Aristocratic Vice
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Author | : Donna T. Andrew |
Publisher | : Yale University Press |
Total Pages | : 458 |
Release | : 2013-06-18 |
Genre | : History |
ISBN | : 0300185529 |
DIV Aristocratic Vice examines the outrage against—and attempts to end—the four vices associated with the aristocracy in eighteenth-century England: duelling, suicide, adultery, and gambling. Each of the four, it was commonly believed, owed its origin to pride. Many felt the law did not go far enough to punish those perpetrators who were members of the elite. In this exciting new book, Andrew explores each vice’s treatment by the press at the time and shows how a century of public attacks on aristocratic vices promoted a sense of “class superiority” among the soon-to-emerge British middle class. “Donna Andrew continues to illuminate the mental landscapes of eighteenth-century Britain. . . . No historian of the period has made greater or more effective use of the newspaper press as a source for cultural history than she. This book is evidently the product of a great deal of work and is likely to stimulate further work.”—Joanna Innes, University of Oxford /div
Author | : M. O'Cinneide |
Publisher | : Springer |
Total Pages | : 246 |
Release | : 2015-12-17 |
Genre | : Fiction |
ISBN | : 0230583326 |
Aristocratic women flourished in the Victorian literary world, their combination of class privilege and gendered exclusion generating distinctively socialized modes of participation in cultural and political activity. Their writing offers an important trope through which to consider the nature of political, private and public spheres.
Author | : Susan Carolyn Law |
Publisher | : |
Total Pages | : |
Release | : 2011 |
Genre | : |
ISBN | : |
This thesis examines the complex links between morality and leadership, by using adultery as a window through which to reassess the position of the aristocracy in late Georgian England. It analyses the construction and performance of aristocratic roles, and illustrates how various literary representations played an active part in manipulating public attitudes and creating change. It charts ways in which narratives of adultery were exploited for commercial and political motives, undermining the traditional basis of hereditary power by questioning moral fitness to rule, and ultimately contributing to the fundamental re-imagining of social structure expressed in the 1832 Reform Act. The old 'aristocratic political history' is reassessed through the lens of new cultural history by re-integrating literary evidence, to contribute new perspectives on the social and cultural position of the aristocracy. A key argument is that aristocratic roles were constructed over time through the interaction of successive layers of performance in everyday life and literature. This theory is intended as a fresh contribution to wider current debates on how readers interpret and respond to texts, by exploring notions of representation, self-representation and the role of literature in shaping both. The two concepts underpinning this work are the notion of theatre as a metaphor for life in which people enact a variety of roles, and the belief that literature has an active influence on attitudes and behaviours. By focussing on adultery as a social act, it investigates the consequences of infidelity for public life, and its profound implications for the meaning of aristocracy sited within overlapping public and private spheres. It questions stereotypes of aristocratic vice popularised by commercial print culture, and compares these representations with personal narratives. This thesis argues that stories of adultery are significant cultural material artefacts which must be integrated with traditional social and political histories, to provide a full understanding of the performative nature of identity.
Author | : Simon Planzer |
Publisher | : Springer Science & Business Media |
Total Pages | : 346 |
Release | : 2014-02-19 |
Genre | : Law |
ISBN | : 3319023063 |
This book analyses the voluminous and meandering case law on gambling of the Court of Justice from an empirical perspective. It offers a comprehensive overview of the legal situation of gambling services in the EU Single Market. Additionally, the book presents the current state of research on gambling addiction. It then seeks to answer the central research question as to what extent the views of the Court of Justice on gambling find support in empirical evidence. The Court of Justice granted exceptionally wide discretion to the Member States due to a so-called ‘peculiar nature’ of games of chance. With the margin of appreciation having played a key role, the book inquires whether the Court of Justice followed the principles and criteria that normally steer the use of this doctrine. Noting the Court’s special approach, the book elaborates on its causes and consequences. Throughout the book, the approach of the Court of Justice is contrasted with that of its sister court, the EFTA Court. Finally, the potential role of the precautionary principle and of EU fundamental rights in the area of gambling law is examined. Situated at the intersection of law and science, this book seeks to bridge the legal and scientific perspectives and the unique vocabularies common to each. It illustrates the direct relevance of science and empirical research for court cases and policy making. And it contrasts science-informed policy making with the on-going morality discourse on gambling.
Author | : Anthony J. Cascardi |
Publisher | : Penn State Press |
Total Pages | : 340 |
Release | : 1997-09-15 |
Genre | : Literary Criticism |
ISBN | : 9780271025698 |
Spain in the sixteenth and seventeenth centuries was in the throes of modernization arising from trade with the New World and the rise of an urban society. During this period, Spanish culture came to be dominated by the tension between an old regime of traditional values&—honor, lineage, purity of blood&—and these modernizing influences. Anthony J. Cascardi examines the literature of the Golden Age as the point at which tensions between the old and the new converged and proposes that this historical drama provided the context for subject-formation in early modern Spain. He examines how Spanish writers envisioned history and studies how these visions revealed or concealed contradictions between social values of their time, particularly between the value systems of caste and class. Ideologies of History in the Spanish Golden Age draws on recent theoretical paradigms in contemporary philosophy, psychoanalysis, political and social theory, and literary history to place Spain's major literary figures in challenging new contexts. By accounting for both modernizing desires and resistances to modernization, Cascardi provides readers interested in theories of ideology and history with a new way of looking at the literature of the Spanish Golden Age.
Author | : Kate Gibson |
Publisher | : Oxford University Press |
Total Pages | : 314 |
Release | : 2022-07-08 |
Genre | : England |
ISBN | : 0192867245 |
Illegitimacy, Family, and Stigma is the first full-length exploration of what it was like to be illegitimate in eighteenth-century England, a period of 'sexual revolution', unprecedented increase in illegitimate births, and intense debate over children's rights to state support. Using the words of illegitimate individuals and their families preserved in letters, diaries, poor relief, and court documents, this study reveals the impact of illegitimacy across the life cycle. How did illegitimacy affect children's early years, and their relationships with parents, siblings, and wider family as they grew up? Did illegitimacy limit education, occupation, or marriage chances? What were individuals' experiences of shame and stigma, and how did being illegitimate affect their sense of identity? Historian Kate Gibson investigates the circumstances that governed families' responses, from love and pragmatic acceptance, to secrecy and exclusion. In a major reframing of assumptions that illegitimacy was experienced only among the poor, this volume tells the stories of individuals from across the socio-economic scale, including children of royalty, physicians and lawyers, servants and agricultural labourers. It demonstrates that the stigma of illegitimacy operated along a spectrum, varying according to the type of parental relationship, the child's race, gender, and socio-economic status. Financial resources and the class-based ideals of parenthood or family life had a significant impact on how families reacted to illegitimacy. Class became more important over the eighteenth century, under the influence of Enlightenment ideals of tolerance, sensibility, and redemption. The child of sin was now recast as a pitiable object of charity, but this applied only to those who could fit narrow parameters of genteel tragedy. This vivid investigation of the meaning of illegitimacy gets to the heart of powerful inequalities in families, communities, and the state.
Author | : Albert Shaw |
Publisher | : |
Total Pages | : 786 |
Release | : 1892 |
Genre | : Literature |
ISBN | : |
Author | : Albert Shaw |
Publisher | : |
Total Pages | : 786 |
Release | : 1892 |
Genre | : |
ISBN | : |
Author | : Adam Parkes |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2023-07-13 |
Genre | : History |
ISBN | : 019286629X |
During a modern age that saw the expansion of its democracy, the fading of its empire, and two world wars, Britain's hereditary aristocracy was pushed from the centre to the margins of the nation's affairs. Widely remarked on by commentators at the time, this radical redrawing of the social and political map provoked a newly intensified fascination with the aristocracy among modern writers. Undone by history, the British aristocracy and its Anglo-Irish cousins were remade by literary modernism. Modernism and the Aristocracy: Monsters of English Privilege is about the results of that remaking. The book traces the literary consequences of the modernist preoccupation with aristocracy in the works of Elizabeth Bowen, Ford Madox Ford, Aldous Huxley, D.H. Lawrence, Evelyn Waugh, Rebecca West, and others writing in Britain and Ireland in the first half of the twentieth century. Combining an historical focus on the decades between the two world wars with close attention to the verbal textures and formal structures of literary texts, Adam Parkes asks: What did the decline of the British aristocracy do for modernist writers? What imaginative and creative opportunities did the historical fate of the aristocracy precipitate in writers of the new democratic age? Exploring a range of feelings, affects, and attitudes that modernist authors associated with the aristocracy in the interwar period--from stupidity, boredom, and nostalgia to sophistication, cruelty, and kindness--the book also asks what impact this subject-matter has on the form and style of modernist texts, and why the results have appealed to readers then and now. In tackling such questions, Parkes argues for a reawakening of curiosity about connections between class, status, and literature in the modernist period.
Author | : Claire Wood |
Publisher | : Edinburgh University Press |
Total Pages | : 605 |
Release | : 2024-05-31 |
Genre | : |
ISBN | : 1474441661 |
The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.