Designs for an Anthropology of the Contemporary

Designs for an Anthropology of the Contemporary
Author: Paul Rabinow
Publisher: Duke University Press
Total Pages: 150
Release: 2008-11-10
Genre: Social Science
ISBN: 082239006X

In this compact volume two of anthropology’s most influential theorists, Paul Rabinow and George E. Marcus, engage in a series of conversations about the past, present, and future of anthropological knowledge, pedagogy, and practice. James D. Faubion joins in several exchanges to facilitate and elaborate the dialogue, and Tobias Rees moderates the discussions and contributes an introduction and an afterword to the volume. Most of the conversations are focused on contemporary challenges to how anthropology understands its subject and how ethnographic research projects are designed and carried out. Rabinow and Marcus reflect on what remains distinctly anthropological about the study of contemporary events and processes, and they contemplate productive new directions for the field. The two converge in Marcus’s emphasis on the need to redesign pedagogical practices for training anthropological researchers and in Rabinow’s proposal of collaborative initiatives in which ethnographic research designs could be analyzed, experimented with, and transformed. Both Rabinow and Marcus participated in the milestone collection Writing Culture: The Poetics and Politics of Ethnography. Published in 1986, Writing Culture catalyzed a reassessment of how ethnographers encountered, studied, and wrote about their subjects. In the opening conversations of Designs for an Anthropology of the Contemporary, Rabinow and Marcus take stock of anthropology’s recent past by discussing the intellectual scene in which Writing Culture intervened, the book’s contributions, and its conceptual limitations. Considering how the field has developed since the publication of that volume, they address topics including ethnography’s self-reflexive turn, scholars’ increased focus on questions of identity, the Public Culture project, science and technology studies, and the changing interests and goals of students. Designs for an Anthropology of the Contemporary allows readers to eavesdrop on lively conversations between anthropologists who have helped to shape their field’s recent past and are deeply invested in its future.

Fabricating Transnational Capitalism

Fabricating Transnational Capitalism
Author: Lisa Rofel
Publisher: Duke University Press
Total Pages: 225
Release: 2018-12-31
Genre: Social Science
ISBN: 1478002174

In this innovative collaborative ethnography of Italian-Chinese ventures in the fashion industry, Lisa Rofel and Sylvia J. Yanagisako offer a new methodology for studying transnational capitalism. Drawing on their respective linguistic and regional areas of expertise, Rofel and Yanagisako show how different historical legacies of capital, labor, nation, and kinship are crucial in the formation of global capitalism. Focusing on how Italian fashion is manufactured, distributed, and marketed by Italian-Chinese ventures and how their relationships have been complicated by China's emergence as a market for luxury goods, the authors illuminate the often-overlooked processes that produce transnational capitalism—including privatization, negotiation of labor value, rearrangement of accumulation, reconfiguration of kinship, and outsourcing of inequality. In so doing, Fabricating Transnational Capitalism reveals the crucial role of the state and the shifting power relations between nations in shaping the ideas and practices of the Italian and Chinese partners.

A Dongba pictographs dictionary with iconographic index plates

A Dongba pictographs dictionary with iconographic index plates
Author: Stefano Zamblera
Publisher: Lulu.com
Total Pages: 210
Release: 2018-02-06
Genre: Education
ISBN: 024406668X

Stefano Zamblera, 2018: ""A Dongba Pictographs Dictionary with Iconographic Index Plates"" Dictionary of Dongba pictographs implemented in categories sorted by iconographic index plates of BASIC pictographs. Iconographic and graphic study of such corpus of glyphs evinced two distinguished sets of pictographs which could be named BASIC and COMPLEX. BASIC PICTOGRAPHS are those glyphs made by one and just one iconographic unit (signifier) that conveys its meaning through its pictorial resemblance to the physical object meant. BASIC PICTOGRAPHS are assembled together making COMPLEX PICTOGRAPHS, alias COMPLEX UNITS OF SIGNIFIERS. As any BASIC PICTOGRAPH consists in a signifier written by a minimal graphic unit, identification of BASIC PICTOGRAPHS categories to gather them coincides with the study and identification of a set of ICONOGRAPHIC PRIMES into Dongba pictographs corpus. ICONOGRAPHIC PRIME is then used in the making of iconographic index plates for BASIC PICTOGRAPHS.