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| Author | : Mauro Carbone |
| Publisher | : State University of New York Press |
| Total Pages | : 125 |
| Release | : 2011-07-02 |
| Genre | : Philosophy |
| ISBN | : 1438430221 |
Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.
| Author | : Antonio Cimino |
| Publisher | : BRILL |
| Total Pages | : 249 |
| Release | : 2015-07-28 |
| Genre | : Philosophy |
| ISBN | : 9004301917 |
The articles in Phenomenology and the Metaphysics of Sight explore the uses and resonances of the paradigm of sight across the phenomenological tradition, with particular reference to the works of Husserl, Heidegger, and Merleau-Ponty. The axes of this investigation are the phenomenological readings of the notion of sight in ancient Greek philosophy, the ways in which phenomenology leads us beyond the primacy of sight, and the rivalry between the paradigm of sight and those of touch and hearing. The aim of this collection is to demonstrate that the use of the paradigm of sight pervades phenomenology and partially explains both the development of its self-criticism and its view on the history of philosophy.
| Author | : Mauro Carbone |
| Publisher | : State University of New York Press |
| Total Pages | : 130 |
| Release | : 2015-09-23 |
| Genre | : Philosophy |
| ISBN | : 1438458800 |
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema—an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.
| Author | : United States. Congress. House. Committee on Science. Subcommittee on Basic Research |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2001 |
| Genre | : Science |
| ISBN | : |
| Author | : Francesco Casetti |
| Publisher | : Columbia University Press |
| Total Pages | : 311 |
| Release | : 2015-03-03 |
| Genre | : Performing Arts |
| ISBN | : 0231538871 |
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
| Author | : Douglas W. Burbank |
| Publisher | : John Wiley & Sons |
| Total Pages | : 494 |
| Release | : 2011-11-02 |
| Genre | : Science |
| ISBN | : 1444345044 |
Tectonic geomorphology is the study of the interplay between tectonic and surface processes that shape the landscape in regions of active deformation and at time scales ranging from days to millions of years. Over the past decade, recent advances in the quantification of both rates and the physical basis of tectonic and surface processes have underpinned an explosion of new research in the field of tectonic geomorphology. Modern tectonic geomorphology is an exceptionally integrative field that utilizes techniques and data derived from studies of geomorphology, seismology, geochronology, structure, geodesy, stratigraphy, meteorology and Quaternary science. While integrating new insights and highlighting controversies from the ten years of research since the 1st edition, this 2nd edition of Tectonic Geomorphology reviews the fundamentals of the subject, including the nature of faulting and folding, the creation and use of geomorphic markers for tracing deformation, chronological techniques that are used to date events and quantify rates, geodetic techniques for defining recent deformation, and paleoseismologic approaches to calibrate past deformation. Overall, this book focuses on the current understanding of the dynamic interplay between surface processes and active tectonics. As it ranges from the timescales of individual earthquakes to the growth and decay of mountain belts, this book provides a timely synthesis of modern research for upper-level undergraduate and graduate earth science students and for practicing geologists. Additional resources for this book can be found at: www.wiley.com/go/burbank/geomorphology.
| Author | : Jay Gao |
| Publisher | : CRC Press |
| Total Pages | : 464 |
| Release | : 2023-06-16 |
| Genre | : Technology & Engineering |
| ISBN | : 1000856119 |
This book presents a comprehensive coverage of remote sensing technology used to gather information on 12 types of natural hazards in the terrestrial sphere, biosphere, hydrosphere, and atmosphere. It clarifies in detail how to yield spatial and quantitative data on a natural hazard, including its spatial distribution, severity, causes, and the likelihood of occurrence. The author explains multiple methods of attaining data, describes the pros and cons of each method, and encourages readers to choose the best method applicable to their case. The author offers a practical approach to data analysis using the most appropriate methods and software. 1. Covers all major natural hazards including hurricanes, tornadoes, wildfires, and avalanches. 2. Studies each natural hazard holistically, ranging from spatial extent, severity, impact assessment, causes, and prediction of occurrence. 3. Explains different remotely sensed data and the most appropriate method used. 4. Compares different ways of sensing and clarifies the pros and cons of any selected data or their analysis. 5. Provides ample examples of each aspect of a natural hazard studied augmented with graphic illustrations and quality assurance information. All professionals working in the field of natural hazards, senior undergraduate, and graduate students, will find in-depth approaches and sufficient information to become knowledgeable in the methods of yielding and analyzing data provided with remote sensing technology, ultimately providing a deeper understanding of natural hazards.
| Author | : |
| Publisher | : ScholarlyEditions |
| Total Pages | : 5246 |
| Release | : 2012-12-26 |
| Genre | : Computers |
| ISBN | : 1464990506 |
Advances in Information Technology Research and Application / 2012 Edition is a ScholarlyEditions™ eBook that delivers timely, authoritative, and comprehensive information about Information Technology. The editors have built Advances in Information Technology Research and Application / 2012 Edition on the vast information databases of ScholarlyNews.™ You can expect the information about Information Technology in this eBook to be deeper than what you can access anywhere else, as well as consistently reliable, authoritative, informed, and relevant. The content of Advances in Information Technology Research and Application / 2012 Edition has been produced by the world’s leading scientists, engineers, analysts, research institutions, and companies. All of the content is from peer-reviewed sources, and all of it is written, assembled, and edited by the editors at ScholarlyEditions™ and available exclusively from us. You now have a source you can cite with authority, confidence, and credibility. More information is available at http://www.ScholarlyEditions.com/.
| Author | : Julian Johnson |
| Publisher | : Oxford University Press |
| Total Pages | : 397 |
| Release | : 2020-01-10 |
| Genre | : Music |
| ISBN | : 0190066849 |
Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought--the gap between language and our embodied relation to the world--but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them.
| Author | : Jessica Wiskus |
| Publisher | : University of Chicago Press |
| Total Pages | : 181 |
| Release | : 2015-03-05 |
| Genre | : Literary Criticism |
| ISBN | : 022627425X |
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy. More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
