Arete And The Odysseys Poetics Of Interrogation
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| Author | : Justin Arft |
| Publisher | : Oxford University Press |
| Total Pages | : 377 |
| Release | : 2022-09-01 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 0192663607 |
Arete and the Odyssey's Poetics of Interrogation explores how the enigmatic Phaeacian queen, Arete, is at the heart of an epic-scale "poetics of interrogation" used throughout the Odyssey to negotiate Odysseus' kleos, or epic renown. Arete's interrogation of Odysseus has been especially problematic in scholarship, but diachronic and synchronic analysis of similar interrogations across Indo-European, Orphic, and Greek epigrammatic corpora show that the "stranger's interrogation" is a formula that demands performance and negotiation of status. Within the Odyssey, this interrogation is part of an intraformular network used to generate kleos, and the queen's question initiates the longest and most complex negotiation of Odysseus' status in epic and memory. Arete's role as interrogator not only explains her strange authority and resonance with both Penelope and comparative afterlife figures, but it also establishes a gendered, agonistic tension between she and her husband, Alkinoos, that influences the structure, genre, and narratology of performances across the Phaeacian episode. This book reinterprets the Odyssey's central episode and challenges several assumptions about Nausikaa and Alkinoos' famed hospitality, even demonstrating how the Apologue is organized as a response to competing inquiries into Odysseus' fundamental status in tradition. The Odyssey ultimately navigates away from Odysseus' public reputation and roots his status in private memories, and Arete's carefully arranged interventions signal the larger process by which the Odyssey immortalizes Odysseus in poetry as a nostos hero. The queen and her question invite new applications of oral poetics that shed light on the structure, composition, and reperformance of the Odyssey.
| Author | : Justin Tyler Arft |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : Electronic books |
| ISBN | : 9780192663597 |
Justin Arft explores how the Phaeacian queen, Arete, is at the heart of an epic-scale ""poetics of interrogation"" used throughout the Odyssey to negotiate Odysseus' kleos, or epic renown. The queen and her question invite new applications of oral poetics that shed light on the structure, composition, and reperformance of the Odyssey.
| Author | : Andromache Karanika |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2024-09-11 |
| Genre | : Religion |
| ISBN | : 0198884583 |
Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.
| Author | : Suzanne Lye |
| Publisher | : Oxford University Press |
| Total Pages | : 334 |
| Release | : 2024 |
| Genre | : Drama |
| ISBN | : 0197690203 |
"Life / Afterlife: Revolution and Reflection in the Ancient Greek Underworld from Homer to Lucian explores the mechanics, function, and impact of ancient Greek Underworld scenes, a unique and ancient form of embedded storytelling appearing across time and genres. This book approaches Underworld scenes as a special register of language that acts as a narrative space outside of chronological time to reflect on important themes and issues in a frame narrative. This book argues that Underworld scenes use hypertextual poetics to embed authorial commentary by creating networks of texts that act as para-narratives, which provide additional information to engage audiences in the interpretative process of a given work. Life / Afterlife traces the development, evolution, and application of Underworld scenes through the works of such authors as Homer, Hesiod, Pindar, Aeschylus, Aristophanes, Plato, Vergil, and Lucian to show how each used afterlife depictions featuring mythic and historical figures as commentaries to communicate a call to action for their audiences in response to cultural, religious, and political changes in their worlds. Using the network of Underworld scenes, authors could reinforce and challenge traditional religious and cultural beliefs and practices by presenting the long-term, cosmic effect of actions in life on an individual's post-death experience. From ancient to modern times, Underworld scenes have helped authors and audiences define the essential qualities of a "good life" for different social, political, and religious groups and their societies"--
| Author | : Denton Jaques Snider |
| Publisher | : |
| Total Pages | : 548 |
| Release | : 1922 |
| Genre | : Epic poetry, Greek |
| ISBN | : |
| Author | : Jean-Pierre Vernant |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 1981 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
| Author | : David Leeming |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 2001-05-31 |
| Genre | : Fiction |
| ISBN | : 0195120531 |
This is an A-Z dictionary of mythologies of the Asian continent. Major characters, places and events of Asian mythology, as well as certain relevant themes and cultural traditions are included.
| Author | : Elodie Paillard |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 317 |
| Release | : 2021-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110716550 |
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.
| Author | : Sherwin B. Nuland |
| Publisher | : Vintage |
| Total Pages | : 547 |
| Release | : 2011-10-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307807894 |
From the author of How We Die, the extraordinary story of the development of modern medicine, told through the lives of the physician-scientists who paved the way. How does medical science advance? Popular historians would have us believe that a few heroic individuals, possessing superhuman talents, lead an unselfish quest to better the human condition. But as renowned Yale surgeon and medical historian Sherwin B. Nuland shows in this brilliant collection of linked life portraits, the theory bears little resemblance to the truth. Through the centuries, the men and women who have shaped the world of medicine have been not only very human, but also very much the products of their own times and places. Presenting compelling studies of great medical innovators and pioneers, Doctors gives us a fascinating history of modern medicine. Ranging from the legendary Father of Medicine, Hippocrates, to Andreas Vesalius, whose Renaissance masterwork on anatomy offered invaluable new insight into the human body, to Helen Taussig, founder of pediatric cardiology and co-inventor of the original "blue baby" operation, here is a volume filled with the spirit of ideas and the thrill of discovery.
| Author | : Fabio Porzia |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : History |
| ISBN | : 9789042951617 |
'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'
