Art And Faith In The Venetian World
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| Author | : Catherine R. Puglisi |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Christian art and symbolism |
| ISBN | : 9781912554294 |
A study of Christ as Man of Sorrows in the Venetian world from the late Medieval through the Baroque era. Art and Faith in Venice is the first study of the Man of Sorrows in the art and culture of Venice and her dominions across three centuries. A subject imbued with deep spiritual and metaphorical significance, the image pervaded late-Medieval Europe but assumed in the Venetian world an unusually rich and long life. The book presents a biography, first tracing the transmission of the image as a vertical, half-length figure devoid of narrative from the Byzantine East c. 1275 and then exploring its gradual adaptation and diffusion across the Venetian state to a wide range of media, reaching from small manuscript illuminations to panel paintings, altarpieces, tombs and liturgical furnishings. Analyzing its nomenclature, visual form and layered meanings, the study demonstrates how this universal image played a prominent role responding to public and private devotions in the spiritual and cultural life of Venice and its larger political sphere of influence. Catherine Puglisi and William Barcham have written extensively on the Man of Sorrows and co-curated an exhibition on the subject in New York in 2011. Each also publishes separately, Puglisi on Caravaggio and Bolognese art, and Barcham on Venetian 18th-century painting.
| Author | : Institut du Monde Arabe (Paris) |
| Publisher | : Yale University Press |
| Total Pages | : 388 |
| Release | : 2007-01-01 |
| Genre | : History |
| ISBN | : 0300124309 |
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
| Author | : Davide Gasparotto |
| Publisher | : Getty Publications |
| Total Pages | : 152 |
| Release | : 2017-10-10 |
| Genre | : Art |
| ISBN | : 1606065319 |
Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.
| Author | : Ella Beaucamp |
| Publisher | : Harvey Miller |
| Total Pages | : 268 |
| Release | : 2021-01-21 |
| Genre | : Art |
| ISBN | : 9781912554300 |
This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods. What are Venetian commodities? More than any other medieval or early modern city, Venice lived off of the trade of portable goods. In addition to trading foreign imports, the city also engaged in intense local production, manufacturing high quality glass, crystal, cloth, metal, enamel, leather, and ceramic objects, characterized by their exceedingly rich forms and complex production processes. Today, these objects are scattered in collections throughout the world, but little remains in Venice itself. In individual instances, it is often difficult to tell whether the objects in question were actually made in Venice or if they originated in Byzantine, Islamic, or other European contexts. This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods.
| Author | : Lorenzo G. Buonanno |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2022-03-02 |
| Genre | : Art |
| ISBN | : 1000540499 |
This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources—the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media—Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning. It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies.
| Author | : Gabriele Matino |
| Publisher | : Marsilio Editori |
| Total Pages | : 135 |
| Release | : 2019-02-19 |
| Genre | : Art |
| ISBN | : 9788831729475 |
Five hundred years after his birth, Venice celebrates the artistic achievements and era of Jacopo Tintoretto. The success of Jacopo and his son Domenico is inextricably linked to the Scuola Grande di San Marco. Indeed, Jacopo created some of the most famous paintings in 16th-century Venetian art for the Scuola's chapter hall. Thanks to Domenico's contribution, the ensemble commenced by his father was the most gradiose cycle devoted to the patron saint of Venice since the decoration of Saint Mark's Basilica. Founded in 1260-21 as a flagellant congregation, the Scuola became a charitable institution that, among other aims, provided medical care for the poorest of its members. After its suppression in 1806, the Scuola house the Venice City Hospital until the mid-20th century, when it was turned into a library with 18,000 medical and scientific volumes. This book offers the reader an unprecendented and fascinating glimpse of life in Tintoretto's Venice. Analyzing the themes of the exhibition in depth, the catalogue explores the relation between devotional activities, medical practices, anatomical studies and images of the human body by examining a wide range of period sources, including paintings, drawings, illuminated manuscripts, musical scores, illustrated books, engravings, printing plates and surgical instruments.
| Author | : Umberto Fortis |
| Publisher | : Assouline Publishing |
| Total Pages | : 6 |
| Release | : 2016-03-01 |
| Genre | : Travel |
| ISBN | : 1614280525 |
Commemorating the 500th anniversary of the founding of the Venice Ghetto, this magnificent hand-bound Ultimate Collection volume introduces readers to the beauty and historical and spiritual significance of the five principal synagogues in Venice, the most important markers of Jewish faith and culture in the Most Serene Republic. Behind the walls of the Ghetto, Venetian Jews expressed strong ties to the traditions of their forefathers in constructing these beautiful places of worship. The architecture, furnishings, and decorations blended the memory of their different countries of origin with traditions of Venetian artistic culture, bequeathing the City on the Lagoon enduring monuments of unparalleled eminence that remain sites of reverence and admiration.
| Author | : Sheila Hale |
| Publisher | : Harper Collins |
| Total Pages | : 722 |
| Release | : 2012-11-20 |
| Genre | : Art |
| ISBN | : 0062218131 |
The first definitive biography of the master painter in more than a century, Titian: His Life is being hailed as a "landmark achievement" for critically acclaimed author Sheila Hale (Publishers Weekly). Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.
| Author | : |
| Publisher | : |
| Total Pages | : 404 |
| Release | : 1888 |
| Genre | : Art |
| ISBN | : |
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 13 |
| Release | : 2006 |
| Genre | : Art, Byzantine |
| ISBN | : 030011141X |
This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at The Metropolitan Museum of Art from March 23 to July 5, 2004).
