An Introduction To The Literature Of Eswatini
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| Author | : Kerry Vincent |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 249 |
| Release | : 2020-10-21 |
| Genre | : Literary Criticism |
| ISBN | : 1498577962 |
This book is the first comprehensive introduction to the literature of eSwatini. It details a literary trajectory that begins with renditions of the country by early travelers and settlers and follows with the emergence of a national literature that is marked by early oral influences and molded by unique sociopolitical interests. Along the way, the author considers how contemporary writing by visitors, expatriates, and journalists have salvaged and recycled earlier images and attitudes through a series of representational and rhetorical practices. In particular, the lingering influence of colonial discourse is explored in the context of the nation’s pivotal incwala ritual. A chapter on Hilda Kuper that situates her fiction and drama between outsider and insider accounts is followed by the final two chapters that trace the development of anglophone and siSwati writing and identify themes arising from the major literary genres produced by local authors. The concluding section features a comprehensive registry of writers, with brief summaries of their works.
| Author | : Kerry Vincent |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 2020 |
| Genre | : Eswatini |
| ISBN | : 9781498577953 |
This introduction to the literature of eSwatini follows a trajectory that reaches back to the country's construction in colonial discourse and into the present with the growth and development of a national literature.
| Author | : Hlengiwe Portia Dlamini |
| Publisher | : Springer Nature |
| Total Pages | : 375 |
| Release | : 2019-09-25 |
| Genre | : History |
| ISBN | : 3030247775 |
Swaziland—recently renamed Eswatini—is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d’état. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa.
| Author | : Gareth Cornwell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011-03-09 |
| Genre | : Authors, South African |
| ISBN | : 9781868886647 |
The Columbia Guide to South African literature in English since 1945 Gareth Cornwell, Dirk Klopper and Craig MacKenzie This guide captures the pulsating diversity of South African literature in English since 1945 in a single volume, with a strong range of entries, richness of detail and critical sophistication. With some 400 entries on post-1945 writers, and a particular emphasis on writers emerging in the last 20 years or so, it is both comprehensive and concise on major writers and themes, and provides key background information on major historical and cultural events. The introduction provides a context for the entries, which include emerging writers, major post-1945 writers, and detailed subject entries. An appendix on some 30 essential pre-1945 writers ensures that the literary history is presented in a balanced way. The guide concludes with an extensive bibliography including primary works, critical literature, and anthologies, as well as a detailed index. From Afrika to Zwi, with Baderoon, Coovadia, and Duiker in between - not to mention Essop, Fugard, Galgut, Head, Jensma, Kozain, La Guma, Magona, Ndebele, Oliphant, Paton, Rampolokeng, Slovo, Themba, Uys, VladislaviÃ?Â, Wicomb, Zadok . . . this is the indispensible guide to South African literature in English.
| Author | : Joel Kuortti |
| Publisher | : Taylor & Francis |
| Total Pages | : 134 |
| Release | : 2023-10-12 |
| Genre | : Literary Criticism |
| ISBN | : 1000964604 |
Engagements with Hybridity in Literature: An Introduction is a textbook especially for undergraduate and graduate students of literature. It discusses the different dimensions of the notion of hybridity in theory and practice, introducing the use and relevance of the concept in literary studies. As a structured and up-to-date source for both instructors and learners, it provides a fascinating selection of materials and approaches. The book examines the concept of hybridity, offers a historical overview of the term and its critique, and draws upon the key ideas, trends, and voices in the field. It critically engages with the theoretical, intellectual, and literary discussions of the concept from the time of colonialism to the postmodern era and beyond. The book enables students to develop critical thinking through engaging them in case studies addressing a diverse selection of literary texts from various genres and cultures that open up new perspectives and opportunities for analysis. Each chapter offers a specific theoretical background and close readings of hybridity in literary texts. To improve the students’ analytical skills and knowledge of hybridity, each chapter includes relevant tasks, questions, and additional reference materials.
| Author | : Munacinga C. Simatele |
| Publisher | : AOSIS |
| Total Pages | : 316 |
| Release | : 2022-02-15 |
| Genre | : Business & Economics |
| ISBN | : 1776341813 |
Financial inclusion has been noted as a key driver of poverty alleviation and growth. Yet, most of the scholarly work that exists lacks a comprehensive discussion of how the poor interact with financial services and the channels through which such services can affect their livelihoods. This book offers researchers who focus on financial inclusion and African economies a one-stop resource for understanding the channels of transmission for financial inclusion as well as an application of these channels through original country-specific empirical papers. The book provides a back-to-basics presentation of the transmission of financial services to growth and poverty. This theoretical discussion is complemented by an empirical presentation of the various services used by the poor, with a focus on Africa. Case studies of financial inclusion in six African countries cover a broad range of topics most important to African countries and highlight the unique African setting. These empirical papers provide important learning points. Firstly, hybrid financial institutions such as cooperative financial institutions and financial social entrepreneurs are the best way to increase financial inclusion in Africa. They provide important vehicles to circumvent the restrictive and exclusive bank-based financial markets typical of African economies. Secondly, digital finance is a potent tool for improving financial access and usage in Africa, and its impact on poverty operates through both traditional and nontraditional financial instruments. Thirdly, investment in infrastructure which supports complementary markets is critical and is likely to have a greater effect on credit rationing than direct provision of credit to small businesses.
| Author | : Peter Goodrich |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 168 |
| Release | : 2021-01-29 |
| Genre | : Law |
| ISBN | : 1789906008 |
Peter Goodrich presents a unique introduction to the concept of jurisliterature. Highlighting how lawyers have been extraordinarily productive of literary, artistic and political works, Goodrich explores the diversity and imagination of the law and literature tradition. Jurisliterature, he argues, is the source of legal invention and the sign of novelty in judgments.
| Author | : Ngũgĩ wa Thiong'o |
| Publisher | : Columbia University Press |
| Total Pages | : 121 |
| Release | : 2012-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 0231530757 |
A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or "orature," and writing, or "literature"; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose.
| Author | : Rebecca L. Walkowitz |
| Publisher | : Columbia University Press |
| Total Pages | : 446 |
| Release | : 2015-08-04 |
| Genre | : Literary Criticism |
| ISBN | : 0231539452 |
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.
| Author | : Beth Blum |
| Publisher | : Columbia University Press |
| Total Pages | : 507 |
| Release | : 2020-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 0231551088 |
Samuel Beckett as a guru for business executives? James Joyce as a guide to living a good life? The notion of notoriously experimental authors sharing a shelf with self-help books might seem far-fetched, yet a hidden history of rivalry, influence, and imitation links these two worlds. In The Self-Help Compulsion, Beth Blum reveals the profound entanglement of modern literature and commercial advice from the late nineteenth century to the present day. Blum explores popular reading practices in which people turn to literature in search of practical advice alongside modern writers’ rebukes of such instrumental purposes. As literary authors positioned themselves in opposition to people like Samuel Smiles and Dale Carnegie, readers turned to self-help for the promises of mobility, agency, and practical use that serious literature was reluctant to supply. Blum unearths a series of unlikely cases of the love-hate relationship between serious fiction and commercial advice, from Gustave Flaubert’s mockery of early DIY culture to Dear Abby’s cutting diagnoses of Nathanael West and from Virginia Woolf’s ambivalent polemics against self-improvement to the ways that contemporary global authors such as Mohsin Hamid and Tash Aw explicitly draw on the self-help genre. She also traces the self-help industry’s tendency to popularize, quote, and adapt literary wisdom and considers what it might have to teach today’s university. Offering a new history of self-help’s origins, appeal, and cultural and literary import around the world, this book reveals that self-help’s most valuable secrets are not about getting rich or winning friends but about how and why people read.
