Anarchaeologies
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Author | : Erin Graff Zivin |
Publisher | : Fordham University Press |
Total Pages | : 273 |
Release | : 2020-01-07 |
Genre | : Literary Criticism |
ISBN | : 0823286835 |
How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art. Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juán José Saer, Ricardo Piglia, César Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Rancière to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.
Author | : Erin Graff Zivin |
Publisher | : |
Total Pages | : 193 |
Release | : 2020 |
Genre | : Art and philosophy |
ISBN | : 9780823286843 |
How do we read after the so-called death of literature? Graff Zivin elaborates anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability. Through interdiscursive exposure between continental philosophy and Argentine literature, art, and film, Graff Zivin shows how anarchaeological reading radicalizes the possibility of justice.
Author | : Pantelis Michelakis |
Publisher | : Oxford University Press |
Total Pages | : 400 |
Release | : 2020-04-09 |
Genre | : History |
ISBN | : 019258488X |
Introducing a largely neglected area of existing interactions between Greco-Roman antiquity and media theory, this volume addresses the question of why interactions in this area matter and how they might be developed further. It aims not only to promote awareness of the presence of the classics in media theory but also to encourage more media attentiveness among scholars of Greece and Rome. By bringing together an international team of scholars with interdisciplinary expertise in areas ranging from classical literature and classical reception studies to art history, media theory and media history, film studies, philosophy, and cultural studies, the volume as a whole engages with numerous aspects of 'classical' Greece and Rome revolving around issues of philosophy, cultural history, literature, aesthetics, and epistemology. Each chapter provides its own definition of what constitutes mediality and how it operates, constructs different genealogies of the concept of the medium, and engages with emergent fields within media studies that range from cultural techniques to media archaeology, diagrammatology, and intermediality. By seeking to foreground the persistency of Greco-Roman paradigms across the different strands of media theory the volume persuasively calls for a closer consideration of the conceptual underpinnings of the cultural practices around the transformation of ancient Greece and Rome into 'classics.'
Author | : Alex Custodio |
Publisher | : MIT Press |
Total Pages | : 282 |
Release | : 2020-10-13 |
Genre | : Games & Activities |
ISBN | : 0262044390 |
The Game Boy Advance platform as computational system and cultural artifact, from its 2001 release through hacks, mods, emulations, homebrew afterlives. In 2002, Nintendo of America launched an international marketing campaign for the Game Boy Advance that revolved around the slogan “Who Are You?”—asking potential buyers which Nintendo character, game, or even device they identified with and attempting to sell a new product by exploiting players' nostalgic connections to earlier ones. Today, nearly two decades after its release, and despite the development of newer and more powerful systems, Nintendo's Game Boy Advance lives on, through a community that continues to hack, modify, emulate, make, break, remake, redesign, trade, use, love, and play with the platform. In this book Alex Custodio traces the network of hardware and software afterlives of the Game Boy Advance platform. Each chapter considers a component of this network—hardware, software, peripheral, or practice—that illuminates the platform's unique features as a computational system and a cultural artifact. Examining the evolution of the design and architecture of Nintendo's handhelds and home consoles, and the constraints imposed on developers and players, for example, Custodio finds that Nintendo essentially embeds nostalgia into its hardware. She explores Nintendo's expansion of the platform through interoperability; physical and affective engagement with the Game Boy Advance; portability, private space, and social interaction; the platformization of nostalgia; fan-generated content including homebrew, hacking, and hardware modding; and e-waste—the final afterlife of consumer electronics. Although the Game Boy Advance is neither the most powerful nor the most popular of Nintendo's handhelds, Custodio argues, it is the platform that most fundamentally embodies Nintendo's reliance on the aesthetics and materiality of nostalgia.
Author | : Tony Fisher |
Publisher | : Manchester University Press |
Total Pages | : 430 |
Release | : 2019-11-01 |
Genre | : Literary Criticism |
ISBN | : 1526132087 |
The volume contributes to a new articulation of theatre and performance studies via Foucault’s critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault’s work for the first time. The introduction sets out a thorough and informative assessment of Foucault’s relevance to theatre and performance studies and to our present cultural moment – it rereads his profound engagement with questions of truth, power and politics, in light of previously unknown writings and lectures set in relation to current political and cultural concerns. Unique to this volume is the discovery of a ‘theatrical’ Foucault - the profound affinity of his thinking with questions of performativity. This discovery makes accessible the ‘performance turn’ to readers of Foucault, while opening up ways of reading Foucault’s oeuvre ‘theatrically’.
Author | : Tavia Nyong'o |
Publisher | : NYU Press |
Total Pages | : 275 |
Release | : 2018-11-27 |
Genre | : Social Science |
ISBN | : 1479888443 |
Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure. If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.
Author | : Erin Graff Zivin |
Publisher | : Lit Z |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 9780823286829 |
How do we read after the so-called death of literature? Graff Zivin elaborates anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability. Through interdiscursive exposure between continental philosophy and Argentine literature, art, and film, Graff Zivin shows how anarchaeological reading radicalizes the possibility of justice.
Author | : Siegfried Zielinski |
Publisher | : MIT Press |
Total Pages | : 391 |
Release | : 2008-02-15 |
Genre | : Technology & Engineering |
ISBN | : 026274032X |
A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated. Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development—dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.
Author | : Jon Robins |
Publisher | : No Pledge Publishing & The Pointer Institute |
Total Pages | : 415 |
Release | : |
Genre | : Political Science |
ISBN | : |
Bernie Sanders (BS) self-identifies the same way that Adolf Hitler self-identified: SOCIALIST. In voluminous speeches and writings Hitler glorified the identical word touted by BS as his political philosophy. Hitler’s swastika was “S” letter shaped symbolism for his socialism. BS proudly classifies himself in the same fashion as Hitler and the world’s other genocidal psychopaths. Bernie Sanders was endorsed by Alexandria Ocasio-Cortez (AOC) in the 2020 presidential election and AOC actively campaigns for BS. Why does AOC support such an old white male? She promotes him because they share the same extremist dogma. How did they both become socialists? AOC was heavily influenced by BS. The USA’s two worst national socialists were both born and raised in New York City. AOC grew up during BS’s years as a career politician. She learned a lot about socialism and wanted to get on the dole too. BS is the oldest white male who is running for nomination. BS is so elderly that he could be AOC’s grandfather (he is 48 years older than her). AOC was born a year after BS’s infamous honeymoon (1988) in the USSR just as Soviet socialism self-destructed. Sanders was born in 1941 shortly after Soviet socialism’s partnership with German socialism. Soviet socialism (under Stalin) and German socialism (under Hitler) had joined to launch WWII, destroying Poland together, and going onward from there in a pact to enslave Europe. After German socialism was defeated, Soviet socialism continued (as Sanders grew up) to ruin millions of lives and increase its record-setting mass-murders. As a child, Sanders had learned about socialism from his parents and other relatives. They attended government schools (socialist schools) in the USA where students were forced to perform the Nazi salute and chant robotically to the flag each morning at the ring of a bell. The Pledge of Allegiance to the USA’s Flag was the origin of the infamous stiff-armed salute (and other propagandistic behavior) that was borrowed decades later under German socialism and under other socialists worldwide. The pledge was written by an American socialist (Francis Bellamy) in order to spread socialism. Anyone who refused the ritual in the socialist schools was persecuted. At that time the socialist schools taught racism as official policy and imposed segregation by law. Sanders also learned socialism from government schools that he attended, and he chanted in unison each morning to the flag too (although the gesture had changed to hide socialism’s putrid history). During Sanders’ youth the socialist schools continued to teach racism as official policy and continued to impose segregation by law. “America’s Nazi salute” was often performed by public officials in the USA from 1892 through 1942. What happened to old photographs and films of the American Nazi salute performed by federal, state, county, and local officials? Those photos and films are rare because people don't want to know the truth about the government’s past. American youth groups (Scouting) adopted Bellamy's American Nazi salute (with Bellamy’s encouragement) AND saluted swastika badges (卐) worn by fellow scouts. Many Americans were accustomed to “Nazi salutes for swastikas” long before German socialism (and Hitler Youth) adopted similar behavior under Hitler. That helps to explain another shocking revelation: swastikas were promoted in the US military and worn as a patch on the upper left arm of American soldiers in a fashion that would become uniform under German socialism. There are photos in this book!
Author | : Micky Barnetti |
Publisher | : No Pledge Publishing |
Total Pages | : 384 |
Release | : 2015-07-29 |
Genre | : Education |
ISBN | : 1515248720 |
Lies are exposed to reveal the following: The Nazi salute was performed by public officials in the USA from 1892 through 1942. What happened to the photographs and films of the American Nazi salute performed by federal, state, county, and local officials? Those photos and films are rare because people don't want to know the truth. Public officials in the USA who preceded the German socialist (Hitler) and the Italian socialist (Mussolini) were sources for the stiff-armed salute (and robotic chanting) in those countries and other foreign countries. Explore how the "ancient Roman salute" myth originated from the city of Rome in the state of New York (not Italy), Francis Bellamy's hometown. Learn about Mussolini's strange gift to the city of Rome, NY: a statue of two human male infants suckling on a female wolf. That statue remains on display in Rome, NY. Learn how the word "fascist" is related to the word "faggot." Discover how the military salute was the origin of the Nazi salute. Read why the Pledge of Allegiance would not be performed by anyone (other than kooks ) if the truth were taught in school. Find out who you are, what you are, and how you got to be that way. Also learn who you should blame: your teacher (and the government's schools). Debunk myths about Adolf Hitler, Joseph Stalin, Mao Zedong, Francis Bellamy (and his cousin Edward Bellamy), Fascism, Unionism, Socialism, genocide, swastikas, the Pledge of Allegiance to the flag, the cliche' "under God," Christianity, ancient Rome, military socialism, crony socialism, and the military-socialism complex. The Pointer Institute proudly presents another news-breaking volume from the Dead Writers Club (DWC) and Micky Barnetti. Lies your teacher taught you are illuminated from the work of the historian Dr. Rex Curry. Micky Barnetti is a philologist and a forensic fraud analyst. Barnetti's work led to the arrest, trial, conviction, and imprisonment of America's Dumbest Criminals (and the foreclosure of their homes, along with victim restitution liens, and criminal forfeiture judgments, in amounts totaling millions of dollars). Barnetti collaborates with the Dead Writer's Club (“DWC” -an author's group) and assists the Pointer Institute for Media Studies to provide remedial education to journalists about history, economics, and government.