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| Author | : Antonio Buero Vallejo |
| Publisher | : Aris and Phillips Hispanic Cla |
| Total Pages | : 157 |
| Release | : 2010 |
| Genre | : Drama |
| ISBN | : 085668838X |
This play describes a teaching centre for young people who are blind, where a false unity is maintained by a mixture of fear, coercion and diversion and where education is seen as to play a part in the regime's ideological apparatus and to encourage the acceptance of pleasant and reassuring myths.
| Author | : Antonio Buero Vallejo |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2008 |
| Genre | : Drama |
| ISBN | : |
"This masterful translation of four tragedies by Antonio Buero-Vallejo (1916-2000), Spain's most important dramatist since the 1930s, allows English-speaking audiences to experience the most deeply moving and intellectually rich works by one of the twentieth century's great authors. Patricia W. O'Connor complements vivid translations with generous supporting materials, including a reader-friendly introduction to the playwright's life and work, commentaries on the plays, and photographs of productions and playwright." "Buero-Vallejo's emblematic first play, Story of a Stairway (1949), chronicling decades in the lives of struggling Madrid families, catapulted the young author into prominence. Appearing here for the first time in English, Before Dawn (1953) is a whodunit and the riveting odyssey of one woman 's search for truth that recalls Greek tragedy. The Basement Window (1967), an Orwellian science-fiction experiment, portrays the moral climate of the late twentieth century as judged by ethically enlightened researchers of a distant future. In the first English translation of the author's poignantly relevant final play, Mission to the Deserted Village (1999), a wartime attempt to save an El Greco painting raises questions about how much of its own treasure a culture will destroy to keep it out of enemy hands." "Readers who know Buero-Vallejo's plays will celebrate O'Connor's sparkling translations. Those who haven't yet read Buero-Vallejo will find a very moving introduction in this collection."--BOOK JACKET.
| Author | : Eric Wayne Pennington |
| Publisher | : Peter Lang |
| Total Pages | : 396 |
| Release | : 2010 |
| Genre | : Drama |
| ISBN | : 9780820488400 |
"Eric W. Pennington's book, the latest and one of the best on Buero Vallejo's theater, thoughtfully frames careful analyses with the major theoretical approaches of the last half century. Pennington's knowledge of those theories and his insights into the various artistic influences on Buero's plays are remarkably thorough. Of particular note also is his intelligent, even literary prose---the perfect vehicle for evoking the artistic nuance, historical detail, and human impact of Buero's compelling dramatic achievements." Dr. Robert L. Nicholas, Professor Emeritus of Spanish, University of Wisconsin-Madison --
| Author | : Antonio Buero Vallejo |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1987 |
| Genre | : Drama |
| ISBN | : |
Translation of Buero-Vallejo's play that draws on the painting of the same name by Diego Velasquez.
| Author | : Antonio Buero Vallejo |
| Publisher | : Institute for Creation Research |
| Total Pages | : 92 |
| Release | : 2003-01-01 |
| Genre | : |
| ISBN | : 9780938972341 |
| Author | : Antonio Buero Vallejo |
| Publisher | : Estreno Plays |
| Total Pages | : 88 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : |
| Author | : Antonio Buero Vallejo |
| Publisher | : Liverpool University Press |
| Total Pages | : 209 |
| Release | : 1994 |
| Genre | : Drama |
| ISBN | : 0856685534 |
Buero Vallejo is Spain's most important living playwright. His profound, innovative theatre has earned him success and respect since 1949. Each new play has been an exciting experiment with dramatic form as well as a powerful expression of a tragic view of human life and Spanish society. A Dreamer for the People was first performed in 1958.
| Author | : Chanel Cleeton |
| Publisher | : Penguin |
| Total Pages | : 322 |
| Release | : 2020-06-16 |
| Genre | : Fiction |
| ISBN | : 0451490886 |
Instant New York Times bestseller One of Bustle’s Most Anticipated Books of Summer 2020 “The perfect riveting summer read!”—BookBub In 1935 three women are forever changed when one of the most powerful hurricanes in history barrels toward the Florida Keys. For the tourists traveling on Henry Flagler’s legendary Overseas Railroad, Labor Day weekend is an opportunity to forget the economic depression gripping the nation. But one person’s paradise can be another’s prison, and Key West-native Helen Berner yearns to escape. After the Cuban Revolution of 1933 leaves Mirta Perez’s family in a precarious position, she agrees to an arranged marriage with a notorious American. Following her wedding in Havana, Mirta arrives in the Keys on her honeymoon. While she can’t deny the growing attraction to her new husband, his illicit business interests may threaten not only her relationship, but her life. Elizabeth Preston's trip to Key West is a chance to save her once-wealthy family from their troubles after the Wall Street crash. Her quest takes her to the camps occupied by veterans of the Great War and pairs her with an unlikely ally on a treacherous hunt of his own. Over the course of the holiday weekend, the women’s paths cross unexpectedly, and the danger swirling around them is matched only by the terrifying force of the deadly storm threatening the Keys.
| Author | : Catherine O'Leary |
| Publisher | : Tamesis Books |
| Total Pages | : 346 |
| Release | : 2005 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781855661110 |
This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment ofmyth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination towrite and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevantthan ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth
| Author | : Paolo Bacigalupi |
| Publisher | : Windup Stories, Inc |
| Total Pages | : 63 |
| Release | : 2016-02-04 |
| Genre | : Fiction |
| ISBN | : |
In this Hugo and Nebula Award-nominated short story, a Laotian journalist, Ong, tries to succeed in an American news agency where glamorous “click-bait” stories drive revenue, and in-depth news stories are a dying breed. As Ong struggles to survive in the newsroom, he must choose whether he will pursue clicks and success, or stay true to his ideals, and risk everything because of it. “The Gambler” was nominated for the 2009 Hugo Award for Best Novelette, and the 2009 Nebula Award for Best Novelette. It was featured in Gardner Dozois’s “Year’s Best SF” Twenty-Sixth Edition, Jonathan Strahan’s “Best SF of the Year” Volume 3, and originally published in Pyr’s Fast Forward 2 Anthology. Reviews: “The stories he [Paolo] chooses to write are those that make an easy extrapolation of the present into the near future, but with an immediacy and richness of detail that shows the reader just how close we are to seeing this come to pass. The world of The Gambler isn’t as dystopian as what we normally get from him, but his protagonist still serves a similar function as a lone voice of reason in a future you would not prefer but which seems somehow inevitable. There may be some analogy there with the author himself, but either way this is a nicely done story.” --- Mataglap SF “…The story … wisely spends its time deepening Ong’s quiet but firm sincerity. The end of the “The Gambler” is probably the most touching thing Bacigalupi has yet written: what Ong gambles on is human nature, and Bacigalupi makes us want him to win.” ---Torque Control
