An Outline Of 19th Century European Painting
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| Author | : Lorenz Eitner |
| Publisher | : Routledge |
| Total Pages | : 703 |
| Release | : 2021-11-28 |
| Genre | : Art |
| ISBN | : 0429708912 |
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
| Author | : Lorenz Eitner |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 260 |
| Release | : 1987 |
| Genre | : Painting, European |
| ISBN | : |
"The 418 plates illustrate the main movements of the period--Neoclassicism, Riomanticism, Realism, Academics and Salon Painters, and Impressionism"--Back cover.
| Author | : William Rau |
| Publisher | : Acc Art Books |
| Total Pages | : 0 |
| Release | : 2013-01-28 |
| Genre | : Painting, European |
| ISBN | : 9781851497300 |
Presents the historical context behind the 19th-century's artistic movements, including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting , Academic Painting, and Impressionist Painting.
| Author | : Lorenz Eitner |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 472 |
| Release | : 1987 |
| Genre | : Classicism in art |
| ISBN | : |
"The 418 plates illustrate the main movements of the period--Neoclassicism, Riomanticism, Realism, Academics and Salon Painters, and Impressionism"--Back cover.
| Author | : Petra ten-Doesschate Chu |
| Publisher | : Prentice Hall Art History |
| Total Pages | : 562 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.
| Author | : Philip Hook |
| Publisher | : |
| Total Pages | : 642 |
| Release | : 1986 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 1988 |
| Genre | : |
| ISBN | : 9780064301268 |
| Author | : Sterling and Francine Clark Art Institute |
| Publisher | : Clark Art Institute |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Painting |
| ISBN | : 9780300179651 |
The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Théodore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations. Distributed for the Sterling and Francine Clark Art Institute
| Author | : Stephen Eisenman |
| Publisher | : |
| Total Pages | : 428 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780500237939 |
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
| Author | : Patricia G. Berman |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 2013 |
| Genre | : Painting, Danish |
| ISBN | : 9780500290989 |
Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.
