Anti Rock
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Author | : Linda Martin |
Publisher | : Hamden, Conn. : Archon Books |
Total Pages | : 392 |
Release | : 1988 |
Genre | : Music |
ISBN | : |
The authors document the numerous attempts to ban or censor rock music, and dramatically show how it has been blamed for everything from anarchy and juvenile delinquency to drugs, deafness, teen pregnancy, suicide, abortion, pornography, and even murder. Here is the complete history of that "sick, repulsive, horrible, and dangerous" music as seen by its enemies.
Author | : Peter Blecha |
Publisher | : Hal Leonard Corporation |
Total Pages | : 228 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9780879307929 |
In this extensively researched ode to scandal, historian and musician Blecha recounts the travails of the musicians and songs that have dared to push the hot-button topics that polite society has deemed unacceptable.
Author | : John E. Semonche |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 309 |
Release | : 2007-07-20 |
Genre | : History |
ISBN | : 0742572757 |
In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution.
Author | : Eileen Luhr |
Publisher | : Univ of California Press |
Total Pages | : 280 |
Release | : 2009-02-10 |
Genre | : History |
ISBN | : 0520255968 |
"Down at the local God-mall there's a whole lot of shaking going on, and Eileen Luhr explains why we should all take notice. This is a highly original, witty, at times mind-boggling exploration of the strange interfaces between youth culture and suburban evangelicalism." —Mike Davis, author of In Praise of Barbarians
Author | : Professor Ian Peddie |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 225 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409494470 |
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Author | : Maria Sonevytsky |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 193 |
Release | : 2023-04-20 |
Genre | : Music |
ISBN | : 150136314X |
Rock 'n' roll may not have toppled the USSR, but it definitely rumbled through its foundations. Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to roast the absurdities of late Soviet life, to articulate new ways of being Ukrainian, and to celebrate the cathartic pleasures of collective gatherings organized around musical performances. This book tells the story of Tantsi (Dances) a 1989 semi-official cassette release by the now-legendary Ukrainian punk band Vopli Vidopliassova, known to fans simply as VV (pronounced “Ve-Ve”). Their disruptive musical sounds, ironic lyrics, use of language, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. VV's Tantsi exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures on the quicksand of late Soviet life. Today, Tantsi continues to invite us to dance while we laugh (or cry) at the absurdities of everyday life.
Author | : Ian Peddie |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 219 |
Release | : 2011 |
Genre | : Music |
ISBN | : 0754695131 |
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination, and the right to self-legislation have long been at the forefront of popular music's approach to human rights. In Eastern Europe, where states often tried to control music, the hundreds of thousands of Estonians who gathered in Tallinn between 1987 and 1991 are a part of the ""singing revolutions"" that encouraged a sense of national consciousness, which had years earlier been crushed when Soviet policy.
Author | : Linda Mahood |
Publisher | : UBC Press |
Total Pages | : 345 |
Release | : 2018-08-01 |
Genre | : History |
ISBN | : 0774837365 |
In the 1920s, as a national network of roads and youth hostels spread across Canada, so did the practice of hitchhiking. By the 1960s, the Trans-Canada Highway had become the main thoroughfare for thousands of young baby boomers seeking adventure. Thumbing a Ride examines the rise and fall of hitchhiking and hostelling in the 1970s, drawing on records from the time. Many equated adventure travel with freedom, but a counter-narrative emerged of girls gone missing and other dangers. Town councillors, community groups, and motorists called for a nationwide clampdown on a transient youth movement that they believed was spreading hippie sensibilities and anti-establishment nomadism. Linda Mahood unearths good and bad stories and key biographical moments that formed young travellers’ understandings of personal risk, agency, and national identity. Thumbing a Ride asks new questions about hitchhiking as a rite of passage, and about the adult interventions that turned a subculture into a moral and social issue.
Author | : Ian Peddie |
Publisher | : Routledge |
Total Pages | : 219 |
Release | : 2016-04-22 |
Genre | : Music |
ISBN | : 1317078195 |
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Author | : Norman J. Medoff |
Publisher | : Taylor & Francis |
Total Pages | : 643 |
Release | : 2016-12-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1317448626 |
Electronic Media: Then, Now, and Later provides a synopsis of the beginnings of electronic media in broadcasting and the subsequent advancements into digital media. The Then, Now, and Later approach focuses on how past innovations laid the groundwork for changing trends in technology, providing the opportunity and demand for evolution in both broadcasting and digital media. An updated companion website provides links to additional resources, chapter summaries, study guides and practice quizzes, instructor materials, and more. This new edition features two new chapters: one on social media, and one on choosing your entertainment and information experience. The then/now/later thematic structure of the book helps instructors draw parallels (and contracts) between media history and current events, which helps get students more engaged with the material. The book is known for its clear, concise, readable, and engaging writing style, which students and instructors alike appreciate. The companion website is updated and offers materials for instructors (an IM, PowerPoint slides, and test bank)