Anthony Van Dyck And England
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Author | : Stijn Alsteens |
Publisher | : Yale University Press |
Total Pages | : 321 |
Release | : 2016-01-01 |
Genre | : Art |
ISBN | : 0300212054 |
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author | : Emilie E. S. Gordenker |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2001 |
Genre | : Clothing and dress in art |
ISBN | : 9782503508801 |
Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured their ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portait mayhave projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck.
Author | : Karen Hearn |
Publisher | : Tate Publishing & Enterprises |
Total Pages | : 258 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.
Author | : Robin Blake |
Publisher | : Ivan R. Dee Publisher |
Total Pages | : 488 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
This superb new biography provides the fullest narrative of Van Dyck's life and personality to appear in English. Commonly pigeonholed as a follower of Rubens or as the court painter of the Stuarts, Van Dyck here appears not only as a remarkably individual portraitist but as a fully rounded baroque artist of memorable power. With 32 pages of black-and-white illustrations. A thorough biography...comprehensive and fascinating. --New York Times Book Review
Author | : Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ |
Publisher | : Parkstone Press |
Total Pages | : 184 |
Release | : 1996 |
Genre | : Kings and rulers in art |
ISBN | : |
Author | : Xavier F. Salomon |
Publisher | : Silvana Editoriale |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9788836621729 |
In the spring of 1624 the painter Anthony Van Dyck (1599 -1641) moved from Genoa to Palermo in Sicily. Soon after Van Dyck's arrival, plague struck Palermo and most of the population died. In the same year, the bones of Saint Rosalia were discovered in a cave on the Monte Pellegrino where she was said to have died as a hermit in the Middle Ages. This will be the first exhibition to focus on Van Dyck's work during this period. The exhibition takes Dulwich's own Portrait of Emanuele Filiberto as a starting point and expands into an examination of Van Dyck's activity in that year. It will also be the first time in the UK that Van Dyck's portrait of the Viceroy of Sicily from Dulwich's own collection will be seen next to the spectacular suit of armour worn by the viceroy in the portrait - still surviving in the Royal Armouries of Madrid--Provided by publisher
Author | : |
Publisher | : Royal Academy Editions |
Total Pages | : 267 |
Release | : 2018 |
Genre | : Great Britain |
ISBN | : 9781910350676 |
During his reign, King Charles I (1600-1649) assembled one of Europe's most extraordinary art collections. Indeed, by the time of his death, it contained some 2,000 paintings and sculptures. Charles I: King and Collector explores the origins of the collection, the way it was assembled and what it came to represent. Authoritative essays provide a revealing historical context for the formation of the King's taste. They analyse key areas of the collection, such as the Italian Renaissance, and how the paintings that Charles collected influenced the contemporary artists he commissioned. Following Charles's execution, his collection was sold. This book, which accompanies the exhibition, reunites its most important works in sumptuous detail. Featuring paintings by such masters as Van Dyck, Rubens and Raphael, this striking publication offers a unique insight into this fabled collection. AUTHORS: Desmond Shawe-Taylor is Surveyor of the Queen's Pictures. Per Rumberg is Curator at the Royal Academy of Arts, London. David Ekserdjian is Professor of Film and Art History at the University of Leicester. Dr Barbara Furlotti is Associate Lecturer at the Courtauld Institute of Art, London. Gregory Martin, formerly Curator of Baroque Paintings and Assistant Keeper of the National Gallery, London, is Editor of the Corpus Rubenianum. Guido Rebecchini is Lecturer and Head of the Renaissance Section at the Courtauld Institute of Art, London. Vanessa Remington is Senior Curator of Paintings at The Royal Collection. Dr Karen Serres is the Schroder Foundation Curator of Paintings at the Courtauld Gallery, London. Lucy Whitaker is Assistant Surveyor of the Queen's Pictures. Jeremy Wood is Professor Emeritus of Art History at the University of Nottingham. Helen Wyld is Curator at National Museums Scotland. SELLING POINTS: * The compelling story of the British monarch who created one of the most stupendous art collections ever assembled * Accompanies the once-in-a-lifetime exhibition that brings together astonishing works by Van Dyck, Rubens, Titian, Holbein, Mantegna and Rembrandt, among many others * A major BBC TV series on the Royal Collection and a documentary on Charles I is planned 200 colour illustrations
Author | : Jacob Burckhardt |
Publisher | : |
Total Pages | : 0 |
Release | : 1958 |
Genre | : Painters |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 58 |
Release | : 1900 |
Genre | : |
ISBN | : |
Author | : Christopher White |
Publisher | : Getty Publications |
Total Pages | : 96 |
Release | : 1995 |
Genre | : Portraits |
ISBN | : 0892363428 |
This series introduces individual works or small groups of related works in the Museum's collections to a broad public. Each monograph includes a close discussion of its subject as well as a detailed analysis of the broader context in which the work was created, considering relevant historical, cultural, and chronological issues.