Archaeologies Of Visual Culture
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| Author | : Roger Balm |
| Publisher | : Routledge |
| Total Pages | : 299 |
| Release | : 2015-12-14 |
| Genre | : Social Science |
| ISBN | : 1317377443 |
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
| Author | : Margarita Dikovitskaya |
| Publisher | : MIT Press |
| Total Pages | : 340 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780262042246 |
Drawing on interviews, responses to questionnaires, and oral histories by U.S.
| Author | : Joanne Morra |
| Publisher | : Taylor & Francis |
| Total Pages | : 376 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780415326438 |
These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.
| Author | : Roger Balm |
| Publisher | : Routledge |
| Total Pages | : 349 |
| Release | : 2015-12-14 |
| Genre | : Social Science |
| ISBN | : 1317377435 |
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
| Author | : Ann C. Gunter |
| Publisher | : John Wiley & Sons |
| Total Pages | : 703 |
| Release | : 2018-09-08 |
| Genre | : Literary Criticism |
| ISBN | : 1118336755 |
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
| Author | : Robin Skeates |
| Publisher | : Bristol Classical Press |
| Total Pages | : 0 |
| Release | : 2005-12-21 |
| Genre | : Art |
| ISBN | : 0715633902 |
This book draws on the complementary fields of visual cultural studies and interpretative archaeology to examine how successive generations transformed their visual culture to construct themselves. It explores this process through an extended case-study of art and social life in prehistoric south-east Italy, between the Upper Palaeolithic and the Bronze Age. A central argument of the book is that a wide range of visually communicative artworks were consumed and produced in the cultural process. Such objects range from portable artefacts, to installations within sites, to monumental structures in the landscape - all of which were interwoven with people's bodies in the experiences of daily life and special performances. More specifically, it is argued that these powerful aesthetic objects were actively used by people across space and time to perceive the world around them and to reproduce their social lives. They helped people to establish personal and collective boundaries, identities and relationships, to acquire and exercise power, to promote ideologies, and to contest them, especially at time of social tension.
| Author | : Joanne Morra |
| Publisher | : Taylor & Francis |
| Total Pages | : 434 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780415326445 |
These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.
| Author | : Liliana Janik |
| Publisher | : Routledge |
| Total Pages | : 185 |
| Release | : 2020-01-28 |
| Genre | : Art |
| ISBN | : 1000752631 |
The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.
| Author | : Valeria Cammarata |
| Publisher | : V&R Unipress |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Aesthetics in literature |
| ISBN | : 9783847102205 |
This book analyzes different historical and cultural staging of gazes, otpical devices and images in the context of a discipline that goes by the name of visual culture. Here literary studies have contaminated and thus expanded their original field of investigation not only addressing, as in the past, the question of the relationship between verbal and visual, but also giving substance to this interweaving with an in-depth questioning about the meaning gazes, images and vision devices or, more generally, the visual media can have on literature. This research tries to define the ways in which changing cultures have addressed these questions; in particular in which ways English early modern culture, German nineteenth century fantastic, and French twentieth century natural ekphrasis have done it. This book analyzes the interviewing of gazes, optical devices and images in literature. Literary theory has expanded its original field of investigation addressing not only the traditional relationship between the visual and the verbal, but questioning about the influence that gazes, optical devices and images can have on literary texts. This research tries to define the way in which diverse cultures have addressed the question of the scopic regimes of modernity: the gazes of English early modern women writers, the optical devices in the German literature of the age of Hoffmann, and the natural images described by twenty century French authors.
| Author | : Andrzej Rozwadowski |
| Publisher | : Archaeopress Publishing Ltd |
| Total Pages | : 150 |
| Release | : 2021-06-17 |
| Genre | : Art |
| ISBN | : 1789698472 |
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
