, the study adopts the assumption that nations are "imagined communities" which are built on "invented traditions". It shows that historically and analytically, there are two distinct concepts of nationalism: "constitutional" and "ethnic" nationalism. These concepts can be retraced in South Africa where they form the central antagonism of black political thought. The study of post-apartheid African nationalism is placed in its historical perspective by focusing on the major milestones of African National Congress' discourse before and during apartheid. It demonstrates that throughout its history, the ANC was characterized by the rivalry between concepts of "constitutional" and "ethnic" nationalism. While the former concept found its counterpart in Charterism, the latter was adopted by African nationalism. Though the ANC in its majority embraced Charterism, it continually played with the appeal of an exclusive, racial nationalism. The theoretical and historical contextualization of the book allows for the investigation of the various dimensions of current ANC discourse on African nationalism. Wesemüller analyses different concepts of nationalism employed by the ANC and compares these models to those discussed in academic literature. She concludes that in post-apartheid South Africa, the historical dichotomy of Africanist and Charterist nationalism persists within the ANC. While early concepts of nationalism like Mandela's "rainbow nation" and Mbeki's "I am an African" paid tribute to Charterism, the discourses on the "African Renaissance" and Mbeki's "two-nation" address at least leave openings for Africanist interpretations. Furthermore, the analysis shows that nationalism is not only a product of discourse but also one of material conditions. The study provides evidence that it is not only the ANC that hijacks African nationalism in order to mobilize their electorate and push through unpopular policy choices. Also, there are compelling material reasons for some South Africans to adopt a nationalist agenda. This is demonstrated by the new "black" bourgeoisie that mediates the gap between rich and poor as well as black and white. African nationalism in this regard serves to legitimate domination and existing relations of inequality. It affirms an African elite while neither uplifting the majority of African poor nor threatening the material privileges of white South Africans. Lastly, Ellen Wesemüller gives an outlook on the political implications of a resurrected nationalism. The effects can be analyzed according to the two promises of nationalism: superiority over "outsiders" and equality between "insiders". Superiority in post-apartheid South Africa is established over other African countries, immigrants and inner South African groups that are considered "foreign".

Landscape of Memory

Landscape of Memory
Author: Sabine Marschall
Publisher: BRILL
Total Pages: 424
Release: 2009-12-14
Genre: History
ISBN: 9047440919

Under the aegis of the post-apartheid government, much emphasis has been placed on the transformation and democratisation of the heritage sector in South Africa since 1994. The emergent new landscape of memory relies heavily on commemorative monuments, memorials and statues aimed at reconciliation, nation-building and the creation of a shared public history. But not everyone identifies with these new symbolic markers and their associated interpretation of the past. Drawing on a number of theoretical perspectives, this book critically investigates the flourishing monument phenomenon in South Africa, the political discourses that fuel it; its impact on identity formation, its potential benefits, and most importantly its ambivalences and contradictions.