Anna Freeman Bentley
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Author | : Anna Freeman Bentley |
Publisher | : |
Total Pages | : 0 |
Release | : 2022-12-20 |
Genre | : |
ISBN | : 9781910221433 |
This third publication by London-based artist Anna Freeman Bentley documents the make believe paintings (2021-22), exploring connections between painting and cinema. Produced to accompany exhibitions at The Armory Show 2022, New York, and Frestonian Gallery, London, it features an essay by Thomas Marks and an in-conversation with Georgie Paget.
Author | : Anna Freeman Bentley |
Publisher | : |
Total Pages | : |
Release | : 2018-03-29 |
Genre | : Art |
ISBN | : 9781910221150 |
British artist Anna Freeman Bentley presents a series of paintings and works on paper documenting her journey into the exclusive realm of private members clubs, including some of the most desirable clubs around Los Angeles. Alongside a foreword from patron Roberta Ahmanson, the publication features an introduction by curator John Silvis, and an ess
Author | : Marina Cashdan |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9781910221037 |
Anna Freeman Bentley (b. Freeman, 1982) is a painter based in London. Her practice explores the built environment, architecture, and interiors, inviting emotive, psychological, and semiotic readings of space. This, the artist's first monograph, features over forty paintings spanning her career to date.
Author | : Matt Price |
Publisher | : Anomie Review of |
Total Pages | : 160 |
Release | : 2021-09 |
Genre | : |
ISBN | : 9781910221273 |
Following the success of The Anomie Review of Contemporary British Painting in 2018, a second volume has been created to showcase more than sixty solo exhibitions that have defined contemporary painting in Britain since the first volume.This new, larger anthology presents the work of sixty artists born or living in Britain through documentation and discussion of solo exhibitions of their work in museums and galleries around the UK and internationally. Featuring artists at different stages of their careers, from senior figures exhibiting at major museums to emerging artists staging some of their first commercial gallery exhibitions, The Anomie Review of Contemporary British Painting 2 offers an overview of recent activity in the medium of painting in Britain.Artists and venues featured in this new volume include Hurvin Anderson at Rat Hole Gallery, Tokyo; Lisa Brice at Stephen Friedman Gallery, London; Gareth Cadwallader at Josh Lilley, London; Denzil Forrester at Nottingham Contemporary; Sophie von Hellermann at Pilar Corrias, London; Matthew Krishanu at Midlands Arts Centre, Birmingham; Joy Labinjo at BALTIC, Gateshead; France-Lise McGurn at Simon Lee, London; Benjamin Senior at BolteLang, Zurich; Anj Smith at MOSTYN, Llandudno; Tim Stoner at Modern Art, London; and Phoebe Unwin at Towner Eastbourne.The anthology, which features cover artwork by Jadé Fadojutimi from her spring 2019 solo exhibition at PEER, London, has been compiled and written by London-based editor and writer Matt Price, who in addition to editing more than fifty monographs, catalogues, and books including Phaidon's international anthologies of painting and drawing Vitamin P2 and Vitamin D2, has written for magazines such as Art Monthly, Art Quarterly, ArtReview, Flash Art, Frieze, and Modern Painters.Endorsements for the first volume of The Anomie Review of Contemporary British Painting:"This insightful, richly illustrated anthology is a celebration of an artistic medium that is not only surviving but positively thriving. In discussing the work of [...] diverse painters, author Matt Price proves a passionate and engaging artworld guide to British painting today." - Helen Sumpter, Editor, Art Quarterly, ART FUND"It is hard to believe that nobody has thought to publish an anthology of this sort before, so valuable is it to current and future curators, artists and scholars, as well as audiences interested in the medium. A highly enjoyable read." - Charlotte Keenan McDonald, Curator of British Art, Walker Art Gallery / National Museums Liverpool.
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author | : Canada. Dept. of Finance |
Publisher | : |
Total Pages | : 1474 |
Release | : 1902 |
Genre | : Banks and banking |
ISBN | : |
Author | : Jonathan A. Anderson |
Publisher | : InterVarsity Press |
Total Pages | : 388 |
Release | : 2016-05-23 |
Genre | : Art |
ISBN | : 0830899979 |
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Author | : Boston, Mass. Isabella Stewart Gardner Museum |
Publisher | : Yale University Press |
Total Pages | : 170 |
Release | : 1995-01-01 |
Genre | : Art |
ISBN | : 9780300063417 |
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author | : Marco Livingstone |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 224 |
Release | : 2021-03-08 |
Genre | : Art |
ISBN | : 9781848223943 |
Exploring the full breadth of work by British artist Adrian Berg RA (1929-2011), and drawing heavily on the artist's personal archive, this book discusses Berg's meticulous engagement with the landscape which resulted in an impressive oeuvre created over a long career.00Embracing the figurative when abstraction was in the ascendancy, Berg's artistic mission was to push the boundaries of representative painting to discover new interpretations of familiar scenes. Accordingly, his paintings revisited particular places repeatedly ? most notably the view of Regent's Park from his studio window at Gloucester Gate.00Highly colourful and engagingly written, this book provides a long overdue appraisal and celebration of an artist who is key to the conversation around the development of British landscape painting, that most celebrated of British traditions.00Exhibition: Frestonian Gallery, London, UK (opening April 2020).
Author | : |
Publisher | : |
Total Pages | : 960 |
Release | : 1904 |
Genre | : Canada |
ISBN | : |
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.