Andreae Alciati Insignia
Download Andreae Alciati Insignia full books in PDF, epub, and Kindle. Read online free Andreae Alciati Insignia ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Andrea Alciati |
Publisher | : McFarland |
Total Pages | : 269 |
Release | : 2004-07-15 |
Genre | : Art |
ISBN | : 0786418079 |
Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems. The editor's introduction explains both the importance and the cultural contexts of Alciati's book, as well as its innumerable artistic applications. For instance, close study of the emblems reveals--to cite only two examples--why statues of lions are traditionally placed before government buildings, and what underlying political message was conveyed by innumerable equestrian portraits during the Baroque era. The collection includes as an appendix the formerly suppressed emblem, "Adversus Naturam Peccantes," accompanied by a translation of the learned commentary applied to it by Johann Thuilius in 1612. An extensive bibliography points the student to scholarly research specifically dealing with artistic applications of Alciati's emblems. Altogether, this new edition of Alciati's seminal work is an essential tool for modern students of the liberal arts.
Author | : Andrea Alciati |
Publisher | : |
Total Pages | : 504 |
Release | : 1996 |
Genre | : Reference |
ISBN | : |
Recognition of the great importance in Renaissance culture of the versatile and complex form of the emblem is increasingly widespread. This series aims to satisfy the needs of those who require access to texts in an edition as close to the original as possible.
Author | : Karl A.E. Enenkel |
Publisher | : BRILL |
Total Pages | : 499 |
Release | : 2019-02-04 |
Genre | : Art |
ISBN | : 9004387250 |
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
Author | : Geffrey Whitney |
Publisher | : Georg Olms Verlag |
Total Pages | : 642 |
Release | : 1971 |
Genre | : |
ISBN | : 9783487402116 |
Author | : Andrea Alciati |
Publisher | : Brepols Publishers |
Total Pages | : 252 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
This work by Jeremias Held (Henry Green, no. 74) is the second German translation of the emblems of Andrea Alciato, who is rightfully known as pater et princeps of the emblem. The first German translation was written by Wolfgang Hunger and published by Chrestien Wechel in a bilingual Latin-German edition in Paris in 1542. Held's version, printed in 1566 and 1580, has never before been offered in its entirety in a modern reprint. It, too, is a bilingual edition with the Latin texts followed by Held's German version. Jeremias Held produced this, the second German translation, which appeared in a 1566 and a 1580 edition. The 1566 edition was printed in Frankfurt-am-Main by Georg Raben for Simon Huter and Sigmund Feyerabend. The colophon is dated 1567. Held's version contains 132 woodcuts in text to Alciato's 212 emblems, and they are numbered i-ccxvii. The numbering of the emblems has caused some confusion. Henry Green (190) hastily called the number 217 a misprint, but it is not. The number 217 is correct and derives from the separate numbering of the alternative versions of the epigrams, which Alciato had labled aliud, to four of the emblems. Held's written German is simple and colloquial. In fact it is sloppy. In matters of orthography, we cannot know if the typesetting accurately represents his intentions, but it probably does.
Author | : Ludwig Volkmann |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art, Renaissance |
ISBN | : 9789004360938 |
The first English translation of Volkmann's Bilderschriften der Renaissance, the pioneering review of the influence of the hieroglyph on Renaissance culture, focused on the literature of emblem and device in Germany and France.
Author | : Simon Stern |
Publisher | : |
Total Pages | : 921 |
Release | : 2020 |
Genre | : Education |
ISBN | : 0190695625 |
How might law matter to the humanities? How might the humanities matter to law? In its approach to both of these questions, The Oxford Handbook of Law and Humanities shows how rich a resource the law is for humanistic study, as well as how and why the humanities are vital for understanding law. Tackling questions of method, key themes and concepts, and a variety of genres and areas of the law, this collection of essays by leading scholars from a variety of disciplines illuminates new questions and articulates an exciting new agenda for scholarship in law and humanities.
Author | : Arianne Faber Kolb |
Publisher | : Getty Publications |
Total Pages | : 106 |
Release | : 2005 |
Genre | : Art |
ISBN | : 0892367709 |
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.
Author | : Julian Goodare |
Publisher | : Routledge |
Total Pages | : 408 |
Release | : 2020-08-11 |
Genre | : History |
ISBN | : 1000080803 |
Demonology – the intellectual study of demons and their powers – contributed to the prosecution of thousands of witches. But how exactly did intellectual ideas relate to prosecutions? Recent scholarship has shown that some of the demonologists’ concerns remained at an abstract intellectual level, while some of the judges’ concerns reflected popular culture. This book brings demonology and witch-hunting back together, while placing both topics in their specific regional cultures. The book’s chapters, each written by a leading scholar, cover most regions of Europe, from Scandinavia and Britain through to Germany, France and Switzerland, and Italy and Spain. By focusing on various intellectual levels of demonology, from sophisticated demonological thought to the development of specific demonological ideas and ideas within the witch trial environment, the book offers a thorough examination of the relationship between demonology and witch-hunting. Demonology and Witch-Hunting in Early Modern Europe is essential reading for all students and researchers of the history of demonology, witch-hunting and early modern Europe.
Author | : Michael Trevor Coughlin |
Publisher | : BRILL |
Total Pages | : 350 |
Release | : 2019-05-15 |
Genre | : Architecture |
ISBN | : 9004398961 |
From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.