Antiquity In Print
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| Author | : Daniel Orrells |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 369 |
| Release | : 2024-05-16 |
| Genre | : Literary Collections |
| ISBN | : 135040778X |
Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d'Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture - theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.
| Author | : Kamil Boldan |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Printing |
| ISBN | : 9782503551791 |
This volume presents the historical development and important personalities of the time of transition from manuscript book culture to book printing in the years 1450-1550. The first part of the volume contains a thorough description of historical, social and technical background influencing the development of book printing in Bohemia and Moravia and the impact of book printing production on the contemporary Czech society. The authors described the specific historical conditions in the Kingdom of Bohemia after the pre-reformation Hussite movement. The newly emerged Utraquist confession spread in important parts of Bohemia which led to decrease of social and economic contacts between the Kingdom of Bohemia and Catholic states in Europe. Apart from that the decreased activity of Prague University had negative impact on literacy in Bohemia. These two main reasons were detrimental to the development of book printing in Bohemia. The low quality of first prints was not attractive for educated readers who rather chose better equipped foreign books, mainly in Latin. Book printing in Bohemia soon became a matter of closed Czech speaking public. One of the important consequences of this process was weak reception of humanism and classical antiquity in Czech culture, although the former was partly embraced in Bohemia in previous centuries anyway. The second part of the book presents the first printers and editors of printed books before 1550 with a summary of their publishing activities.
| Author | : George W. Houston |
| Publisher | : UNC Press Books |
| Total Pages | : 349 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1469617803 |
Inside Roman Libraries: Book Collections and Their Management in Antiquity
| Author | : Stine Birk |
| Publisher | : Oxbow Books |
| Total Pages | : 337 |
| Release | : 2014-04-30 |
| Genre | : History |
| ISBN | : 1782972641 |
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.
| Author | : Johann Joachim Winckelmann |
| Publisher | : Getty Publications |
| Total Pages | : 452 |
| Release | : 2006-01-15 |
| Genre | : Art |
| ISBN | : 9780892366682 |
"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.
| Author | : Marc Mastrangelo |
| Publisher | : JHU Press |
| Total Pages | : 272 |
| Release | : 2007-12-21 |
| Genre | : Literary Criticism |
| ISBN | : 0801887224 |
The Roman Self in Late Antiquity for the first time situates Prudentius within a broad intellectual, political, and literary context of fourth-century Rome. As Marc Mastrangelo convincingly demonstrates, the late-fourth-century poet drew on both pagan and Christian intellectual traditions -- especially Platonism, Vergilian epic poetics, and biblical exegesis -- to define a new vision of the self for the newly Christian Roman Empire. Mastrangelo proposes an original theory of Prudentius's allegorical poetry and establishes Prudentius as a successor to Vergil. Employing recent approaches to typology and biblical exegesis as well as the most current theories of allusion and intertextuality in Latin poetry, he interprets the meaning and influence of Prudentius's work and positions the poet as a vital author for the transmission of the classical tradition to the early modern period. This provocative study challenges the view that poetry in the fourth century played a subordinate role to patristic prose in forging Christian Roman identity. It seeks to restore poetry to its rightful place as a crucial source for interpreting the rich cultural and intellectual life of the era.
| Author | : Ludwig Edelstein |
| Publisher | : JHU Press |
| Total Pages | : 262 |
| Release | : 2019-12-01 |
| Genre | : Philosophy |
| ISBN | : 1421435586 |
Originally published in 1967. Ludwig Edelstein characterizes the idea of "progress" in Greek and Roman times. He analyzes the ancients' belief in "a tendency inherent in nature or in man to pass through a regular sequence of stages of development in past, present, and future, the latter stages being—with perhaps occasional retardations or minor regressions—superior to the earlier." Edelstein's contemporaries asserted that the Greeks and Romans were entirely ignorant of a belief in progress in this sense of the term. In arguing against this dominant thesis, Edelstein draws from the conclusions of scholars of the nineteenth and early twentieth centuries and discusses ideas of Auguste Comte and Wilhelm Dilthey.
| Author | : Sabine MacCormack |
| Publisher | : |
| Total Pages | : |
| Release | : 2004 |
| Genre | : Emperor worship |
| ISBN | : |
| Author | : Kristina Sessa |
| Publisher | : Cambridge University Press |
| Total Pages | : 261 |
| Release | : 2018-08-09 |
| Genre | : History |
| ISBN | : 0521766109 |
This book introduces readers to lived experience in the Late Roman Empire, from c.250-600 CE.
| Author | : Jens Fleischer |
| Publisher | : Museum Tusculanum Press |
| Total Pages | : 300 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9788772896397 |
Twelve international papers, from a conference held at the University of Aarhus in 1997, which explore the iconography and styles of Late Antique art and architecture. The papers argue that Late Antiquity existed as a distinct period in its own right and that it exhibited both transformation and continuity.
