Antique and Modern Precious-stone Jewelry, Imperial Russian Enamel, Georgian Silver

Antique and Modern Precious-stone Jewelry, Imperial Russian Enamel, Georgian Silver
Author: Kende Galleries at Gimbel Brothers
Publisher: Hassell Street Press
Total Pages: 56
Release: 2021-09-09
Genre:
ISBN: 9781014121530

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Beyond Fabergé

Beyond Fabergé
Author: Marie Betteley
Publisher:
Total Pages: 384
Release: 2020-10-28
Genre: Art
ISBN: 9780764360435

A rare look at the exquisite world of Russian treasures that lies beyond Fabergé. Imperial Russia evokes images of a vanished courts unparalleled splendor: magnificent tiaras, gem-encrusted necklaces, snuff boxes and other diamond-studded baubles of the tsars and tsarinas. During that time, jewelry symbolized power and wealth, and no one knew this better than the Romanovs. The era marked the high point of the Russian jewelers' art. Beginning with Catherine I's reign in 1725, in the century when women ruled Russia, until the Russian Revolution of 1917, the imperial capital's goldsmiths perfected their craft, and soon the quality of Russias jewelry equaled, if not surpassed, the best that Europes capitals could offer. Who created these jewels that helped make the Russian Court the richest in Europe? Hint: it wasn't Carl Fabergé. This is the first systematic survey in any language of all the leading jewelers and silver masters of Imperial Russia. The authors skillfully unfold for us the lives, histories, creations, and makers marks of the artisans whose jewels and silver masterworks bedazzled the tsars. The previously unheralded names include Pauzié, Bolin, Hahn, Koechli, Seftigen, Marshak, Morozov, Nicholls & Plincke, Grachev, Sazikov, and many others. The market for these exquisite masterworks is also explored, from its beginnings to today's auction world and collector demand. More than 600 stunning photos reacquaint the world with the master artisans and their creations.

Georgian Jewellery 1714-1830

Georgian Jewellery 1714-1830
Author: Ginny Redington Dawes
Publisher: Acc Art Books
Total Pages: 192
Release: 2018
Genre: Jewelry
ISBN: 9781851499212

Georgian Jewellery is a celebration of the style and excellence of the eighteenth century, and of the ingenuity that produced such a wealth of fabulous jewellery. Heavy academic tomes have already been written about the period, but this book examines it in a more colourful and accessible way. The book aims to show that Georgian jewellery is not only the stuff of museums and safe boxes, but that it can be worn as elegantly and fashionably today as it was 200 years ago. Much disparate information about the jewellery has been gathered together and the period is brought alive by portraits and character sketches of famous Georgians in their finery, fashion tips, gossip, and some rather outrageous cartoons of the time, as well as fascinating recently discovered facts. With information on how to identify, buy and repair pieces, this sumptuously illustrated volume contains the largest single catalogue of 18th Century jewellery. AUTHORS: Ginny Redington Dawes, a life-long collector of antique jewellery, has written two previous books on the subject - The Bakelite Jewellery Book and Victorian Jewellery. Staff writer for MGM Screengems Music, she is also a successful composer; she wrote the book, music and lyrics for the off-Broadway show The Talk of the Town and has won a CLEO award for music for advertising. Olivia Collings became fascinated by the seventeenth century alchemist and jeweller Christopher Pinchbeck at an early age and bought her first piece of antique jewellery aged seven. She trained in an exclusive Bond Street antique jewellery shop before starting her own business in 1975 and has continued learning about and dealing in Georgian jewellery ever since. She is now an independent jewellery consultant. SELLING POINTS: * A thoroughly researched look at the jewellery of the time, offering good basic knowledge for the beginner and new facts for the expert * New and/or little-known facts about the techniques, styles and materials of the age * The only book solely on the Georgian period, and the largest ever catalogue of the diverse range of eighteenth century jewellery * Interesting portraits of characters of the period and their influence on the jewels of the time, with some contemporary gossip, outrageous cartoons and period fashion tips * Emphasis on jewellery that has been on the open market in recent years, rather than just unobtainable museum pieces 295 colour, 7 b/w images

Faceting History: Cutting Diamonds and Colored Stones

Faceting History: Cutting Diamonds and Colored Stones
Author: Glenn Klein
Publisher: Xlibris Corporation
Total Pages: 244
Release: 2005
Genre: Design
ISBN: 1599260824

The author of, "Faceting History: Cutting Diamonds and Colored Stones" has for a long time had a deep interest in learning how the early faceters (cutters) of diamonds and colored gemstones were able to complete their work. What methods did they use? What equipment did they have to make success possible? How soon did they discover how to complete the many phases necessary to accomplish their work? How did the equipment and methods differ between fashioning diamonds and faceting colored stones? These are just a few of the questions that the author wanted to find the answers for. In looking for answers to these and other questions, the author found that there were bits and pieces of information available in many previous books, but there was not a good book available that would answer most of his questions. Upon hearing the author's remarks about this fact, one of the librarians at the wonderful library located at the Gemological Institute of America's Carlsbad campus said that if such a book was not available, "maybe you should write the book!" Well, the author had been thinking of doing just that, but the remark caused the author to see the light and agree to get started on the project. Little did he know then that the project would require many months of eight hour days over seven day weeks to get the book completed. He decided to write a book that would answer these and other related questions that he had. The thought also occurred to him that such a book would be a valuable volume to be placed in libraries of individual faceters around the world. He realized that such a book would also be of great value to anyone who works behind a Jewelry store counter. A successful sales person isone who is knowledgeable about the products that they are selling. A book of faceting information would be extremely valuable if read and re-read from time to time. A customer in the Jewelry store will no doubt be favorably impressed by a sales presentation that is made with the use of interesting and informative information about diamonds and the various colored gemstones. The customer will be convinced that the sales person knows about what they are talking. The author has spent nearly three years on the project of researching the GIA library and other libraries, along with the extensive personal library of gemstone related books that he personally possesses. Many conflicting reports were noted in his study. He has made the statements in his book reflect the most commonly accepted opinions, of the most respected authors' works that he has found in his research. History is only obtainable from the earlier works of other authors. We cannot go back to the long past centuries ourselves, to see first hand what really happened and when it happened. A study of faceting history requires making the best choices of the information that is available. This completed book answers questions as to why the fashioning of diamonds was/is so different from the faceting of colored gemstones. The book compares the needed equipment and the methods that have brought the greatest successes. In addition, a great deal of other information connected to faceting is included. There are seven chapters in the book and there are over 125 photographs of the early equipment and methods that were used. The photographs show the faceters, the workroom conditions, and the tools and equipment that they used to completebeautiful and lasting gemstones. The book chapters are titled: An Introduction to Faceting, Early Man's Stone Appreciation, Diamond Fashioning Procedure and Equipment, Colored Stone Faceting Procedure and Equipment, The Evolution of Cut Designs, Famous and Historic Gemstones, Sources of Diamond and Colored Stone Rough, and lastly, Advances in Faceting Over the Past One Hundred Years. Within each of these chapters the reader will find a multitude of additional and interesting information. Chapter One: Early Faceting Inform

Gemologue

Gemologue
Author: Liza Urla
Publisher: Antique Collector's Club
Total Pages: 0
Release: 2018
Genre: Antiques & Collectibles
ISBN: 9781851498819

Liza Urla is the author of the jewelry blog, Gemologue https://gemologue.com/tag/jewelry-blog