Art and Autoradiography

Art and Autoradiography
Author: Maryan Wynn Ainsworth
Publisher: Metropolitan Museum of Art
Total Pages: 114
Release: 1982
Genre: Painting
ISBN: 0870992856

This book reports the most significant results of a scientific study of thirty-nine paintings in The Metropolitan Museum of Art. The works under investigation are by seventeenth-century Dutch and Flemish artists, mainly Rembrandt and his school. Art and Autoradiography publishes data obtained by the use of a new technique: neutron activation autoradiography. Through this method, it is now possible to study the substructure of paintings, their genesis, and their condition in far greater detail than had been possible with the conventional techniques of X-ray radiography and infrared photography. As a result, an artist's creative process can now be studied very closely. Autoradiography provides significant information for resolving questions about an artist's oeuvre and about workshop variations, attribution, dating, and even doubted authenticity. -- Metropolitan Museum of Art website.

Art and Autoradiography

Art and Autoradiography
Author: Maryan Winn Ainsworth
Publisher: Metropolitan Museum of Art New York
Total Pages: 112
Release: 1987-09-01
Genre: Art
ISBN: 9780300085723

Results of a scientific study of the substructure of thirty-nine paintings in the Metropolitan Museum's collections.

Art and Autoradiography

Art and Autoradiography
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
Total Pages: 112
Release: 1994-01-01
Genre:
ISBN: 9780810964457

The Creation of Art

The Creation of Art
Author: Berys Gaut
Publisher: Cambridge University Press
Total Pages: 312
Release: 2003-03-17
Genre: Art
ISBN: 9780521812344

Table of contents

The Grove Encyclopedia of Materials and Techniques in Art

The Grove Encyclopedia of Materials and Techniques in Art
Author: Gerald W. R. Ward
Publisher:
Total Pages: 848
Release: 2008
Genre: Art
ISBN: 0195313917

"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

A Companion to Renaissance and Baroque Art

A Companion to Renaissance and Baroque Art
Author: Babette Bohn
Publisher: John Wiley & Sons
Total Pages: 797
Release: 2012-01-02
Genre: Art
ISBN: 1118391519

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage
Author:
Publisher: Elsevier
Total Pages: 233
Release: 2006-05-02
Genre: Science
ISBN: 0080461867

The first of its kind, this series is devoted to the use of physical principles in the study and scientific conservation of objects with cultural heritage significance. It begins with a review of the modern museum, which discusses new techniques employed in the conservation of museum artifacts such as X-ray tomography and other techniques used to study Egyptian mummies, bones and mineralization of bones in the archaeological context, and the degradation of parchment. All of these topics and techniques are essential for the preservation of our history. This includes finding ways to preserve parchment documents and letters, which much of our written heritage is documented on, so that it can be used and understood for generations to come. This book is a must have for any museum as well as any university that teaches or employs the techniques discussed. - Written in a style that is readily understandable by conservation scientists, archaeologists, museum curators, and students - Provides an introduction to the advanced fields of synchrotron radiation science, neutron science, and computed tomography - Outstanding review of the use of modern technology to study museum and archaeological artifacts - Offers solutions through advanced scientific techniques to a wide range of problems facing museum staff

The Science of Paintings

The Science of Paintings
Author: W.Stanley Jr. Taft
Publisher: Springer Science & Business Media
Total Pages: 264
Release: 2006-04-18
Genre: Art
ISBN: 038721741X

The physics and materials science behind paintings: the pigments, binders, canvas, and varnish that go into making a painting appear the way it does. The text discusses the physical principles behind the colors seen and how these change with illumination, the various types of paint and binders used in both old and modern paintings, and the optics and microscopic structure of paint films. Chapters on dating, binders, and dendochronology have been contributed by experts in the respective fields.