Architectures Of Sound
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| Author | : Michael Fowler |
| Publisher | : Birkhäuser |
| Total Pages | : 208 |
| Release | : 2017-10-23 |
| Genre | : Architecture |
| ISBN | : 303561329X |
Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage.
| Author | : Angeliki Sioli |
| Publisher | : Leuven University Press |
| Total Pages | : 306 |
| Release | : 2022-05-18 |
| Genre | : Architecture |
| ISBN | : 9462703213 |
How sound and its atmospheres transform architecture Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, program, location, or historic period—providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. The contributors explore how sound and its atmospheres transform architecture and space. Their essays demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners. The Sound of Architecture will be of interest to architectural historians, theorists, students, and practicing architects, who will discover how acoustic atmospheres can be created without complex and specialized engineering. It will also be of value to scholars working in the field of history of emotions, as it offers evocative descriptions of acoustic atmospheres from diverse cultures and time periods.
| Author | : Jarrod Mayer |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 2018-03 |
| Genre | : |
| ISBN | : 9780692084526 |
The Architecture of Sound and Alchemy of Transcendence spawned from a simple transmission during meditation. The message; "Sound is a Plane of Existence." The truth found within sound gives us direct connection with the Divine. We live within the potential of all sounds, whereby silence harbors the pure potentiality of conscious creation. Sound is the guru, and when we listen we are given deep lessons of who we are and why we are here. This book, written in stream of consciousness and within a meditative state, is a philosophy which will align with your life while bridging connections within your unconscious, personal experience.
| Author | : Joseph L. Clarke |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 325 |
| Release | : 2021-06-08 |
| Genre | : Architecture |
| ISBN | : 0822988038 |
A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
| Author | : Victoria Newhouse |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 274 |
| Release | : 2012-04-10 |
| Genre | : Architecture |
| ISBN | : 1580932819 |
Victoria Newhouse, noted author and architectural historian, addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future in this stunning companion to the highly regarded Towards a New Museum. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Heavily illustrated throughout—with historic images, spectular color photographs, detailed drawings—this volume is an informed and enjoyable presentation of a building type that is at the heart of cities small and large. Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to contemporary works around the world. She singles out Lincoln Center in particular for its long history and its transitions and remodelings over the years. Two major chapters cover the present: one focuses on recent work in the West, including the National Opera House of Norway in Oslo by Snøhetta (2008), the Casa da Música in Porto, Portugal, by Rem Koolhaas (2005), and many more; the second examines the boom in concert halls in China. A final chapter looks at projects that are currently planned and the future of an architecture for music.
| Author | : Tyler Adams |
| Publisher | : Frame Publishers |
| Total Pages | : 292 |
| Release | : 2016-11-01 |
| Genre | : Technology & Engineering |
| ISBN | : 9492311011 |
Detailing over 100 sound absorbing materials and finishes with case studies of innovative architectural and design applications. Sound Materials is a definitive resource for architects, designers, acousticians, engineers, students and creative professionals – the first publication of its kind to catalogue over 100 sound absorbing materials, detailing inspiring real-world applications. Project profiles include work from leading architects and designers such as OMA, Gehry Partners, Foster + Partners, Ronan and Erwan Bouroullec, and Barber & Osgerby. These projects showcase sound absorbing materials in a variety of interior design and architectural contexts and underscore some of the common acoustical and material challenges presented by specific applications, such as healthcare, education, performing arts, office, retail and industrial environments. Fundamental technical concepts are clearly presented to offer readers with an understanding of how materials absorb sound and how these materials are commonly used to reduce noise and reverberation, inform our sense of space, and improve communication in everyday environments. This book not only surveys an extensive range of materials past, present and emerging, but also highlights many exciting opportunities for future innovation and collaboration at the intersections of acoustical engineering, materials science, design and architecture.
| Author | : Christine Guillebaud |
| Publisher | : Routledge |
| Total Pages | : 225 |
| Release | : 2019-11-18 |
| Genre | : Architecture |
| ISBN | : 1000731502 |
Worship Sound Spaces unites specialists from architecture, acoustic engineering and the social sciences to encourage closer analysis of the sound environments within places of worship. Gathering a wide range of case studies set in Europe, Asia, North America, the Middle East and Africa, the book presents investigations into Muslim, Christian and Hindu spaces. These diverse cultural contexts demonstrate the composite nature of designing and experiencing places of worship. Beginning with a historical overview of the three primary indicators in acoustic design of religious buildings, reverberation, intelligibility and clarity, the second part of this edited collection offers a series of field studies devoted to perception, before moving onto recent examples of restoration of the sound ambiances of former religious buildings. Written for academics and students interested in architecture, cultural heritage, acoustics, sensory studies and sound. The multimedia documents of this volume may be consulted at the address: https://frama.link/WSS
| Author | : Bissera V. Pentcheva |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2020-11-23 |
| Genre | : Music |
| ISBN | : 1000207366 |
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.
| Author | : Michael Frishkopf |
| Publisher | : University of Texas Press |
| Total Pages | : 477 |
| Release | : 2018-03-13 |
| Genre | : Architecture |
| ISBN | : 1477312463 |
Bringing together the perspectives of ethnomusicology, Islamic studies, art history, and architecture, this edited collection investigates how sound production in built environments is central to Muslim religious and cultural expression.
| Author | : Niall Atkinson |
| Publisher | : Penn State Press |
| Total Pages | : 280 |
| Release | : 2016-09-16 |
| Genre | : Art |
| ISBN | : 0271077832 |
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
