Anthology for Musical Analysis
| Author | : Charles L. Burkhart |
| Publisher | : Holt McDougal |
| Total Pages | : 614 |
| Release | : 1972 |
| Genre | : Music |
| ISBN | : |
Anthology For Musical Analysis
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Anthology for Musical Analysis
| Author | : Charles L. Burkhart |
| Publisher | : Schirmer Books |
| Total Pages | : 661 |
| Release | : 2011 |
| Genre | : Music appreciation |
| ISBN | : 9781111837754 |
A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS, International Edition offers first- and second-year music theory students a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.
Anthology for Musical Analysis
| Author | : Charles L. Burkhart |
| Publisher | : |
| Total Pages | : 416 |
| Release | : 1964 |
| Genre | : Harmony |
| ISBN | : |
This anthology of complete musical compositions contails sufficient material for a full course in form and analysis.
The Musician's Guide to Theory and Analysis
| Author | : Jane Piper Clendinning |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 16 |
| Release | : 2016-06-01 |
| Genre | : Music |
| ISBN | : 0393600483 |
The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.
Anthology for Musical Analysis: The Common-Practice Period
| Author | : Charles Burkhart |
| Publisher | : Cengage Learning |
| Total Pages | : 0 |
| Release | : 2014-01-01 |
| Genre | : Education |
| ISBN | : 9781285778389 |
A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Anthology for Musical Analysis
| Author | : Charles L. Burkhart |
| Publisher | : Cengage Learning |
| Total Pages | : 634 |
| Release | : 2004 |
| Genre | : Education |
| ISBN | : |
This landmark collection of over 200 complete musical compositions and movements, ranging in time from the Middle Ages to the present, contains a large and varied body of music for study. In addition to providing ample material for both a full-year course in the analysis of musical forms and a one-semester course in twentieth-century techniques, the book offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms--plus some material for figured-bass realization and score reading. Because the book consists primarily of music and takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.
Anthology of Musical Forms - Structure & Style (Expanded Edition)
| Author | : Leon Stein |
| Publisher | : Alfred Music |
| Total Pages | : 324 |
| Release | : 1999-11-27 |
| Genre | : Music |
| ISBN | : 9781457400940 |
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Hearing Form
| Author | : Matthew Santa |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Musical analysis |
| ISBN | : 9780415800914 |
Hearing Form is a textbook and workbook on the subject of musical form. The goals of this book are to teach students to: identify phrase endings and cadence types in music with or without a score. identify harmonic sequence types in music with or without a score. identify modulations in music with or without a score. identify formal sections in music with or without a score. identify musical forms with or without a score. Hearing Form reviews concepts that are covered in freshman and sophomore music theory courses, such as score reading, instrumental transposition, cadences, phrase structure, harmonic sequences, modulation, and chromatic harmonies. It includes an anthology, Audio CDs, and companion website with student and instructor resources.
Musical Form and Analysis
| Author | : Glenn Spring |
| Publisher | : Waveland Press |
| Total Pages | : 416 |
| Release | : 2013-08-29 |
| Genre | : Music |
| ISBN | : 1478611731 |
Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.
