Art And Design In The British Film
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| Author | : Ian Christie |
| Publisher | : Wallflower Press |
| Total Pages | : 194 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
John Box had one of the most continuously productive design careers in British cinema, winning a record for Academy Awards and four BAFTAs. After learning his craft in the 1950s, he shot to fame with Lawrence of Arabia (1962). Directors from David Lean and Carol Reed to Norman Jewison and Michael Mann have valued his experience, as he brought `a vocabulary of life' to bear on the new challenges posed by each film. Whether creating Chaina in Wales for The Inn of the Sixth Happiness (1958), revolutionary Russia in Spain for Dr. Zhivago (1965), or Dickensian London for Oliver! (1968), imagining the mythic past in First Knight (1995) or the future in Rollerball (1975). Box shaped screen worlds across five decades, helping to establish the traditions of British production design which continue today. His greatest wish was that his career should encourage others by example. Based on interviews with John Box and the co-operation of some of his key collaborators, this lavishly colour-illustrated book focuses on solutions to design problems and provides a unique insight into the production designer's role in the collaborative business of filmmaking. --Book Jacket.
| Author | : Laurie N. Ede |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 315 |
| Release | : 2010-03-30 |
| Genre | : Performing Arts |
| ISBN | : 0857732153 |
"British Film Design" is about the things that you see when you close your eyes and think of British cinema: "Dr. No's Hideaway", the buffet of "Brief Encounter", Vera Drake's parlour, "Hogwarts School"...and a thousand other visions of British films. This book is also about the people who have created those visions. The physical environments of films are made by Production Designers/Art Directors. Their efforts have tended to go unnoticed by cinema audiences. "British Film Design" offers the first comprehensive historical survey of British art direction. It takes a chronological journey through British film design, starting with the efforts of the film 'primitives' of the silent era and ending with the modern day purveyors of part built/part computer generated 'blended design'. Certain themes recur en route. These include British cinema's obsession with realism; the Production Designer's continual struggle for recognition; influence from European artists and the benefits - and perils - of American finance. The book succeeds in expressing the joy of looking at films from inside out; seeing beyond the stars to recognise sets as silent players in the action.
| Author | : Cathy Whitlock |
| Publisher | : Harper Collins |
| Total Pages | : 398 |
| Release | : 2013-02-05 |
| Genre | : Performing Arts |
| ISBN | : 0062241605 |
Who can forget the over-the-top, white-on-white, high-gloss interiors through which Fred Astaire danced in Top Hat? The modernist high-rise architecture, inspired by the work of Frank Lloyd Wright, in the adaptation of Ayn Rand's The Fountainhead? The lavish, opulent drawing rooms of Martin Scorsese's The Age of Innocence? Through the use of film design—called both art direction and production design in the film industry—movies can transport us to new worlds of luxury, highlight the ornament of the everyday, offer a vision of the future, or evoke the realities of a distant era. In Designs on Film, journalist and interior designer Cathy Whitlock illuminates the often undercelebrated role of the production designer in the creation of the most memorable moments in film history. Through a lush collection of rare archival photographs, Whitlock narrates the evolving story of art direction over the course of a century—from the massive Roman architecture of Ben-Hur to the infamous Dakota apartment in Rosemary's Baby to the digital CGI wonders of Avatar's Pandora. Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Whitlock delves into the detailed process of how sets are imagined, drawn, built, and decorated. Designs on Film is the must-have look book for film lovers, movie buffs, and anyone looking to draw interior design inspiration from the constructions and confections of Hollywood. Whitlock lifts the curtain on movie magic and celebrates the many ways in which art direction and set design allow us to lose ourselves in the diverse worlds showcased on the big screen.
| Author | : Paul Newland |
| Publisher | : Manchester University Press |
| Total Pages | : 451 |
| Release | : 2019-07-23 |
| Genre | : Performing Arts |
| ISBN | : 1526133148 |
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.
| Author | : David Curtis |
| Publisher | : Thames & Hudson |
| Total Pages | : 467 |
| Release | : 2021-10-05 |
| Genre | : Art |
| ISBN | : 0500776784 |
Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.
| Author | : Amos Vogel |
| Publisher | : Distributed Art Publishers (DAP) |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Cinematography |
| ISBN | : 9781933045276 |
By Amos Vogel. Foreword by Scott MacDonald.
| Author | : Laura A. Frahm |
| Publisher | : MIT Press |
| Total Pages | : 429 |
| Release | : 2022-07-19 |
| Genre | : Art |
| ISBN | : 0262045184 |
The first comprehensive history in English of film at the Bauhaus, exploring practices that experimented with film as an adaptable, elastic “polymedium.” With Design in Motion, Laura Frahm proposes an alternate history of the Bauhaus—one in which visual media, and film in particular, are crucial to the Bauhaus’s visionary pursuit of integrating art and technology. In the first comprehensive examination in English of film at the Bauhaus, Frahm shows that experimentation with film spanned a range of Bauhaus practices, from textiles and typography to stage and exhibition design. Indeed, Bauhausler deployed film as an adaptable, elastic “polymedium,” malleable in shape and form, unfolding and refracting into multiple material, aesthetic, and philosophical directions. Frahm shows how the encounter with film imbued the Bauhaus of the 1920s and early 1930s with a flexible notion of design, infusing painting with temporal concepts, sculptures with moving forms, photographs with sequential aesthetics, architectural designs with a choreography of movement. Frahm considers, among other things, student works that explored light and the transparent features of celluloid and cellophane; weaving practices that incorporate cellophane; experimental films, social documentaries, and critical reportage by Bauhaus women; and the proliferation of film strips in posters, book covers, and other typographic work. Viewing the Bauhaus’s engagement with film through a media-theoretic lens, Frahm shows how film became a medium for “design in motion.” Movement and process, rather than stability and fixity, become the defining characteristics of Bauhaus educational, aesthetic, and philosophical ethos.
| Author | : Gillian McIver |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 647 |
| Release | : 2017-03-23 |
| Genre | : Art |
| ISBN | : 1474246206 |
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
| Author | : Barbara Freedman Doyle |
| Publisher | : Routledge |
| Total Pages | : 386 |
| Release | : 2019-02-25 |
| Genre | : Performing Arts |
| ISBN | : 1351671782 |
Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, author Barbara Freedman Doyle demonstrates how to use production design, cinematography, lighting, and locations to create an effective and compelling visual story, even on the tightest of budgets. Featuring in-depth interviews with production designers, set decorators, construction coordinators, cinematographers, costumers, and location managers talking about the techniques of their craft, it provides you with a feel for what everyone on the visual team does, how they think and plan, and how best to utilize the knowledge and skills they offer. This book guides you through how to find, secure, and manage the best locations, how to create and dress a set, and how to make old look new and new look old—all on a tight budget. With insights from experts at the top of their field, sharing how they plan for the real-world application of large-scale ideas, you’ll be able to see ways to apply their techniques to your own smaller-scale productions. Understanding Design in Film Production is a practical, hands-on guide for any aspiring filmmaker who wants to understand the basic principles of visual design in order to create exceptional looking films.
| Author | : Andy Cooke |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2018-04-10 |
| Genre | : Design |
| ISBN | : 3791383507 |
This collection of groundbreaking campaigns and industry insights from the world's leading design studios shows how today's graphic designers are thinking, collaborating, and breaking the rules. This guide explores ways in which graphic designers can successfully collaborate with other creative professionals and sectors, whether it be a more sophisticated logo for a product, a better-designed lookbook for a fashion brand, or a more intuitive wayfinding system for a museum. The book features exceptionally conceived design solutions across a variety of industries--from architecture and product design to art, fashion, and film. Through dynamic spreads, readers will discover the Berlin-based studio Hort's transformative campaign for Nike; Base's responsive, flexible logo for Munich's Haus der Kunst museum; how design agency Bond worked with ArtRabbit, a website and app that catalogs contemporary art exhibitions, on a clever identity rollout; and how John Haslam, managing director of bespoke paper company G.F Smith, feels about the process of working with designers. Each example illustrates the significance of the graphic designer's role in making a campaign marketable and successful. Insights from clients and the designers themselves reveal the inner workings of the design process. An indispensable reference for the graphic design industry, this visually arresting and informative volume shows how excellence can be achieved when creative minds work together.
