Paris and the Anarchists

Paris and the Anarchists
Author: Alexander Varias
Publisher: MacMillan
Total Pages: 208
Release: 1997
Genre: Anarchism
ISBN: 9780333694329

Anarchists in late nineteenth-century France were no more successful in toppling the established order and creating an ideal society than was the case anywhere else. Nevertheless, their experience in 'fin-de-siecle' Paris revealed a labyrinthine diversity belying their actual political influence and numbers. Paris and the Anarchists analyzes the nature of Parisian anarchist concerns - including the French Revolutionary tradition, the Third Republic, terrorism, the Dreyfus Affair, modernization, and questions pertaining to art and propaganda.

The Dynamite Club

The Dynamite Club
Author: John M. Merriman
Publisher: Yale University Press
Total Pages: 290
Release: 2016-03-01
Genre: History
ISBN: 0300217935

Distinguished historian John Merriman maintains that the Age of Modern Terror began in Paris on February 12, 1894, when anarchist Emile Henry set off a bomb in the Café Terminus, killing one and wounding twenty French citizens. The true story of the circumstances that led a young radical to commit a cold-blooded act of violence against innocent civilians makes for riveting reading, shedding new light on the terrorist mindset and on the subsequent worldwide rise of anarchism by deed. Merriman’s fascinating study of modern history’s first terrorists, emboldened by the invention of dynamite, reveals much about the terror of today.

Neo-Impressionism and Anarchism in Fin-de-Si?e France

Neo-Impressionism and Anarchism in Fin-de-Si?e France
Author: Robyn Roslak
Publisher: Routledge
Total Pages: 232
Release: 2017-07-05
Genre: Art
ISBN: 1351556541

In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Neo-Impressionism and Anarchism in Fin-De-Siècle France

Neo-Impressionism and Anarchism in Fin-De-Siècle France
Author: Robyn Roslak
Publisher:
Total Pages: 0
Release: 2016-09-08
Genre: Anarchism
ISBN: 9781138248397

Neo-Impressionism and Anarchism in Fin-de-Siècle France examines for the first time the close and complex relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. It focuses especially on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, relating their pointillist technique and their subjects to the social, scientific and aesthetic ideals of the anarchist theoreticians Elisée Reclus, Pierre Kropotkin and Jean Grave.

Ballad of the Anarchist Bandits

Ballad of the Anarchist Bandits
Author: John Merriman
Publisher: Bold Type Books
Total Pages: 336
Release: 2017-10-03
Genre: History
ISBN: 1568589891

The thrilling story of the Bonnot Gang, a band of anarchist bank robbers whose crimes terrorized Belle Époque Paris, and whose escapades reflected the fast-paced, dizzyingly modern, and increasingly violent period on the eve of World War I. For six terrifying months in 1911-1912, the citizens of Paris were gripped by a violent crime streak. A group of bandits went on a rampage throughout the city and its suburbs, robbing banks and wealthy Parisians, killing anyone who got in their way, and always managing to stay one step ahead of the police. But Jules Bonnot and the Bonnot Gang weren't just ordinary criminals; they were anarchists, motivated by the rampant inequality and poverty in Paris. John Merriman tells this story through the eyes of two young, idealistic lovers: Victor Kibaltchiche (later the famed Russian revolutionary and writer Victor Serge) and Rirette Maîtrejean, who chronicled the Bonnot crime spree in the radical newspaper L'Anarchie. While wealthy Parisians frequented restaurants on the Champs-Élysées, attended performances at the magnificent new opera house, and enjoyed the decadence of the so-called Belle Époque, Victor, Rirette, and their friends occupied a vast sprawl of dank apartments, bleak canals, and smoky factories. Victor and Rirette rejected the violence of Bonnot and his cronies, but to the police it made no difference. Victor was imprisoned for years for his anarchist beliefs, Bonnot was hunted down and shot dead, and his fellow bandits were sentenced to death by guillotine or lifelong imprisonment. Fast-paced and gripping, Ballad of the Anarchist Bandits is a tale of idealists and lost causes--and a vivid evocation of Paris in the dizzying years before the horrors of World War I were unleashed.

Sex, Violence, and the Avant-garde

Sex, Violence, and the Avant-garde
Author: Richard David Sonn
Publisher: Penn State Press
Total Pages: 271
Release: 2010
Genre: Political Science
ISBN: 027103663X

Sex, Violence, and the Avant-Garde examines the French anarchist movement between the wars from a socio-cultural perspective, considering the relationship between anarchism and the artistic avant-garde and surrealism, political violence and terrorism, sexuality and sexual politics, and gender roles.

Anarchy and Art

Anarchy and Art
Author: Allan Antliff
Publisher: arsenal pulp press
Total Pages: 224
Release: 2007-04-01
Genre: Art
ISBN: 1551523000

One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike. Allan Antliff is the author of Anarchist Modernism.