Five orchestral pieces, op. 16

Five orchestral pieces, op. 16
Author: Arnold Schoenberg
Publisher: Courier Corporation
Total Pages: 82
Release: 1999-01-01
Genre: Music
ISBN: 0486406423

Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.

The Atonal Music of Arnold Schoenberg, 1908-1923

The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press
Total Pages: 276
Release: 2000-11-16
Genre: Music
ISBN: 0195351851

Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.

Schoenberg's Atonal Music

Schoenberg's Atonal Music
Author: Jack Boss
Publisher: Cambridge University Press
Total Pages: 407
Release: 2019-07-04
Genre: Music
ISBN: 1108419135

Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.

The Cambridge Companion to Schoenberg

The Cambridge Companion to Schoenberg
Author: Jennifer Shaw
Publisher: Cambridge University Press
Total Pages: 655
Release: 2010-05-13
Genre: Music
ISBN: 113982807X

Arnold Schoenberg – composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.

The Atonal Music of Arnold Schoenberg, 1908-1923

The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press, USA
Total Pages: 276
Release: 2000
Genre: Language Arts & Disciplines
ISBN: 0195128265

Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.

Style and Idea

Style and Idea
Author: Arnold Schoenberg
Publisher: Univ of California Press
Total Pages: 564
Release: 1984
Genre: Biography & Autobiography
ISBN: 9780520052949

One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.

Schoenberg and the New Music

Schoenberg and the New Music
Author: Carl Dahlhaus
Publisher: Cambridge University Press
Total Pages: 320
Release: 1987
Genre: Music
ISBN: 9780521337830

This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.