Animation Art The Early Years 1911 1953
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Author | : Catherine Winder |
Publisher | : Taylor & Francis |
Total Pages | : 328 |
Release | : 2013-02-11 |
Genre | : Art |
ISBN | : 1136132619 |
Drawing heavily from the authors' twenty years of combined experience, Producing Animation offers a clear overview of this exciting industry and a comprehensive guide to the process of developing a project from conception to final delivery. Written from the perspective of a producer, this book offers the foundation of how a project is created in addition to describing the role of the producer at each phase. Answers are provided to many of the most commonly asked questions about animation ranging from how to enter the business to the average cost and schedule for a prime-time animated series. Producing Animation has the first-of-its-kind comprehensive chart of accounts for animation, named the Animation Budget Builder, which can be individually tailored for each project. Visit www.MovieMagicProducer.com for more details. Students, aspiring producers, investors, television and studio executives, artists, film line producers wishing to branch into animation, and legal advisors will find this an invaluable tool. The chapters specifically geared to the pre-production, production and postproduction processes offer animation producers a wealth of practical advice. Numerous illustrations outline the different steps of production. Forms the authors have devised to help streamline the process are also included. Observations from a wide range of industry professionals such as; studio heads, creators, directors, producers, writers and members of the production crew, give the reader insight into what it takes to be successful in this business. The authors' personal anecdotes at key process checkpoints relay firsthand experience, illustrating some of the pitfalls a producer must learn to circumvent. Detailed information on preparing a thorough production plan including the budget, schedule, and crew plan can also be found in this book.
Author | : Karen Redrobe |
Publisher | : U of Minnesota Press |
Total Pages | : 421 |
Release | : 2021-03-09 |
Genre | : Performing Arts |
ISBN | : 1452962944 |
The preoccupation with “depth” and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.
Author | : Jeff Lotman |
Publisher | : Schiffer Book for Collectors |
Total Pages | : 438 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
The major reference. Nearly 6,800 pieces of movie animation art are included in color. Explore the early period of animation, from the founding of the Winsor McKay Studio in 1911 up to cels from 1954 productions. Also listed are auction sales records for several thousand additional pieces. The animation process is explained along with tips for animation art collectors.
Author | : Jeff Lottman |
Publisher | : |
Total Pages | : |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Steven Mintz |
Publisher | : John Wiley & Sons |
Total Pages | : 453 |
Release | : 2016-01-04 |
Genre | : History |
ISBN | : 1118976525 |
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Author | : |
Publisher | : |
Total Pages | : 408 |
Release | : 1996 |
Genre | : Animated films |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 806 |
Release | : 1997 |
Genre | : Animated films |
ISBN | : |
Author | : Bruno Girveau |
Publisher | : |
Total Pages | : 368 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
"In recognition of the significance of Walt Disney's contribtions to film and 20th century art, the organizers of the exhibit sought to present the sources that inspired Disney and his artists, and to present monder and contemporary works that reveal the ongoing influence of the Disney iconography."--Page 2 of cover.
Author | : M. Thomas Inge |
Publisher | : Greenwood |
Total Pages | : 576 |
Release | : 2002-11-30 |
Genre | : Social Science |
ISBN | : |
This unique, abundantly illustrated set features essay-length chapters on the many forms, genres, and themes of popular culture.
Author | : Alan Cholodenko |
Publisher | : University of Washington Press |
Total Pages | : 588 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
The Illusion of Life II 2 continues and extends the pioneering work in the theory of animation begun in The Illusion of Life: Essays on Animation. It provides an abundance of understandings, approaches, correctives, and challenges to scholars not only in animation studies and film studies, but in disciplines across the spectrum. It proceeds on the assumption that animation, in increasingly taking center stage thanks to computer animation and anime, calls ever more insistently for focused, rigorous theoretical attention. The sixteen essays composing the collection engage with post-World War II film animation in Japan and the United States, as well as with the expanded field of animation, including: the relation of live action and animation; video and computer games, the electronic, digitally animated mediascape, the city, flight simulation, the military and war; and animation in the entertainment industry. In addition, it contains essays of a more general theoretical nature on animation, as well as a substantial introduction addressing developments in animation and its theorizing.