An Inquiry Into The Condition And Prospects Of The African Race In The United States And The Means Of Bettering Its Fortunes By An American
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An Inquiry Into the Condition and Prospects of the African Race in the United States
Author | : An American |
Publisher | : |
Total Pages | : 266 |
Release | : 1839 |
Genre | : African Americans |
ISBN | : |
Proceedings of the American Anti-Slavery Society at its third decade, held in the city of Philadelphia, Dec. 3rd and 4th, 1863, with an appendix and a catalogue of Anti-Slavery publications in America from 1750 to 1863
Author | : American Anti-Slavery Society (UNITED STATES OF AMERICA) |
Publisher | : |
Total Pages | : 186 |
Release | : 1864 |
Genre | : |
ISBN | : |
Proceedings of the American Anti-slavery Society
Author | : American Anti-Slavery Society |
Publisher | : |
Total Pages | : 190 |
Release | : 1864 |
Genre | : Slavery |
ISBN | : |
Plantation Goods
Author | : Seth Rockman |
Publisher | : University of Chicago Press |
Total Pages | : 423 |
Release | : 2024-11-29 |
Genre | : History |
ISBN | : 0226836533 |
An eye-opening rethinking of nineteenth-century American history that reveals the interdependence of the Northern industrial economy and Southern slave labor. The industrializing North and the agricultural South—that’s how we have been taught to think about the United States in the early nineteenth century. But in doing so, we overlook the economic ties that held the nation together before the Civil War. We miss slavery’s long reach into small New England communities, just as we fail to see the role of Northern manufacturing in shaping the terrain of human bondage in the South. Using plantation goods—the shirts, hats, hoes, shovels, shoes, axes, and whips made in the North for use in the South—historian Seth Rockman locates the biggest stories in American history in the everyday objects that stitched together the lives and livelihoods of Americans—white and Black, male and female, enslaved and free—across an expanding nation. By following the stories of material objects, such as shoes made by Massachusetts farm women that found their way to the feet of a Mississippi slave, Rockman reveals a national economy organized by slavery—a slavery that outsourced the production of its supplies to the North, and a North that outsourced its slavery to the South. Melding business and labor history through powerful storytelling, Plantation Goods brings northern industrialists, southern slaveholders, enslaved field hands, and paid factory laborers into the same picture. In one part of the country, entrepreneurs envisioned fortunes to be made from “planter’s hoes” and rural women spent their days weaving “negro cloth” and assembling “slave brogans.” In another, enslaved people actively consumed textiles and tools imported from the North to contest their bondage. In between, merchants, marketers, storekeepers, and debt collectors laid claim to the profits of a thriving interregional trade. Examining producers and consumers linked in economic and moral relationships across great geographic and political distances, Plantation Goods explores how people in the nineteenth century thought about complicity with slavery while showing how slavery structured life nationwide and established a modern world of entrepreneurship and exploitation. Rockman brings together lines of American history that have for too long been told separately, as slavery and capitalism converge in something as deceptively ordinary as a humble pair of shoes.
Catalogue of the American Books in the Library of the British Museum at Christmas MDCCCLVI.
Author | : Henry Stevens |
Publisher | : London : C. Whittingham |
Total Pages | : 766 |
Release | : 1866 |
Genre | : America |
ISBN | : |
Violence from Slavery to #BlackLivesMatter
Author | : Andrew Dix |
Publisher | : Routledge |
Total Pages | : 335 |
Release | : 2019-11-12 |
Genre | : Literary Criticism |
ISBN | : 1000732886 |
Violence from Slavery to #BlackLivesMatter brings together perspectives on violence and its representation in African American history from slavery to the present moment. Contributors explore how violence, signifying both an instrument of the white majority’s power and a modality of black resistance, has been understood and articulated in primary materials that range from slave narrative through "lynching plays" and Richard Wright’s fiction to contemporary activist poetry, and from photography of African American suffering through Blaxploitation cinema and Spike Lee’s films to rap lyrics and performances. Diverse both in their period coverage and their choice of medium for discussion, the 11 essays are unified by a shared concern to unpack violence’s multiple meanings for black America. Underlying the collection, too, is not only the desire to memorialize past moments of black American suffering and resistance, but, in politically timely fashion, to explore their connections to our current conjuncture.