Andrea Del Sarto

Andrea Del Sarto
Author: Sydney J. Freedberg
Publisher: Belknap Press
Total Pages: 302
Release: 1963-01-01
Genre:
ISBN: 9780674035522

The Ring and the Book

The Ring and the Book
Author: Robert Browning
Publisher:
Total Pages: 252
Release: 1869
Genre: Rome (Italy)
ISBN:

This is the final of the four volumes published from 1868-1869that make up Robert Browning'sThe Ring and the Book, a long blank-verse poem composed of 12 books and over 20,000 lines. This volume includes the booksThe Pope, GuidoandThe Book and the Ring.

Fra Bartolommeo

Fra Bartolommeo
Author: Leader Scott
Publisher: IndyPublish.com
Total Pages: 184
Release: 1892
Genre: Art
ISBN:

Painting in Renaissance Florence, 1500-1550

Painting in Renaissance Florence, 1500-1550
Author: David Franklin
Publisher: Yale University Press
Total Pages: 292
Release: 2001-01-01
Genre: Art
ISBN: 0300083998

Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.

Dynamic Human Anatomy

Dynamic Human Anatomy
Author: Roberto Osti
Publisher: The Monacelli Press, LLC
Total Pages: 353
Release: 2021-04-06
Genre: Art
ISBN: 1580935516

An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.

The Eye

The Eye
Author: Philippe Costamagna
Publisher: New Vessel Press
Total Pages: 229
Release: 2018-08-14
Genre: Art
ISBN: 1939931703

“Lifting the veil on the shadowy world of art insiders, Costamagna delivers an entertaining reflection on the dealers, devotees, and decision makers.” —Town & Country Magazine It’s a rare and secret profession, comprising a few dozen people around the world equipped with a mysterious mixture of knowledge and innate sensibility. Summoned to Swiss bank vaults, Fifth Avenue apartments and Tokyo storerooms, they are entrusted by collectors, dealers and museums to decide if a coveted picture is real or fake and to determine if it was painted by Leonardo da Vinci or Raphael. The Eye brings to light the rarified world of connoisseurs devoted to the authentication and discovery of Old Master art works. This is an art adventure story and a memoir all in one, written by a leading expert on the Renaissance whose métier is a high-stakes detective game involving massive amounts of money and frenetic activity in the service of the art market and scholarship alike. It’s also an eloquent argument for the enduring value of visual creativity, told with passion, brilliance and surprising candor. “[A] rollicking and erudite tour of the art world . . . Costamagna’s candor and well-earned hubris make for an entertaining foray into the high-stakes art world.” —Publishers Weekly “As thrilling as a police novel.” —La Croix “An insider’s look at the dramatic world of attributing and dating art . . . This art world Sherlock Holmes travels the globe . . . Delightful.” —Introspective Magazine “One comes away feeling somewhat re-sensitized to beauty and somewhat nostalgic for an era when museums weren’t the selfie-stick madhouses they are today.” —The Washington Post

Concepts of Beauty in Renaissance Art

Concepts of Beauty in Renaissance Art
Author: Francis Ames-Lewis
Publisher: Routledge
Total Pages: 379
Release: 2019-08-08
Genre: Social Science
ISBN: 0429860544

In this Volume, published in1998, Fifteen scholars reveal the ways of preserving, conceiving and creating beauty were as diverse as the cultural influenced at work at the time, deriving from antique, medieval and more recent literature and philosophy, and from contemporary notions of morality and courtly behaviour. Approaches include discussion of contemporary critical terms and how these determined writers’ appreciation of paintings, sculpture, architecture and costume; studies of the quest to create beauty in the work of artists such as Botticeli, Leonardo, Raphael, Parmigianino and Vasari; and the investigation of changes functioning of the eye and brain, or to technical innovations like those found in Venetian glass.