Argentinean Cultural Production During The Neoliberal Years 1989 2001
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Author | : Hugo Hortiguera |
Publisher | : |
Total Pages | : 260 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
This groundbreaking collection of essays examines Argentine cultural production in the years between 1989-2001, which coincided with the implementation of neoliberalism under President Carlos Saul Menem (1989-1999) and his successor, Fernando de la Rua (1999-2001). In order to do so, this work provides an overview of the way Argentine writers, filmmakers, musicians and media reacted to this centrality of the market forces. This collection will be of interest to scholars of Latin American Cultural Studies, Hispanic Studies, Film Studies as well as those of Comparative Literature.
Author | : Carolina Rocha |
Publisher | : Springer |
Total Pages | : 380 |
Release | : 2012-04-14 |
Genre | : Social Science |
ISBN | : 1137011793 |
Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Author | : Gabriela Jonas Aharoni |
Publisher | : Liverpool University Press |
Total Pages | : 193 |
Release | : 2015-07-01 |
Genre | : Performing Arts |
ISBN | : 1782842292 |
This work explores the way in which telenovelas (TV serial dramas) give voice to contemporary and historical Argentinian social and political issues. Telenovelas have multiple layers of socio-cultural message -- local as well as global -- and are invariably laden with appealing drama and emotion, and sometimes comedy. The discussion focuses on how telenovelas reflect society's perception of, and adjustment toward, issues of globalisation. They are a means of portraying how individuals and families rationalize and incorporate rapid social and economic changes. The book explores how telenovelas might offer a subversive interpretation of reality; or provide a channel of dialogue with the government's political aims. The author challenges the assumption that they are merely a reflection of historical, political and social circumstance. One of the many telenovela examples addressed in this book is whether the serial Padre Coraje constructs a parallel between the current Kirchner government and that of Juan Peron, fifty years earlier. The serial explores the two leaders' relationship with the Church and implicitly presents President Kirchner as Peron's successor. Explaining telenovelas as cultural texts (they are not soap operas) provides the primary basis for this study, backed by Argentinian newspaper articles and secondary sources on Latin American history, culture and economy, as well as TV and cinema studies. The result is a more profound and nuanced interpretation than hitherto of Argentinian telenovelas. Analysis enables identification of the links between the serials' storylines and contemporary political and social events. These popular culture texts bring new meaning to the Argentinian historical narrative, and for TV viewers puts the processes and effects of economic and social globalisation on a local multi-cultural level perspective.
Author | : Hernan Fontanet |
Publisher | : University Press of America |
Total Pages | : 197 |
Release | : 2014-10-24 |
Genre | : Biography & Autobiography |
ISBN | : 0761864571 |
The Unfinished Song of Francisco Urondo: When Poetry is Not Enough is a comprehensive, well-written, documented, and carefully developed study of the literary work and life of Francisco Urondo, an Argentine poet, intellectual, activist, cultural promoter, revolutionary, and clandestine guerilla member who died in 1976 fighting for a cause in which he believed, against the oppressive Argentine Military Junta. This methodical but never mechanistic work shows how life events, cultural milieu, political movements, and world circumstances interacted and impacted Urondo’s temperament to produce his poetic voice, his prose, and his theatrical works. By studying the man, we get closer to his poetry. With his poetry, the author makes a compelling case for understanding the man. Francisco Urondo’s life, work, and praxis were varied, agonizing at times, and always marked by imperatives. This book fills a significant lacuna in the scholarship on the work of this worthy, yet neglected and under-studied, writer. Readers of this book will come away with not only a deepened understanding of the man and his writings but also of a key period in recent Argentine political, social, and intellectual history.
Author | : Adriana Brodsky |
Publisher | : BRILL |
Total Pages | : 413 |
Release | : 2012-09-28 |
Genre | : Social Science |
ISBN | : 9004237283 |
Congratulations to Adriana Brodsky and Raanan Rein whose edited volume has been chosen as the winner of the 2013 Latin American Jewish Studies Association Book Prize! The New Jewish Argentina aims at filling in important lacunae in the existing historiography of Jewish Argentines. Moving away from the political history of the organized community, most articles are devoted to social and cultural history, including unaffiliated Jews, women and gender, criminals, printing presses and book stores. These essays, written by scholars from various countries, consider the tensions between the national and the trans-national and offer a mosaic of identities which is relevant to all interested in Jewish history, Argentine history and students of ethnicity and diaspora. This collection problematizes the existing image of Jewish-Argentines and looks at Jews not just as persecuted ethnics, idealized agricultural workers, or as political actors in Zionist politics. "This book is a must-read for students and scholars interested in immigration to Latin America, Ethnic History, and Jewish Studies, but its readership could extend to anybody who is interested in this chapter of social and cultural history." Ariana Huberman, Haverford College
Author | : Daniela Ingruber |
Publisher | : LIT Verlag Münster |
Total Pages | : 259 |
Release | : 2012 |
Genre | : Motion pictures |
ISBN | : 3643504152 |
Author | : Kerry Bystrom |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2021-07-27 |
Genre | : History |
ISBN | : 1000399478 |
This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy. Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.
Author | : M. Sierra |
Publisher | : Springer |
Total Pages | : 427 |
Release | : 2012-05-07 |
Genre | : Literary Criticism |
ISBN | : 1137122803 |
Addressing the issue of how gendered spatial relations impact the production of literary works, this book discusses gender implications of spatial categories: the notions of home and away, placement and displacement, dwelling and travel, location and dislocation, and the 'quest for place' in women's writing from Argentina from 1920 to the present.
Author | : David M K Sheinin |
Publisher | : University Press of Florida |
Total Pages | : 228 |
Release | : 2012-11-18 |
Genre | : History |
ISBN | : 0813042593 |
Under violent military dictatorship, Operation Condor and the Dirty War scarred Argentina from the mid-1970s to the early 1980s, leaving behind a legacy of repression, state terror, and political murder. Even today, the now-democratic Argentine government attempts to repair the damage of these atrocities by making human rights a policy priority. But what about the other Dirty War, during which Argentine civilians--including indigenous populations--and foreign powers ignored and even abetted the state's vicious crimes against humanity? In this groundbreaking new work, David Sheinin draws on previously classified Argentine government documents, human rights lawsuits, and archived propaganda to illustrate the military-constructed fantasy of bloodshed as a public defense of human rights. Exploring the reactions of civilians and the international community to the daily carnage, Sheinin unearths how compliance with the dictatorship perpetuated the violence that defined a nation. This new approach to the history of human rights in Argentina will change how we understand dictatorship, democracy, and state terror.
Author | : Gerd Gemünden |
Publisher | : University of Illinois Press |
Total Pages | : 250 |
Release | : 2019-10-30 |
Genre | : Performing Arts |
ISBN | : 0252051696 |
Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.