Andrea Del Castagno
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Author | : John Richard Spencer |
Publisher | : Duke University Press |
Total Pages | : 242 |
Release | : 1991 |
Genre | : Art patronage |
ISBN | : 9780822311508 |
Most studies of Renaissance patronage in the arts deal with a particular patron and the artists who worked for him. John R. Spencer reverses this approach by focusing on one fifteenth-century Florentine artist, Andrea del Castagno, and his patrons. Combining social and art history, Spencer casts new light on both the career of Castagno and on the nature of art patronage in the early Renaissance. Through careful and detailed archival research, Spencer creates a fascinating portrait of Castagno's patronage as a web, at the center of which was Cosimo de' Medici, who constituted the focal point of a network of business partnerships, real estate transactions, loans, and special privileges in which the artist's patrons were enmeshed. The author constructs partial biographies of unknown and lesser-known patrons to show the relation of these patrons to each other and to the artist, demonstrating the degree to which artistic production in Renaissance Italy was tied to politics and economics. Spencer discusses each of Castagno's extant and some of his lost paintings, dating the works with greater accuracy than ever before. His understanding of the patrons and of the motivations behind the commissions makes it possible for Spencer to bring new interpretations to many of these works. This book offers a deeper understanding of a particular artist's life and work while also exploring the larger question of the unique relationship between private patrons and independent artists in the Italian Renaissance.
Author | : Anne Dunlop |
Publisher | : Harvey Miller |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Dreams in art |
ISBN | : 9781909400184 |
The Florentine painter Andrea del Castagno (c. 1419-1457) was a central figure of the Italian Renaissance, and his work appears in every major survey textbook on the period. Giorgio Vasari described him a master of drawing and a constant innovator. Vasari also however claimed that Andrea was a cold-blooded assassin, a man who left a self-portrait as Judas and who had murdered a fellow painter to obtain the secret of painting in oil. When Andrea del Castagno drew, he drew blood. The story is untrue; the few documents on the artist suggest an uneventful life and a very successful short career. Yet Vasaris tale is suggestive, and it serves as the starting point of this book, the first monograph study of Andrea del Castagno in more than three decades. Many of the painter's visual experiments were artistic dead-ends, seldom or never repeated, and they reveal the limits of a whole emerging visual system. This is painting that struggles to update old schemata for new antiquarian concerns and a new artistic order; natural, supernatural, and imaginary phenomena are all uneasily subject to the same norms of depiction and the same totalizing visibility. In a series of close analyses of key works, this book argues that Andrea del Castagno's art of creative disruption lays bare the problems and paradigms of early Western art. It is a limit case at the moment when the idea of art was itself coming into being.
Author | : Michael Baxandall |
Publisher | : Oxford Paperbacks |
Total Pages | : 200 |
Release | : 1988 |
Genre | : Art |
ISBN | : 9780192821447 |
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author | : Andrew Butterfield |
Publisher | : Yale University Press |
Total Pages | : 279 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 0300071949 |
Andrea del Verrocchio was the preeminent sculptor in late fifteenth-century Florence and one of the leading artists in Renaissance Europe. In every genre of statuary, Verrocchio made formal and conceptual contributions of the greatest significance, and many of his sculptures, such as the Christ and St. Thomas and the Colleoni Monument, are among the masterpieces of Renaissance art. A favorite artist of Lorenzo de' Medici and the teacher of Leonardo da Vinci, Verrocchio was a key link between the innovations of the fifteenth century and the creations of the High Renaissance. This beautiful catalogue raisonné is the first comprehensive and detailed study of Verrocchio's extraordinary and innovative sculptures. Andrew Butterfield has combined careful visual analysis of the sculptures with groundbreaking research into their function, iconography, and historical context. In order to explain Verrocchio's contributions to the different genres of Renaissance sculpture, Butterfield provides new and important information on a broad range of issues such as the typology and social history of Florentine tombs, the theoretical problems in the production of perspectival reliefs, and the origins of the Figura serpentinata. Furthermore, Butterfield draws on a spectrum of often overlooked texts to elucidate fundamental iconographical problems, for example, the significance of David in quattrocento Florence. In its scope, depth, and clarity, The Sculptures of Andrea del Verrocchio will rank as one of the finest studies of an Italian sculptor ever published.
Author | : National Gallery of Art (U.S.) |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 2003 |
Genre | : Painting |
ISBN | : 9780894683053 |
The National Gallery of Art collection of Italian fifteenth-century paintings, the finest in any American museum, has not been published in its entirety since the 1979 Catalogue of Italian Paintings by Fern Rusk Shapley. Among the altarpieces, devotional works, portraits, and allegorical scenes are many world-famous masterpieces. In addition to Leonardo's Ginevra de' Benci and the Adoration of the Magi by Fra Angelico and Fra Filippo Lippi, paintings by Domenico Veneziano, Castagno, Sassetta, Mantegna, Giovanni Bellini, Perugino, Botticelli, and Ghirlandaio make this a book of major masters of the Renaissance.
Author | : Ana Debenedetti |
Publisher | : UCL Press |
Total Pages | : 334 |
Release | : 2019-01-08 |
Genre | : Art |
ISBN | : 178735461X |
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Author | : Marita Horster |
Publisher | : |
Total Pages | : 244 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Although Andrea del Castagno (1419-1457) was one of the most original painters of fifteenth-century Florence, his art was largely neglected for five centuries. Only after his works were exhibited in Florence in 1954 alongside those of Masaccio, Uccello, and Piero della Francesca under the title "Quattro Maestri del Primo Rinascimento" was their outstanding quality rediscovered. In his relatively short life, Castagno completed more than twenty works, most of them frescoes. They bear witness to his masterful composition, his highly individual choice of color, and his excellent draftsmanship. It was perhaps for his draftsmanship that Castagno was most renowned during his lifetime, and this reputation was dramatically reasserted by the exhibition "The Great Age of Fresco: Giotto to Pontormo," which toured nine countries in the Americas and Europe from 1968-1970 and attracted a million visitors. In this comprehensive study Marita Horster gives an account of the artist's life and examines his works in detail. She provides transcriptions of documents relating to Castagno's life and work, and quotes Vasari's biography in full, in the original Italian. She also lists painters connected with Castagno and describes his influence on pupils, contemporaries, and followers. A complete critical catalog, including lost works and rejected attributions, follows her introductory essay. All of the extant works are illustrated, and the striking use of details brings out the grace and subtlety of Castagno's lines. Some works mistakenly attributed to Castagno are also reproduced, along with comparative works by other artists. The first full study of Castagno to appear in English, this lavishly illustrated volume will delight anyone interested in Italian or Renaissance art. -- Inside jacket flaps.
Author | : Patricia Lee Rubin |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 434 |
Release | : 2011 |
Genre | : Art, Italian |
ISBN | : 1588394255 |
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author | : Andrea del Castagno |
Publisher | : |
Total Pages | : 240 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : Aby Warburg |
Publisher | : Getty Publications |
Total Pages | : 872 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780892365371 |
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.