Aristos
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Author | : John Fowles |
Publisher | : Random House |
Total Pages | : 119 |
Release | : 2010-11-30 |
Genre | : Philosophy |
ISBN | : 140905845X |
Two years after The Collector had brought him international recognition and a year before he published The Magus, John Fowles set out his ideas on life in The Aristos. The chief inspiration behind them was the fifth century BC philosopher Heraclitus. In the world he posited of constant and chaotic flux the supreme good was the Aristos, 'of a person or thing, the best or most excellent its kind'.'What I was really trying to define was an ideal of human freedom (the Aristos) in an unfree world,' wrote Fowles in 1965. He called a materialistic and over-conforming culture to reckoning with his views on a myriad of subjects - pleasure and pain, beauty and ugliness, Christianity, humanism, existentialism, socialism
Author | : Walter Jon Williams |
Publisher | : Walter Jon Williams |
Total Pages | : 492 |
Release | : 2015-05-02 |
Genre | : Fiction |
ISBN | : 098545430X |
Written with care, intelligence, and grace, [Aristoi] depicts a future society based on highly developed computers and biological engineering, the key skills of which are controlled by an elite known as the Aristoi. This world is depicted meticulously and vividly, and so is the near war of all against all that is unleashed when one of the Aristoi falls prey to the corruption of power. A fine, thoughtful work, highly recommended; Williams seems to grow with each book. ---Roland Green, Chicago Sun-Times Beneath the facade of universal prosperity, however, lurks a tide of dissension and madness that can only be fought from within. Williams tests the borders of imagination in a novel that combines brilliant hard science and speculative vision with a firm grip on the central humanity of his characters. A priority purchase for sf collections. ---Library Journal In this complex and rewarding novel, Williams has created a future which features many of the wonders SF has been promising us for years: virtual reality, genetic engineering, faster-than-light travel, artificial intelligence, nanotechnology, telepathic links with computers, and more. ---Publishers Weekly Gabriel is one of the Aristoi, the elite class that hold dominion over a glittering interstellar culture, their rule more absolute than that of any Old Earth tyrant. When another of the Aristoi is murdered, Gabriel finds that the foundations of his civilization are tottering, and that his own power may have its roots in the greatest lie in all history. In order to defend himself and the interstellar order, Gabriel must go on a quest into the heart of barbarism and chaos, and discover within himself his own lost, tattered humanity.
Author | : William Fortenbaugh |
Publisher | : Routledge |
Total Pages | : 332 |
Release | : 2017-09-08 |
Genre | : Philosophy |
ISBN | : 1351322028 |
Volume 13 in the RUSCH series continues work already begun on the School of Aristotle. Volume 9 featured Demetrius of Phalerum, Volume 10, Dicaearchus of Messana, Volume 11, Eudemus of Rhodes, and Volume 12, both Lyco of Troas and Hieronymus of Rhodes. Now Volume 13 turns our attention to Aristo of Iulis on Ceos, who was active in the last quarter of the third century BCE. Almost certainly he was Lyco's successor as head of the Peripatetic School. In antiquity, Aristo was confused with the like-named Stoic philosopher from Chios, so that several works were claimed for both philosophers. Among these disputed works, those with Peripatetic antecedents, like Exhortations and Erotic Dissertations, are plausibly assigned to Aristo of Ceos. Other works attributed to the Peripatetic are Lyco (presumably a biography of Aristo's predecessor), On Old Age, and Relieving Arrogance. Whether part of the last-named work or a separate treatise, Aristo's descriptions of persons exhibiting inconsiderateness, self-will, and other unattractive traits relate closely to the Characters of Theophrastus. In addition, Aristo wrote biographies of Heraclitus, Socrates, and Epicurus. We may be sure that he did the same for the leaders of the Peripatos, whose wills he seems to have preserved within the biographies. The volume gives pride of place to Peter Stork's new edition of the fragments of Aristo of Ceos. The edition includes a translation on facing pages. There are also notes on the Greek and Latin texts (an apparatus criticus) and substantive notes that accompany the translation. This edition will replace that of Fritz Wehrli, which was made over half a century ago and published without translation.
Author | : Jens Nielsen |
Publisher | : Springer |
Total Pages | : 193 |
Release | : 2003-07-03 |
Genre | : Science |
ISBN | : 3540453008 |
Metabolic engineering is a rapidly evolving field that is being applied for the optimization of many different industrial processes. In this issue of Advances in Biochemical Engineering/Biotechnology, developments in different areas of metabolic engineering are reviewed. The contributions discuss the application of metabolic engineering in the improvement of yield and productivity - illustrated by amino acid production and the production of novel compounds - in the production of polyketides and extension of the substrate range - and in the engineering of S. cerevisiae for xylose metabolism, and the improvement of a complex biotransformation process.
Author | : |
Publisher | : |
Total Pages | : 1202 |
Release | : 1924 |
Genre | : Bakers and bakeries |
ISBN | : |
Author | : Michelle Kamhi |
Publisher | : Open Court |
Total Pages | : 541 |
Release | : 2016-05-26 |
Genre | : Philosophy |
ISBN | : 0812699599 |
What is art? The arts establishment has a simple answer: anything is art if a reputed artist or expert says it is. Though many people are skeptical about the alleged new art forms that have proliferated since the early twentieth century, today's critics claim that all such work, however incomprehensible, is art. A groundbreaking alternative to this view is provided by philosopher-novelist Ayn Rand (1901–1982). Best known as the author of The Fountainhead and Atlas Shrugged, Rand also created an original and illuminating theory of art, which confirms the widespread view that much of today's purported art is not really art at all. In What Art Is, Torres and Kamhi present a lucid introduction to Rand's esthetic theory, contrasting her ideas with those of other thinkers. They conclude that, in its basic principles, her account is compelling, and is corroborated by evidence from anthropology, neurology, cognitive science, and psychology. The authors apply Rand's theory to a debunking of the work of prominent modernists and postmodernists—from Mondrian, Jackson Pollock, and Samuel Beckett to John Cage, Merce Cunningham, and other highly regarded postmodernist figures. Finally, they explore the implications of Rand's ideas for the issues of government and corporate support of the arts, art law, and art education. "This is one of the most interesting, provocative, and well-written books on aesthetics that I know. While fully accessible to the general reader, What Art Is should be of great interest to specialists as well. Ayn Rand's largely unknown writings on art—especially as interpreted, released from dogma, and smoothed out by Torres and Kamhi—are remarkably refined. Moreover, her ideas are positively therapeutic after a century of artistic floundering and aesthetic quibbling. Anyone interested in aesthetics, in the purpose of art, or in the troubling issues posed by modernism and post modernism should read this book." —Randall R. Dipert Author of Artifacts, Art Works, and Agency "Torres and Kamhi effectively situate Rand's long-neglected esthetic theory in the wider history of ideas. They not only illuminate her significant contribution to an understanding of the nature of art; they also apply her ideas to a trenchant critique of the twentieth century's 'advanced art.' Their exposure of the invalidity of abstract art is itself worth the price of admission." —Chris Matthew Sciabarra Author of Ayn Rand: The Russian Radical "Rand's aesthetic theory merits careful study and thoughtful criticism, which Torres and Kamhi provide. Their scholarship is sound, their presentation is clear, and their judgment is refreshingly free from the biases that Rand's supporters and detractors alike tend to bring to considerations of her work." —Stephen Cox University of California, San Diego
Author | : Ariston |
Publisher | : Transaction Publishers |
Total Pages | : 392 |
Release | : |
Genre | : Philosophy |
ISBN | : 9781412817431 |
Volume 13 in the RUSCH series continues work already begun on the School of Aristotle. Volume 9 featured Demetrius of Phalerum, Volume 10, Dicaearchus of Messana, Volume 11, Eudemus of Rhodes, and Volume 12, both Lyco of Troas and Hieronymus of Rhodes. Now Volume 13 turns our attention to Aristo of Iulis on Ceos, who was active in the last quarter of the third century BCE. Almost certainly he was Lyco's successor as head of the Peripatetic School. In antiquity, Aristo was confused with the like-named Stoic philosopher from Chios, so that several works were claimed for both philosophers. Among these disputed works, those with Peripatetic antecedents, like Exhortations and Erotic Dissertations, are plausibly assigned to Aristo of Ceos. Other works attributed to the Peripatetic are Lyco (presumably a biography of Aristo's predecessor), On Old Age, and Relieving Arrogance. Whether part of the last-named work or a separate treatise, Aristo's descriptions of persons exhibiting inconsiderateness, self-will, and other unattractive traits relate closely to the Characters of Theophrastus. In addition, Aristo wrote biographies of Heraclitus, Socrates, and Epicurus. We may be sure that he did the same for the leaders of the Peripatos, whose wills he seems to have preserved within the biographies. The volume gives pride of place to Peter Stork's new edition of the fragments of Aristo of Ceos. The edition includes a translation on facing pages. There are also notes on the Greek and Latin texts (an apparatus criticus) and substantive notes that accompany the translation. This edition will replace that of Fritz Wehrli, which was made over half a century ago and published without translation. William W. Fortenbaugh is professor emeritus of classics at Rutgers University. He is the author of Aristotle on Emotion and the founder of Project Theophrastus. Stephen A. White is associate professor of classics at the University of Texas at Austin and author of Sovereign Virtue: Aristotle on the Relation between Happiness and Prosperity.
Author | : John Fowles |
Publisher | : Random House |
Total Pages | : 98 |
Release | : 2000 |
Genre | : Human ecology |
ISBN | : 0099282836 |
A series of recollections that concern both the childhood and work of the writer John Fowles. For him, the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive.
Author | : Martin Sherman |
Publisher | : A&C Black |
Total Pages | : 97 |
Release | : 2013-10-21 |
Genre | : Drama |
ISBN | : 1408111004 |
Aristo is the new play by Martin Sherman that has its world premiere at the Chichester Festival Theatre from 11 September - 11 October prior to a West End transfer. It will star Robert Lindsay and Diana Quick. Based on the last years of the life of the wealthy shipping magnate Aristotle Onassis who after a notorious affair with Maria Calas married Jacqueline Kennedy, widow of US President John F. Kennedy, in 1968. The play explores his complex interwoven relationships with Calla, Kennedy and his son by Callas, Alexandros, who died in a plane crash in 1973. Based in part on Peter Evans' book Nemesis, Aristo is an explosive account of how those in positions of enormous power and wealth often live lives detached from the realities and moral codes of everyday existence.
Author | : Tom Wolfe |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 116 |
Release | : 2008-10-14 |
Genre | : Art |
ISBN | : 1429961201 |
"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).