Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 700 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Download Aquarelles Et Dessins Anciens Modernes Et Contemporains Estampes Anciennes Modernes Et Contemporaines full books in PDF, epub, and Kindle. Read online free Aquarelles Et Dessins Anciens Modernes Et Contemporains Estampes Anciennes Modernes Et Contemporaines ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Harvard University. Fine Arts Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 700 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 656 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
Author | : Debora L. Silverman |
Publisher | : Univ of California Press |
Total Pages | : 446 |
Release | : 2023-12-22 |
Genre | : History |
ISBN | : 0520913280 |
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author | : Édouard Kopp |
Publisher | : Getty Publications |
Total Pages | : 314 |
Release | : 2017-01-10 |
Genre | : Art |
ISBN | : 1606065041 |
The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a compelling narrative that effectively covers four decades of Bouchardon’s activity as a draftsman—from his departure for Rome in 1723 as an aspiring student to his death in Paris in 1762, by which time he was one of the most renowned artists in Europe. His accomplished and dynamic style is analyzed and copiously illustrated in a series of five interrelated chapters that serve as case studies, each of which focuses on a coherent group of drawings from a particular period of Bouchardon’s career.