Architectures Of Excess
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| Author | : Ashley Bigham |
| Publisher | : Applied Research & Design |
| Total Pages | : 144 |
| Release | : 2021-11 |
| Genre | : |
| ISBN | : 9781951541644 |
Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfillment described the achievement of a desire--sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfillment has evolved to reflect a seemingly endless cycle of desire and gratification--one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfillment. A closer look at fulfillment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material byproducts of cultural production and to ask again the age-old question, "What does it mean to be fulfilled?" This book examines the architecture of fulfillment through three lenses: logistical, material, and cultural fulfillment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfillment networks are not invisible systems; they are tangible objects--warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers--with which architects necessarily interact. From political mapping and questions of labor to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfillment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture's unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories.
| Author | : Dr Paul Dobraszczyk |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 343 |
| Release | : 2014-06-27 |
| Genre | : Art |
| ISBN | : 1472418980 |
In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.
| Author | : Elizabeth Grosz |
| Publisher | : MIT Press |
| Total Pages | : 252 |
| Release | : 2001-06-22 |
| Genre | : Architecture |
| ISBN | : 9780262265362 |
Essays at the intersection of philosophy and architecture explore how we understand and inhabit space. To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—architecture and philosophy—can meet in a third space to interact free of their internal constraints. "Outside" also refers to those whose voices are not usually heard in architectural discourse but who inhabit its space—the destitute, the homeless, the sick, and the dying, as well as women and minorities. Grosz asks how we can understand space differently in order to structure and inhabit our living arrangements accordingly. Two themes run throughout the book: temporal flow and sexual specificity. Grosz argues that time, change, and emergence, traditionally viewed as outside the concerns of space, must become more integral to the processes of design and construction. She also argues against architecture's historical indifference to sexual specificity, asking what the existence of (at least) two sexes has to do with how we understand and experience space. Drawing on the work of such philosophers as Henri Bergson, Roger Caillois, Gilles Deleuze, Jacques Derrida, Luce Irigaray, and Jacques Lacan, Grosz raises abstract but nonformalistic questions about space, inhabitation, and building. All of the essays propose philosophical experiments to render space and building more mobile and dynamic.
| Author | : Annette Condello |
| Publisher | : Routledge |
| Total Pages | : 211 |
| Release | : 2016-03-16 |
| Genre | : Architecture |
| ISBN | : 1317044762 |
Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ’luxury’ sought within everyday architecture.
| Author | : Christopher Schwarz |
| Publisher | : |
| Total Pages | : |
| Release | : 2016-02-28 |
| Genre | : |
| ISBN | : 9780990623076 |
| Author | : Karen Elizabeth Bishop |
| Publisher | : SUNY Press |
| Total Pages | : 260 |
| Release | : 2020-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438478518 |
More than thirty thousand people were forcibly disappeared during the military dictatorship that governed Argentina from 1976 to 1983, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop explores how techniques of dissimulation, doubling, displacement, suspension, and embodiment come to serve both epistemological and ethical functions, grounding new forms of historical knowledge and a new narrative commons whose work continues into the twenty-first century. Their writing, Bishop argues, recalibrates our understanding of the rich and increasingly urgent reciprocities between fiction, history, and the demands of human rights. In the end, The Space of Disappearance asks us to reexamine in fiction what we think we cannot see; there, at the limits of the literary, disappearance appears as a vital agent of resistance, storytelling, and world-building.
| Author | : Jim Collins |
| Publisher | : Routledge |
| Total Pages | : 263 |
| Release | : 2020-10-28 |
| Genre | : Architecture |
| ISBN | : 1136647139 |
First Published in 1995. Much of recent theory has characterized life in media-sophisticated societies in terms of a semiotic overload which, allegedly, has had only devastating effects on communication and subjectivity. In Architectures of Excess, Jim Collins argues that, while the rate of technological change has indeed accelerated, so has the rate of absorption. The seemingly endless array of information has generated not chaos but different structures and strategies, which harness that excess by turning it into forms of art and entertainment. Digital sampling in rap music and cyber-punk science fiction are well-known examples of techno-pop textuality, but Collins concentrates on other contemporaneous phenomena that are also envisioning new cultural landscapes by accessing that array--hyper-self-reflexivity in mall movies, best sellers, and prime-time television; the deconstructive vs. new-classical debate in architecture; the emergence of the "New Black Aesthetic;" the development of retro-modernism in interior design and the fashion industries. The analyses of these disparate, discontinous attempts to develop a meaningful sense of location, in an historical as well as a spatial sense, address a cluster of interconnected questions: How is the array of information being "domesticated?" How has appropriationism evolved from the Pop-Art of the sixties to the sampling of the nineties? How has the relationship between tradition, innovation, and evaluation been altered? Architectures of Excess investigates how these phenomena reflect change in taste and subjectivity, considering how we must account for both, pedagogically.
| Author | : Joseph Iano |
| Publisher | : John Wiley & Sons |
| Total Pages | : 516 |
| Release | : 2022-06-06 |
| Genre | : Architecture |
| ISBN | : 1119826802 |
THE ARCHITECT’S STUDIO COMPANION The latest edition of the guidebook every architect needs at their fingertips, updated and expanded throughout Start your designs on solid ground with The Architect’s Studio Companion! This comprehensive handbook provides everything you need for the preliminary selecting, configuring, and sizing of the structural, environmental, safety, accessibility, and parking systems of a building. Edward Allen and Joseph Iano, authors of the market-leading Fundamentals of Building Construction, use their trademark talent for boiling down complex technical requirements into easy-to-use, time-saving guidelines for the engineering and architectural design of buildings. The new seventh edition is updated with new building codes, new information on heating and cooling systems for buildings, new structural systems, new requirements for tall mass timber buildings, and more. Throughout the text, straightforward diagrams and user-friendly explanations help you lay out the most important systems of a building in a matter of minutes without stressing about complicated technical concepts. Use this guide to introduce building systems into the early stages of design, and greatly reduce the need for later revisions or redesign???and keep your projects on time and on budget. Streamline your design process today with The Architect’s Studio Companion: Explore alternative structural systems quickly and efficiently Compare the carbon impacts of alternative system choices... at a glance Stay current with the latest information about tall mass timber buildings Access information on high-performance heating and cooling systems, passive design, natural daylighting, and other sustainable design strategies with ease Incorporate U.S. and Canadian building code requirements and accessibility regulations into your designs More than just a reference, The Architect’s Studio Companion, Seventh Edition is a must-have companion that no practicing architect or student should be without.
| Author | : Gevork Hartoonian |
| Publisher | : Routledge |
| Total Pages | : 514 |
| Release | : 2016-12-05 |
| Genre | : Architecture |
| ISBN | : 1351957430 |
Focusing on six leading contemporary architects: Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Holl, this book puts forward a unique and insightful analysis of "neo-avant-garde" architecture. It discusses the spectacle and excess which permeates contemporary architecture in reference to the present aesthetic tendency for image making, but does so by applying the tectonic of theatricality discussed by the 19th-century German architect Gottfried Semper. In doing so, it breaks new ground by opening up a dialogue between the study of the past and the design of the present. The work of each discussed architect is seen as addressing a historiographical problem. To this end, and this is the second important aspect of this book, the chosen buildings are discussed in terms of the thematic of the culture of building (the tectonic of column and wall for example) rather the formal, and this through a discussion that is informed by the latest available theories. Having set the aesthetic implication of the processes of the digitalization of architecture, the book's conclusion highlights "strategies" by which architecture might postpone the full consequences of digitalization, and thus the becoming of architecture as ornament on its own right.
| Author | : |
| Publisher | : |
| Total Pages | : 844 |
| Release | : 1923 |
| Genre | : Architecture |
| ISBN | : |
