Architecture And Nihilism
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Author | : Massimo Cacciari |
Publisher | : |
Total Pages | : 248 |
Release | : 1993-01-01 |
Genre | : Architecture |
ISBN | : 9780300052152 |
"Massimo Cacciari, one of the most influential social philosophers in Italy today, is the founder of the trend of criticism known as "negative thought" that focuses on the failure of traditional logic to explicate the problems of modernity. This book, which introduces his writings to an English-speaking audience, provides a striking social and philosophical account of the twentieth-century metropolis. Patrizia Lombardo's extensive introduction situates Cacciari's thought within the milieu of Italian political activism and philosophy between the 1960s and the 1980s, from his collaboration on the leftist journal Contropiano to his long association with Manfredo Tafuri." "Cacciari studies the relation between philosophy and modern architecture and applies the thinking of avant-garde architects, artists, and writers to the social and political problems raised by technological society. He begins by defining the modern metropolis, using the terms and ideas of Georg Simmel and Max Weber, but revealing where their frameworks are limited. He then examines the work of Adolf Loos and other architects and designers in early twentieth-century Vienna, showing how their architecture and criticism expose the alienation and utopianism in notions of the organic city. Cacciari demonstrates how architecture intersects with the city and the state but also with the interior of the private dwelling and with its resistance to the external world. Bringing together philosophy, sociology, urbanism, labor history, economics, and aesthetics, he helps us comprehend via these disciplines a crucial period in the history of modernity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Gevork Hartoonian |
Publisher | : Cambridge University Press |
Total Pages | : 142 |
Release | : 1997-03-28 |
Genre | : Architecture |
ISBN | : 9780521586450 |
Ontology of Construction explores theories of construction in modern architecture, focusing on the relationship between nihilism of technology and architecture. The essays articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, and Mies Van der Rohe. Hartoonian also examines Gottfried Semper's discourse on the tectonic and the relationship between architecture and other crafts. Emphasizing "fabrication" as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas.
Author | : Nikos Angelos Salingaros |
Publisher | : UMBAU-VERLAG Harald Püschel |
Total Pages | : 214 |
Release | : 2004 |
Genre | : Architectural criticism |
ISBN | : 3937954015 |
Author | : Bulent Diken |
Publisher | : Routledge |
Total Pages | : 261 |
Release | : 2008-11-28 |
Genre | : Philosophy |
ISBN | : 113405582X |
This book addresses the genealogy and consequences of nihilism, attempts at 'sociologizing' the concept of nihilism by relating nihilism to capitalism, post-politics and terrorism, and considers the possibilities of overcoming nihilism.
Author | : Roger Scruton |
Publisher | : Palgrave Macmillan |
Total Pages | : 158 |
Release | : 1995 |
Genre | : Architecture |
ISBN | : 9780312125011 |
modernism of architecture) from a serious intellectual perspective, based on a philosophical aesthetics which he has propounded in earlier books including The Politics of Culture (1981), The Aesthetic Understanding (1983) and The Philosopher on Dover Beach (1990). Scruton, Anthony Quinton declared, 'writes with great force and freshness. He is humblingly intelligent. Above all, he is consistently interesting.' In these essays written over the last decade and a half, he.
Author | : Karsten Harries |
Publisher | : MIT Press |
Total Pages | : 428 |
Release | : 1998-07-31 |
Genre | : Architecture |
ISBN | : 9780262581714 |
Can architecture help us find our place and way in today's complex world? Can it return individuals to a whole, to a world, to a community? Developing Giedion's claim that contemporary architecture's main task is to interpret a way of life valid for our time, philosopher Karsten Harries answers that architecture should serve a common ethos. But if architecture is to meet that task, it first has to free itself from the dominant formalist approach, and get beyond the notion that its purpose is to produce endless variations of the decorated shed. In a series of cogent and balanced arguments, Harries questions the premises on which architects and theorists have long relied—premises which have contributed to architecture's current identity crisis and marginalization. He first criticizes the aesthetic approach, focusing on the problems of decoration and ornament. He then turns to the language of architecture. If the main task of architecture is indeed interpretation, in just what sense can it be said to speak, and what should it be speaking about? Expanding upon suggestions made by Martin Heidegger, Harries also considers the relationship of building to the idea and meaning of dwelling. Architecture, Harries observes, has a responsibility to community; but its ethical function is inevitably also political. He concludes by examining these seemingly paradoxical functions.
Author | : Laurence Paul Hemming |
Publisher | : Bloomsbury Publishing |
Total Pages | : 358 |
Release | : 2011-03-03 |
Genre | : Philosophy |
ISBN | : 0826438695 |
When Nietzsche announced 'the advent of nihilism' in 1887/88, he argued that he was sketching 'the history of the next two centuries': 'For some time now', he wrote, 'our whole European culture has been moving as toward catastrophe [...]: restlessly, violently, headlong, like a river that want to reach the end, that no longer reflects, that is afraid to reflect.' Can we gain a ground for reflection upon our own condition? Can we heed Nietzsche's warning? Can we respond to the challenge? In this book, eleven newly commissioned essays from leading scholars offer an attempt to grasp Nietzsche's prescience through Heidegger's critique of it; attempting to think through the philosophical consequences of the last century in reading the signs of our own condition. The book also provides and fascinating and unique discussion of some of the lesser-known texts of the later Heidegger.
Author | : Ignasi De Sola-Morales |
Publisher | : MIT Press |
Total Pages | : 178 |
Release | : 1997-01-07 |
Genre | : Architecture |
ISBN | : 9780262540858 |
Differences brings together ten essays written over the past decade by the distinguished Spanish architect and theorist Ignasi de Solà-Morales. Differences brings together ten essays written over the past decade by the distinguished Spanish architect and theorist Ignasi de Sola-Morales. Many of the essays have never previously been translated, and the author has provided a new introduction especially for this English edition. Contemplating the panorama of contemporary art and architecture, de Sola-Morales posits that there is no one way to describe today's practice; instead he concentrates on elucidating the present dynamic of contrast, diversity, and tension. In an unorthodox pairing, de Sola-Morales derives his inspiration from both phenomenology and Deleuzean poststructuralism. Combining these philosophical inheritances allows him to reinvoke the human subject without referring to classical humanism or announcing the death of the object. His retrospective review of the disciplines of art and architecture, particularly as they have developed since World War II, provokes him to design, draft, and ultimately build a description of Modernism¹s lineage of subjectivity. The result is a provocative construction of fluid "topographies" that articulate, rather than depict, the shaky ground on which our current artistic and architectural production rests. The essays: Sado-masochism: Criticism and Architectural Practice. Topographies of Contemporary Architecture. Mies van der Rohe and Minimalism. Architecture and Existentialism. Weak Architecture. From Autonomy to Untimeliness. Place: Permanence or Production. Difference and Limit: Individualism in Contemporary Architecture. High-Tech: Functionalism or Rhetoric. The Work of Architecture in the Age of Mechanical Reproduction.
Author | : Emanuele Severino |
Publisher | : Mimesis |
Total Pages | : 66 |
Release | : 2016-02-10T00:00:00+01:00 |
Genre | : Philosophy |
ISBN | : 8869770605 |
“Two souls live within us”: one is nihilism and the other is destiny.In this collection of essays, Emanuele Severino, one of the most important thinkers of contemporary times, illuminates the meaning of these words and engages with the most profound questions of philosophy, as well as the most essential matters for each one of us. This volumeis precious not only because of its content, but also because it offers an international audience a preview into one of the most original philosophers of all time: this is, in fact, the first volume by Severino to be translated into English. By affirming the eternal nature inherent to each thing, he has opened up a path previously unknown to philosophy.
Author | : David Anton Spurr |
Publisher | : University of Michigan Press |
Total Pages | : 300 |
Release | : 2017-05-09 |
Genre | : Architecture |
ISBN | : 0472900803 |
Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.